The Latest Movie/TV show You Watched Topic 2.0

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Re: The Latest Movie/TV show You Watched Topic 2.0

Post by Major sssspielberg! »

Saw Old the other day. Loved it. Best Shyamalan flick I've seen since The Happening!
Kaltes-Herzeleid wrote: Thu Jan 06, 2022 9:44 am I love Final Wars. I praise Final Wars. Simple as.

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Major sssspielberg! wrote: Sat Aug 07, 2021 2:40 pm Saw Old the other day. Loved it. Best Shyamalan flick I've seen since The Happening!
>.>

Is this post implying The Happening was a good movie? Or M. Night hasn't had a good movie since The Happening?


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Mac Daddy MM wrote: Sat Aug 07, 2021 4:07 pm
Major sssspielberg! wrote: Sat Aug 07, 2021 2:40 pm Saw Old the other day. Loved it. Best Shyamalan flick I've seen since The Happening!
>.>

Is this post implying The Happening was a good movie? Or M. Night hasn't had a good movie since The Happening?
The Happening is a movie I love. M. Night is the one dude who made a so-bad-its-good movie on purpose that actually succeeded, in my opinion. It's like he made The Room by calculation instead of ineptitude! I might just be reading too much into his comments about making it though.
Kaltes-Herzeleid wrote: Thu Jan 06, 2022 9:44 am I love Final Wars. I praise Final Wars. Simple as.

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Re: The Latest Movie/TV show You Watched Topic 2.0

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Major sssspielberg! wrote: Sat Aug 07, 2021 5:30 pm
Mac Daddy MM wrote: Sat Aug 07, 2021 4:07 pm
Major sssspielberg! wrote: Sat Aug 07, 2021 2:40 pm Saw Old the other day. Loved it. Best Shyamalan flick I've seen since The Happening!
>.>

Is this post implying The Happening was a good movie? Or M. Night hasn't had a good movie since The Happening?
The Happening is a movie I love. M. Night is the one dude who made a so-bad-its-good movie on purpose that actually succeeded, in my opinion. It's like he made The Room by calculation instead of ineptitude! I might just be reading too much into his comments about making it though.
Yeah, pretty sure you're reading too far into his comments about it post release. That movie was supposed to be his big break into hard R-rated horror when it came out.


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Just finished Beastars season 2.

Just…wow. I love everything about this show. Forgot just how much I loved it ‘til I binged it today.

I’d like to nominate Legosi as the best fictional protagonist of all time. :P
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Re: The Latest Movie/TV show You Watched Topic 2.0

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eabaker wrote: Mon Jul 05, 2021 8:50 am
o.supreme wrote: Sun Jul 04, 2021 9:10 pm
eabaker wrote: Sun Jul 04, 2021 11:25 am

Then it seems like a potential with a lot of promise was somewhat squandered.
Why would anyone want to watch a movie with an alterior motive? They are supposed to be fun, not about pushing an agenda.
Who decides what the intent of an entire artistic medium should be? And why must an underlying message be perceived as an "ulterior motive" (that implies dishonesty) or "pushing an agenda" (that implies polemicization)? In your opinion, is it wrong for a movie to have any kind of theme, to explore any kind of individual or social concerns? And there's nothing mutually exclusive about having a message and being fun; the two can walk hand in hand quite comfortably, and often do. Jurassic Park doesn't cease to be fun just because it offers a superficial examination of the relationship between technology and nature. King Kong vs. Godzilla doesn't cease to be fun because it comments on crass commercialism. Seven Samurai is tremendously fun, even as it explores class differences and the relationship between the individual and the community.

Besides all that, realistically the movie certainly does have some underlying message or messages, whether the filmmakers intended it to or not, whether they meaningfully explored those messages or not. Whether by design or by accident, all storytelling is in a sense a political act; every story presents a status quo, introduces a change, and takes some perspective on the merits of that change. A responsible storyteller should always be aware of what messages a work is likely to send, because someone is going to pick up on them, whether they're supposed to be there or not.
Oh, and it turns out that there absolutely is an underlying message. It's a movie that essentially posits that the world is being endangered by an increase in female social/cultural authority, and that a restoration of traditional masculine power is our best hope of salvation.
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Re: The Latest Movie/TV show You Watched Topic 2.0

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eabaker wrote: Wed Aug 11, 2021 8:23 pm Oh, and it turns out that there absolutely is an underlying message. It's a movie that essentially posits that the world is being endangered by an increase in female social/cultural authority, and that a restoration of traditional masculine power is our best hope of salvation.
Yikes. Well, that sounds pretty skippable.

In other news, I just got done with Hammer's Dracula. Definitely a big improvement over the dull Universal version. Pacing-wise it zips right by, just straight to the point. Mostly that was a good thing; it's a quick, easy watch and never drags or loses your attention, just one hard-hitting "oh, shit!" moment after another. That said, I would've liked a bit more time spent with Dracula himself. Christopher Lee portrays him very effectively, with more power and intensity than Lugosi's creeping, sinister style (which is also great, of course), but he had so little dialogue and general screentime that he ended up as more of an obstacle/threat than a full character. Peter Cushing carried the movie fine without him, though, so it worked out. Dracula's death was done very well, too. I loved that shot where he was almost entirely reduced to ash, with minimal human features left.

I'll start tracking down the sequels soon, and move on to Hammer's Frankenstein and other remakes, too. It's a shame the distribution rights to these films are such a mess, and they seem so relatively obscure. They deserve to be present on Walmart shelves every October along with the Universal classics and other standard Halloween horror.
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Re: The Latest Movie/TV show You Watched Topic 2.0

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JAGzilla wrote: Thu Aug 12, 2021 7:02 am
In other news, I just got done with Hammer's Dracula. Definitely a big improvement over the dull Universal version. Pacing-wise it zips right by, just straight to the point. Mostly that was a good thing; it's a quick, easy watch and never drags or loses your attention, just one hard-hitting "oh, shit!" moment after another. That said, I would've liked a bit more time spent with Dracula himself. Christopher Lee portrays him very effectively, with more power and intensity than Lugosi's creeping, sinister style (which is also great, of course), but he had so little dialogue and general screentime that he ended up as more of an obstacle/threat than a full character. Peter Cushing carried the movie fine without him, though, so it worked out. Dracula's death was done very well, too. I loved that shot where he was almost entirely reduced to ash, with minimal human features left.

I'll start tracking down the sequels soon, and move on to Hammer's Frankenstein and other remakes, too. It's a shame the distribution rights to these films are such a mess, and they seem so relatively obscure. They deserve to be present on Walmart shelves every October along with the Universal classics and other standard Halloween horror.
Yeah, having grown up on Universal horror, Hammer was such a revelation to me! I'm actually a pretty big fan of Universal's Dracula, as well as Hammer's, and I think they're different enough in both intent and execution that they aren't really in any kind of competition with each other. (I'm sure I've mentioned this before, but seeing the Universal version on the big screen helped it a lot for me).

I agree that more screentime for/exploration of Drac himself would be nice, but Lee is able to do so much with so little, it has a kind of... elegance to it. And, of course, Cushing is more than up to carrying most of the movie himself (I quite like Michael Gough's performance as well).

Eager to read your thoughts on other Hammer flicks as you continue to explore them! The period of production for classic Hammer horror largely lines up with what I consider one of the most fascinating periods in film history in general, as traditional stories and techniques were giving way to more experimental and counter-cultural elements working their way into the mainstream, and Hammer reflects (and kind of distorts) those changes in some pretty entertaining ways.
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Re: The Latest Movie/TV show You Watched Topic 2.0

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JAGzilla wrote: Thu Aug 12, 2021 7:02 am Hammer's Dracula
I keep forgetting that the most recent U.S. release uses the original British title. This tripped me up.

But, like Evan, glad to hear you enjoyed it and looking forward to your thoughts on other Hammer films. I think it's the most satisfying of Hammer's Dracula series, at least as a *Dracula* film -- if Brides of Dracula actually had Dracula in it, that would be my pick instead. (I also really like Dracula, Prince of Darkness, but the first two in the series are a cut or more above the rest.)

Also, if you have TCM (or know someone who does), keep in mind that they tend to play Hammer films around Halloween, particularly the dozen or so WB-owned films.
Last edited by Terasawa on Thu Aug 12, 2021 7:40 pm, edited 2 times in total.
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Terasawa wrote: Thu Aug 12, 2021 7:05 pm Also, if you have TCM (or know someone who does), keep in mind that they tend to play Hammer films around Halloween, particularly the dozen or so WB-owned films.
I think we do still have TCM available through Hulu TV, which I never actually watch. I had no idea it ever played Hammer films, though, so I'll have to take a look at its schedule now. Thanks!
eabaker wrote: Thu Aug 12, 2021 7:55 am (I quite like Michael Gough's performance as well).
Yeah, he did a great job as our sympathetic everyman character.
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Terasawa wrote: Thu Aug 12, 2021 7:05 pm
JAGzilla wrote: Thu Aug 12, 2021 7:02 am Hammer's Dracula
I keep forgetting that the most recent U.S. release uses the original British title. This tripped me up.

But, like Evan, glad to hear you enjoyed it and looking forward to your thoughts on other Hammer films. I think it's the most satisfying of Hammer's Dracula series, at least as a *Dracula* film -- if Brides of Dracula actually had Dracula in it, that would be my pick instead. (I also really like Dracula, Prince of Darkness, but the first two in the series are a cut or more above the rest.)

Also, if you have TCM (or know someone who does), keep in mind that they tend to play Hammer films around Halloween, particularly the dozen or so WB-owned films.
I would probably say Brides is the best movie in the series, overall, despite the absence of DracuLee. I really like all three of the major characters on the "villain" side of that story, and the twisted dynamics among them. In terms of purely personal taste, though, the more arch and expressionistic Dracula Has Risen from the Grave has always been my favorite.
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Going to watch Old, Pig and The Green Knight soon. Thanks for the reminders to watch the Hammer film series. I’m thinking this year in October to watch all the classic universal films and hammer films.

Today I watched Gamera 95 and The Swarm (2020). The later was just released on Netflix, and it was okay. It’s not a conventional monster movie, and focuses more around drama involving a mother trying to keep her business and life afloat as her life slowly deteriorates. The narrative is really about the relationship between her and her daughter, and while I liked the film and it’s ending, there’s still a few things that stuck out to me. I recommend it, but it’s not a typical creature feature. It lacks that oomph of being both an exceptional drama and horror flick.
https://en.m.wikipedia.org/wiki/The_Swarm_(2020_film)
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eabaker wrote: Fri Aug 13, 2021 7:34 am I would probably say Brides is the best movie in the series, overall, despite the absence of DracuLee.
Brides of Dracula could very well be Hammer's best horror film, period. :D
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LSD Jellyfish wrote: Fri Aug 13, 2021 8:16 am Going to watch Old, Pig and The Green Knight soon. Thanks for the reminders to watch the Hammer film series. I’m thinking this year in October to watch all the classic universal films and hammer films.

Today I watched Gamera 95 and The Swarm (2020). The later was just released on Netflix, and it was okay. It’s not a conventional monster movie, and focuses more around drama involving a mother trying to keep her business and life afloat as her life slowly deteriorates. The narrative is really about the relationship between her and her daughter, and while I liked the film and it’s ending, there’s still a few things that stuck out to me. I recommend it, but it’s not a typical creature feature. It lacks that oomph of being both an exceptional drama and horror flick.
https://en.m.wikipedia.org/wiki/The_Swarm_(2020_film)
Did you ever see the Warner Archive release of The Swarm (1978), LSD? I think I heard somewhere, but I'm not sure, that this is an unedited version, with scenes restored to the film that were not in the theatrical version.

I read the 1974 paperback novel by Arthur Herzog a long time ago and it was pretty good. The only thing wrong with it nowadays is that the western honey bee subspecies from Africa mentioned in it as being one-half of the "killer bee" was the West African honey bee (Apis mellifera adansonii) which in real life was thought to be the subspecies that had been imported to Brazil at that time. Now we know it was the East African lowland honey bee (Apis mellifera scutellata). Also in the novel, the Africanized honey bee is given its own scientific name and called Apis mellifera adansonii maryvillis. To find out why, you'll have to read it.

Btw, while I was posting this, I didn't realize you were talking about an entirely different film with the same name as this one until now. Sorry about that.
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The first episode of Sweet Tooth. The writing is pretty shoddy at points (did they seriously suggest that Gus lived in the woods for five years without ever experiencing a thunderstorm?), and it pretty blatantly apes some other big, recent TV shows, but it's decent fun so far. The Covid memes were forced, but I laughed anyway. The whole human/animal hybrids in a post-apocalyptic real world setting idea is interesting, too, so I'll keep watching.
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mikelcho wrote: Fri Aug 13, 2021 10:24 am
LSD Jellyfish wrote: Fri Aug 13, 2021 8:16 am Going to watch Old, Pig and The Green Knight soon. Thanks for the reminders to watch the Hammer film series. I’m thinking this year in October to watch all the classic universal films and hammer films.

Today I watched Gamera 95 and The Swarm (2020). The later was just released on Netflix, and it was okay. It’s not a conventional monster movie, and focuses more around drama involving a mother trying to keep her business and life afloat as her life slowly deteriorates. The narrative is really about the relationship between her and her daughter, and while I liked the film and it’s ending, there’s still a few things that stuck out to me. I recommend it, but it’s not a typical creature feature. It lacks that oomph of being both an exceptional drama and horror flick.
https://en.m.wikipedia.org/wiki/The_Swarm_(2020_film)
Did you ever see the Warner Archive release of The Swarm (1978), LSD? I think I heard somewhere, but I'm not sure, that this is an unedited version, with scenes restored to the film that were not in the theatrical version.

I read the 1974 paperback novel by Arthur Herzog a long time ago and it was pretty good. The only thing wrong with it nowadays is that the western honey bee subspecies from Africa mentioned in it as being one-half of the "killer bee" was the West African honey bee (Apis mellifera adansonii) which in real life was thought to be the subspecies that had been imported to Brazil at that time. Now we know it was the East African lowland honey bee (Apis mellifera scutellata). Also in the novel, the Africanized honey bee is given its own scientific name and called Apis mellifera adansonii maryvillis. To find out why, you'll have to read it.

Btw, while I was posting this, I didn't realize you were talking about an entirely different film with the same name as this one until now. Sorry about that.
It's okay. I will watch the original The Swarm. It has low ratings, but I could see myself watching something like that on a lazy and rainy Sunday.

Also I just watched Pig (2021). Excellent and simple drama. Better to go in not knowing much, except that it's about a man looking for his stolen pig. It doesn't overstay it's welcome and it's effective and interesting.
https://en.wikipedia.org/wiki/Pig_(2021_film)
eabaker wrote: Tue Jul 06, 2021 11:23 amI think a case could be made that, in the absence of any other particular messages/themes, movies in these genres tend - again, not necessarily by design - to present socially conservative (even at times fascistic or xenophobic) themes.

Which, of course, means that a lot of my favorite movies are also ones with which I fundamentally ideologically disagree, but it doesn't necessarily prevent me from enjoying the storytelling.
Sorry for the Necropost, but I got around to watching the Tomorrow War, after Pig. I agree with Osupreme that it's a fun film, but man, it really does soil it's own premise. The first third lays the groundwork for discussing the ethics of this, as well as briefly showing the trauma, but then very quickly devolves into a really standard sci-fi-action flick that is vastly inferior to a few other films.It's not that the film is bad, but it becomes a mish-mash of 3-4 vastly more superior Sci-fi-Horror films, that all do what it does better. They are: War of the Worlds, Alien, Starship Troopers, and Edge of Tomorrow/All You Need is Kill.

The shitty part is that the groundwork for something more meaningful is there, and set-up. You could still have the fun sci-fi action but man, what a disappointment. I won't say more, but I came up with a good idea for an interesting film/sci-fi story while watching it, but I can't say much.

Not bad, but forgettable.
Last edited by LSD Jellyfish on Sat Aug 14, 2021 2:33 am, edited 1 time in total.
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I'm still on kind of a horror kick, so I'm working on Carnival of Souls right now. It took a few minutes to grab my attention, but it is steadily getting good. I'm up to the scene where Mary sees The Man in the hall at the bottom of the stairs and spooks the boarding house's owner, who starts fumbling for "these old houses" explanations and makes the situation worse. That was all very well done, great writing and acting.

EDIT: And the movie stayed good. The acting was kind of all over the place, but definitely convinced at times. It was all just a very eerie, disorienting experience with a lot more questions than answers. So one of those times that art imitates life, I guess.
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Three rewatches:

Harry Potter and the Prisoner of Azkaban: It actually holds up better than I'd remembered, telling the book's story more or less coherently and doing so with some nice visual flair. Lupin's actor might not look the part at all, but he does play the role well. The only real problem is the total omission of the Marauders' backstory, which is important for understanding a whole list of other story elements, such as why Lupin immediately recognized the Marauders' Map.

Harry Potter and the Goblet of Fire: Mostly a decent adaptation, but sadly does have to severely trim down or omit the book's many side plots. Brendan Gleeson made for an excellent Moody, but was let down by the script's idiotic insistence on marking him as suspicious from the beginning.

Wonder Woman: Does a good job of standing out from the CBM crowd, juxtaposing the typical cartoonish good guys vs. bad guys superhero story with the moral trainwreck that is actual war. It's not perfectly handled of course, but it made the effort. Ares was badly miscast, unfortunately. And while it's not necessarily a flaw, the protagonists switching to speaking with German accents in the gala scene is quietly one of the goofiest things I've ever seen in a superhero film. :lol:
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Recently watched Shin Evangelion. I got into Eva the in 2016 because I was unfamiliar with Hideaki Anno, so I wasn't waiting quite as long as a lot of fans, but it's still surreal to finally be getting the 4th Rebuild film. Eva really means a lot to me, as someone who lives with depression and frequently finds myself screwing up professionally and in personal relationships. In my opinion, Eva is the best depiction of the suffering that comes with trying to live with mental illness; it shows both the pain of depression and that you can't use depression as a get-out-of-jail-free card; the pain you cause others with your actions isn't invalidated because you're depressed.
The day I watched 4.0 happened to be a rough one. But boy, did it bring me some catharsis. I've seen people complain endlessly about how it 'disrespects the world of Evangelion' and so on, but for my money it was not only a love letter to the characters, but an amazing send off to the whole Evangelion family of stories. I was consistently surprised and elated at every turn. What a phenomenal picture.
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And just got done with Wonder Woman 1984. Not as bad as I expected, but still not good. It's way too long, had too much going on, and was just so damn over the top and clunky. I doubt I'll ever watch it again.
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