Since
the early 1960's, Toho had wanted to make a film
that incorporated the Frankenstein monster. One of their first efforts was a mixing of Mary Shelley's modern prometheus with the titular character from The Human Vapour (1960).
The story for the concept actually came from John Meredyth Lucas, whose credits include Disney's Zorro TV series and the original Star Trek series. At this point in his career, Lucas was working with Brenco Pictures on the American versions of The Last War (1961), Gorath (1962) and The Human Vapour (1960), all three of which would release in 1964 in the US. Toho liked the direction Lucas was taking their 1960 production, and pictured the Vapor Man facing off with the popular Frankenstein character. The company then signed on Ishiro
Honda to direct and tapped Eiji
Tsuburaya for the movie's special effects. To flesh out the concept, writing duties were given to Shinichi Sekizawa, who was coming off the successful King Kong vs. Godzilla (1962).
The first draft for the concept was completed on February 20th,
1963. This story treatment wasn't complete, though. Sekizawa admitted that he lacked inspiration to finish it and abandoned the idea. Writer Takeshi Kimura, though, leapt at the idea of doing a movie around the Frankenstein character, and began pitching his own concept. However, he planned to pit the creature not against the Vapor Man but rather Toho's most popular character for Frankenstein
vs. Godzilla. |