Jeff-Goldblum2 wrote:Scars of Dracula
I enjoyed seeing Christopher Lee and Patrick Troughton on screen together. Something about this, the atmosphere and cinematography seem at a strong point in this movie for the Hammer Dracula films.
Some of the mutilation aftermath scenes with the bat are downright gruesome. If you're a fan of the Hammer Dracula you'll always get something out of them since they are always consistent in their gothic horror style, tone, atmosphere and presentation.
When I was first getting into Hammer horror as a teen, I really disliked
Scars. I found it cold and ugly in a way that the rest of their
Dracula flicks were not. However, as an adult I've developed more of an appreciation for it - maybe I've just become more cynical. It also may have helped that at some point in my twenties I showed it to a friend who absolutely loved it (he was an interesting one to choose movies for in general; by far his favorite of the G-flicks I showed him was
Hedorah)
Troughton is great, of course. Troughton is generally the best part of any movie he's in (okay, in
Jason and the Argonauts he ties with the special effects).
I know Lee loves that this one let him recite more of Stoker's dialogue than other Hammer flicks tended to give him. After we watched the audio commentary, "use
Stoker's words" became an in-joke among me and some of my friends. But I don't think they use that dialogue to any special impact here. Like a lot of the dialogue in the movie, it feels like a place holder.
So, yeah, the characters (other than Klove, but including Drac) leave me cold here; but the brutal, ugly tone appeals to me more than it used to.
Tokyo, a smoldering memorial to the unknown, an unknown which at this very moment still prevails and could at any time lash out with its terrible destruction anywhere else in the world.