On September 10th, 1937, an event took place that would change the world of cinema forever. Several of the Photo Chemical Laboratories as well as the P.C.L. Film Studio of Tokyo, Jenkins Osawa Studio (J.O.), and a distribution company called Toho Eiga merged into Toho Co. Ltd [1]. But wait! What happened before September 10th, 1937? Were the histories of Toho’s predecessors doomed to vanish into relative obscurity?
Fortunately, a tidy sum of films from the before time are still readily available to those willing to do a little digging. Several examples of Mikio Naruse’s work from his early P.C.L. days have actually proven somewhat of a breeze to locate, and even Sadao Yamanaka’s P.C.L. masterwork Humanity and Paper Balloons is within arms’ reach of Tohophiles, but here’s the problem…
… Naruse began working for P.C.L. in ’35, and his name tends to overshadow those of his contemporaries. This makes for something of a 1935 barrier; that is to say (as of the publication of this article), it’s notoriously difficult to find anything from P.C.L. or J.O. prior to that year. To date, I’ve personally only been able to track down about 20 minutes of combined footage from these early years in the form of two animated shorts, although I do realise that I’m still very blessed to have been able to view said shorts.
So which years are affected? All indications are that none of Toho’s predecessors produced anything, at least film-wise, prior to or during 1932; so that only leaves two unaccounted for: 1933 and 1934.
These are Toho’s forgotten years, and they’ve proven quite the fascination to me as of recent. The Toho Studios Story by Stuart Galbraith IV [2] proved an excellent first step for researching this mysterious era. With the help of Galbraith’s book, JMDB, the Japanese Cinema Database, Kinenote, Japanese Wikipedia, and some additional assistance from Toho’s website, Nikkatsu’s website, Kon Ichikawa by Yuki Mori [3], the Historical Dictionary of Japanese Cinema by Jasper Sharp [4], and Sessue Hayakawa by Daisuke Miyao [5], I’m very pleased to present a (hopefully) comprehensive list of classical works from Toho’s forgotten years.
Please Note: All release dates are from JMDB unless otherwise noted. Films highlighted in yellow are emphasised due to the relative ease of tracking them down.
1933
The Scholar’s Child |
博士の子 |
Transliteration: Hakase no Ko |
Also Known As: N/A |
Directed by: Tomiyasu Ikeda |
Release Date: May 18th, 1933 |
Type: Live Action |
Production: J.O. Studio |
Length: 8 reels |
Toho Connection Likelihood: Medium |
|
The Decisive Battle at Takada Downs |
決戦高田の馬場 |
Transliteration: Kessen Takada no Baba |
Also Known As: N/A |
Directed by: Tomiyasu Ikeda |
Release Date: September 14th, 1933 |
Type: Live Action |
Production: J.O. Studio |
Length: 10 reels |
Toho Connection Likelihood: Medium |
|
A Girlfriend’s Sex Appeal |
彼女のイット |
Transliteration: Kanojo no Itto |
Also Known As: N/A |
Directed by: Gentaro Tawara |
Release Date: September 22nd, 1933 |
Type: Live Action |
Production: Uzumasa Hassei |
Length: 6 reels |
Toho Connection Likelihood: Low |
|
The Romantic Ichimaru |
恋の市丸 |
Transliteration: Koi no Ichimaru |
Also Known As: N/A |
Directed by: Masao Mizushima |
Release Date: November 9th, 1933 |
Type: Live Action |
Production: J.O. Studio |
Length: 8 reels |
Toho Connection Likelihood: Medium |
|
City of Purity |
純情の都 |
Transliteration: Junjo no Miyako |
Also Rendered As: 纯情之都 |
Directed by: Sotoji Kimura |
Release Date: November 23rd, 1933 |
Type: Live Action |
Production: P.C.L. |
Length: 61 min |
Toho Connection Likelihood: High |
|
1934
The King’s Roaring Laughter Banzai |
爆笑王キング万歳 |
Transliteration: Bakusho O Kingu Banzai |
Also Known As: N/A |
Directed by: Masao Mizushima |
Release Date: February 15th, 1934 |
Type: Live Action |
Production: Uzumasa Hassei |
Length: 6 reels |
Toho Connection Likelihood: Low |
|
Namiko’s Life |
浪子の一生 |
Transliteration: Namiko no Issho |
Also Known As: N/A |
Directed by: Shigeo Yagura |
Release Date: June 28th, 1934 |
Type: Live Action |
Production: P.C.L. |
Length: 64 min |
Toho Connection Likelihood: High |
|
Araki Mataemon: Iga Pass |
荒木又右衛門 天下の伊賀越 |
Transliteration: Araki Mataemon – Tenka no Igagoe |
Also Known As: N/A |
Directed by: Yotaro Katsumi |
Release Date: June 28th, 1934 |
Type: Live Action |
Production: Uzumasa Hassei |
Length: 21 reels |
Toho Connection Likelihood: Low |
|
Become Japanese! |
日本人なればこそ |
Transliteration: Nihon-jin Nareba Koso |
Also Known As: N/A |
Directed by: Genjiro Saegusa |
Release Date: August 22nd, 1934 |
Type: Live Action |
Production: Uzumasa Hassei |
Length: 6 reels |
Toho Connection Likelihood: Low |
|
Love Street |
恋の舗道 |
Transliteration: Koi no Hodo |
Also Known As: N/A |
Directed by: Seichi Ina |
Release Date: September 13th, 1934 |
Type: Live Action |
Production: J.O. Studio |
Length: 8 reels |
Toho Connection Likelihood: Medium |
|
Enoken’s Magician |
エノケンの魔術師 |
Transliteration: Enoken no Majutsushi |
Also Known As: N/A |
Directed by: Sotoji Kimura |
Release Date: October 25th, 1934 |
Type: Live Action |
Production: P.C.L. |
Length: 73 min |
Toho Connection Likelihood: High |
|
The Worthless Wife |
旅烏お妻やくざ |
Transliteration: Tabigarasu Otsuma Yakuza |
Also Known As: N/A |
Directed by: Takuji Furumi |
Release Date: November 1st, 1934 |
Type: Live Action |
Production: Uzumasa Hassei |
Length: 8 reels |
Toho Connection Likelihood: Low |
|
Boss of the Alps |
あるぷす大将 |
Transliteration: Arupusu Taisho |
Also Known As: N/A |
Directed by: Kajiro Yamamoto |
Release Date: November 15th, 1934 |
Type: Live Action |
Production: P.C.L. |
Length: 90 min |
Toho Connection Likelihood: High |
|
Key |
キャプション |
High: |
The connection to Toho is well-established as the production company in question is either P.C.L. or J.O. |
Medium: |
Most likely a J.O. / Uzumasa Hassei coproduction. Per Yuki Mori’s Kon Ichikawa, Uzumasa Hassei (now defunct) produced a plethora of films using J.O. Studio. |
Low: |
The lack of evidence for a J.O. tie-in would suggest that Uzumasa’s parent company Nikkatsu probably has a far greater connection to the film in question than Toho. |