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A note from staff
A complete translation of Kazuki Omori’s take on a “Godzilla versus Ghost Godzilla” type movie, as seen in the Japanese publication Godzilla vs. Destoroyah Perfection (ISBN: 4798615811). Based off the proposal pitched by Shogo Tomiyama and referred to as “Story Plan A“, the plot largely revolves around the malevolent spirit of the 1954 Godzilla causing havoc in the present day. There isn’t too much to say about this one, other than characters feel a bit rough and plot threads seem come and go as they please, but it still manages to introduce some pretty wild scenarios. Once again, a very special thanks to Noah Oskow for his translation of this story!
~ Joshua S.
“Godzilla vs. Godzilla” Story Plan A ― Kazuki Omori
Giant bones have been unearthed at the construction site of the Ariake Coastal Subcenter Undersea Tunnel.
Could they be the bones of some dinosaur? Or those of a mammoth?–
XX University’s itinerant professor, Kazuhito Kishima, is called to the scene.
Kishima doesn’t see the bones as those of either a dinosaur nor of a mammoth.
The huge bones are brought to the National Institute of Bioscience in the metropolitan area.
Kishima was separated from his wife when she died in an accident, and lives with his only son, Sumito, a twelve year-old elementary school 6th-grader. Kishima cunningly collects a piece of the bone, gifting it to his son Sumito, telling him that “this is a dinosaur bone key holder.”
〇 Footsteps resound late at night in the city
With neither form nor footprints, a huge mass emerging from a shockwave assaults the city.
In a single night, areas all over the city show its scars –
And yet no one had seen the form of the thing that caused the damage.
The people are overcome with unease –
The police and Self-Defense Force assemble strict guard organizations, but despite this, the translucent entity continues to attack the town.
Attacks from heavy weaponry only incite the presence to increase the damage it causes.
Newspapers and television repeat frenzied headlines – “It’s Just Like an Unseen Godzilla,” and “Ghost Godzilla.”
“Godzilla?” – A wild idea enters Kishima’s imagination. “Could it perhaps be that those bones are in fact the remains of Godzilla (I), consigned to oblivion in Tokyo Bay 40 years ago by the Oxygen Destroyer?”
Then comes the third attack by the invisible mass.
Drawing a line on the map between the three points of attack reveals the National Institute of Bioscience at the center of the destruction –
Kishima’s imagination runs even wilder. “Godzilla’s ghost means to take back his bones.” Kishima goes to a psychic researcher who works at his university to inquire regarding his bold ideas about Godzilla. This researcher does not deny Kishima’s theory.
He says that he’s been half convinced by Kishima’s explanation, but despite this, he still no idea as to how to destroy the invisible mass.
Eventually, the huge bones are taken from the land to the sea. They’re carried to an uninhabited island off the Miura Peninsula.
– Then, the invisible mass stops its attacks on Tokyo…
Whether this has all been coincidence or not, there is simply not enough evidence to confirm whether Kishima’s theory was indeed correct… but Kishima still naturally takes this as proof that he was right. Kishima speaks to his son, Sumito, regarding his feeling of proud discovery.
The bones of Godzilla call to him – Hearing his father’s theory, Sumito reaches out to his classmates, and together they hatch a plan. Their scheme is to have the invisible mass destroy the venue of a trade fair for new computer games being held at Makuhari, allowing them to take any of the games they want. Of course, their method for calling the invisible mass to Makuhari will be to use the Godzilla Bone Key Holder gifted to Sumito by his father. At night, the brats gather at the Makuhari trade fair. Their leader, Sumito, holds the key holder in his hand.
And then, it comes. The invisible mass.
In spectacular fashion, the Makuhari trade fair is destroyed.
Sumito and his gang descend on the destroyed fair to get their hands on the new games. They’re overjoyed.
Kishima knows that the invisible mass coming ashore at Makuhari is the work of his son, Sumito. While he’s glad that his theory has been substantiated, he gives his son a good scolding for his prank. Confiscating the Bone Key Holder, he locks it away in a quarantine box back at his university.
〇 The Bone Key Holder is stolen from Kishima’s laboratory at the hands of some mysterious person.
〇 One night, suddenly, a giant silhouette of light floats upwards from the depths of the waters off of the Miura Peninsula. At first appearing akin to the curtains of light seen in an aurora, it comes to take the form of Godzilla (I). It’s just as though an apparition of the deceased Godzilla has appeared, floating upon the sea – an Aurora Godzilla.
A transport ship that plies the waters off the peninsula happens to enter into the aurora; in an instant it’s enveloped in a beam of light and disappears.
However, as long as the Aurora Godzilla stays in that area of the ocean, it poses no further danger.
Television and mass communication are going wild for the Aurora Godzilla, which appears standing there nightly. Ships pull out to sea full of people for whom the Aurora has become a sightseeing spot. The shores are crammed full of onlookers gazing across the sea, and local restaurants are doing a roaring trade.
With patrol boats surrounding it, the seas around the Aurora Godzilla have been roped off as a danger zone, and reckless youth flock there as well. In an instant, one of the youth’s motorboats disappears.
〇 A woman director from Station XX, Yuriko Miue, puts forth a certain plan of action.
Her plan is to have the Aurora Godzilla and Little Godzilla face each other.
She suggests they should bring Little Godzilla from Birth Island to the waters off the Miura Peninsula and film a live broadcast.
Miki Saegusa is vehemently opposed. What a horrible idea, to use Little Godzilla for the sake of a television show!
However, Yuriko has laid the groundwork with the related departments, and she forcibly pushes forward.
〇 Little Godzilla is taken from Birth Island by ship (perhaps a conveyance ship designed specifically for Little Godzilla).
Then, Little Godzilla draws near to the waters off Miura Peninsula under the watchful eyes of the television cameras.
Little by little, the form of the Aurora Godzilla begins to change.
It seems that something had begun to change within Little Godzilla as well. His eyes and mouth have taken on a ferocious quality.
Suddenly, the light from the Aurora Godzilla begins to burst forth in a way resembling mist, and these concentrations of light begin to be absorbed into the body of Little Godzilla.
As we watch, Little Godzilla begins to morph into a form akin to a mass of lava, and suddenly – he has become Godzilla (I)!!
〇 Godzilla (I) slowly begins to head towards Tokyo.
The nightmare of those 40 years ago has reemerged –
Godzilla (I) walks through a Tokyo engulfed in flame, his footsteps echoing a reverberating, stomping noise.
Tokyo Tower is destroyed, followed by the Tokyo Dome, and as more and more buildings fall the city becomes a sea of fire.
People run about, trying to flee.
The Defense Force is dispatched.
Filming crew trucks are stomped on and crushed as well –
Having sent the people of Tokyo to the pits of despair, Godzilla (I)’s form disappears into Tokyo Bay.
〇 It is around this time that Godzilla (II) (Heisei Godzilla) begins to move.
His path leads to Tokyo.
Could Godzilla (II) be motivated by worry for Little Godzilla’s safety? Or could it just be heading for a chance meeting with Godzilla (I)? –
〇 The theft of the key holder from Kishima’s laboratory was done at the hands of Hideki Ogata (29), a physicist returning from America.
Hideki Ogata is the son born to Emiko Yamane and Hideto Ogata, and at one time he had attempted to understand the research regarding his mother’s one-time fiancée, Dr. Serizawa’s discovery of the Oxygen Destroyer.
Hideki believed Godzilla (I)’s bones could hold the key to solving the mystery of the Oxygen Destroyer, and to that aim he was analyzing the key holder.
The answer his state-of-the-art computers revealed were the unbelievable powers held by oxygen. That power is that to change the atomic energy from nuclear fission caused by uranium into temporal energy. A dreadful degree of temporal power – a single second of temporal power is worth 10,000 years. In short, physical forms exposed to its temporal powers are jumped forward 10,000 years. As a matter of course, the physical body thus exposed is destroyed. This is indeed what had occurred to the corpse of Godzilla (I). However, if that physical body happens to be a living being, its life-force shall remain even if its body is destroyed – it seems that somehow, the true form of the Ghost Godzilla is this sort of invisible mass. The only thing that can destroy this life-force is the Neo Oxygen Destroyer. And Hideki has finally completed it.
However, Hideki’s body has also been exposed to the oxygen pollution, and he is heading towards death.
〇 Tsukishima Waterfront
Godzilla (II) comes ashore.
Godzilla (I) appears, seemingly lifting up the Kachidoki Bridge.
The battle of Godzilla (II) VS Godzilla (I) takes place, destroying the high-rise buildings of Tsukishima. Godzilla (I) is about one size smaller than Godzilla (II).
By hiding behind high-rise buildings and disappearing below the water’s surface, and by using his high speed, he plays around with Godzilla (II), although their difference in size cannot be overcome.
Godzilla (I) finally collapses. His life-force quietly seeps out of his body and begins to float up towards the sky. Simultaneously, Godzilla (I)’s form begins to revert to that of Little Godzilla.
Seeing the lifeless form of Little Godzilla, Godzilla (II) lets out a tragic roar. With a heavy gait, he puts Tokyo to his back and heads towards the sea. –
〇 Miki does not believe that Little Godzilla has died
Miki insists that since what has risen out of Little Godzilla’s body is the life-force of Godzilla (I), Little Godzilla is in fact in a state of suspended animation. She bullies her way into getting Little Godzilla shipped to the docks of Yokohama and puts his body under quarantine.
The only way to bring Little Godzilla back to life is to bring about nuclear fission within his body.
However, is it truly worth bringing Little Godzilla back to life? This kaiju, if brought back to life once again by her hands, might go on to cause pain and suffering for humankind – No, moreover, seemingly Little Godzilla himself knows not the difference between good and evil. Miki’s heart wavers.
And not only that, but in order to revive him she’d need to get ahold of some plutonium…
〇 Hideki, having completed the one-and-only Neo Oxygen Destroyer (from here to be referred to as the NOD), is watched over by his parents as his brief life as a scientist comes to an end.
〇 Godzilla (II) traverses the sea
A JSDF submarine equipped with the NOD approaches.
The NOD has approached close enough to Godzilla (II) and is fired.
Godzilla (II)’s body is destroyed amidst a great and violent upwards eruption of bubbles.
Thus, Godzilla (II) has died –
〇 Miki resolves to bring Little Godzilla back to life
Little Godzilla is injected by the secretly obtained plutonium. Now they need only to wait for the nuclear fission to begin within his body. Having finished with the operation, Miki finds herself overcome with unease and regrets.
〇 An island in the waters off the Miura Peninsula
Suddenly, the gigantic abandoned bones blow into smithereens, scattering like a glittering dust.
And then, the life-force of Godzilla (I) which had come floating downwards began its next stage of materialization, ensconced in that light –
Next, the shining, invisible form of Godzilla (I) begins to float upwards.
A Godzilla like the most beautiful of carved glass sculptures, the most beautiful in Godzilla history = This is the birth of Crystal Godzilla. Crystal Godzilla, its translucent body shining, slowly makes its way towards Tokyo.
〇 Yokohama Bay
Crystal Godzilla assaults the harbor.
The heat rays that Crystal Godzilla spits forth burn up the tankers in their moorings.
The harbor is a sea of flame.
Miki and her crew have dropped off Little Godzilla at the docks and flee the scene. But Little’s nuclear fission has not yet begun –
Crystal Godzilla’s heat rays scorch the docks.
The docks explode.
Within the flames, Little Godzilla’s eyes slowly open. The glint in his eyes are more acute, closer to those of Godzilla (II). Little Godzilla has been reborn – while he isn’t as large as Godzilla (II), it’s obvious his age as “Little” Godzilla is over, and he has now come closer in nature to Godzilla (II).
〇 Miki can sense Little Godzilla’s rebirth
“Is Little Godzilla our enemy? Or our ally?”
〇 The Final Battle at the Ariake Waterfront City
Crystal Godzilla, with its beautiful body and its contrasting violence, moves forward with its destruction, obliterating the International Exhibition Center and the Ariake Coliseum.
Little Godzilla appears, seemingly chasing after Crystal Godzilla.
The battle between Crystal Godzilla and Little Godzilla commences.
This is a battle between the shining light of the old generation and the unknown, still-secretive new generation.
Moving from Ariake to Tennozu Isle, the two spit forth heat rays at each other, their interlocked tangle towards death continuing.
Then – suddenly, Crystal Godzilla falls, shattered just like a crafted piece of glass.
A victory for Little Godzilla.
Little Godzilla slowly turns his back on Tokyo Bay and heads out towards the Pacific Ocean.
Miki watches his retreating figure disappear – As to whether Little Godzilla will become an enemy or an ally to humankind… For now, she can only pray that the future will see no reason for her to regret her actions this day.
ENDGeneral // March 17, 2019
A note from staff
A complete translation of Shogo Tomiyama‘s pitch for Godzilla vs. Ghost Godzilla, as seen in the Japanese publication Godzilla vs. Destoroyah Perfection (ISBN: 4798615811). There isn’t as much to see here compared to the draft penned by Kazuki Omori, but I always found the basic idea extremely enticing, and I really wanted to share the text in full even if most of it was already covered in the movie’s cutting room bio. A very special thanks to Noah Oskow for his incredibly proficient translation of this proposal!
~ Joshua S.
“Godzilla vs. Ghost Godzilla” Proposal ― Shogo Tomiyama
※What do we mean by “Ghost,” and just what is “Ghost Godzilla?”
Godzilla, who first made his way into our history in 1954 in Tokyo Bay, was defeated by the underwater-oxygen destroying power of the Oxygen Destroyer. However, the real truth is that as a result of the time powers (powers that can alter the length of time) that came into being at the moment of the destruction of the oxygen, in that single moment 10,000 years passed by, annihilating Godzilla’s body and bones alike. In this way, Godzilla was destroyed physically and corporally, and yet the life-force stored in that gigantic body remained on the seafloor of Tokyo Bay as residual living energy.
40 years onwards, that residual living energy that had been scattered along the seafloor slowly began to bind back together. And at the moment when the energy became one, that aggregation of energy, invisible to the eye, begins to move with the goal of obtaining a body and consciousness.
The mysterious phenomena that have been terrifying the citizens of Tokyo (bridges suddenly collapsing, buildings crumbling, the ground caving in, rivers reversing course, the sky darkening, etc.) are all being brought about by this invisible, wandering aggregate of residual living energy (Ghost) of the original Godzilla.
※Ghost – An ethereal body created by the concentration of the agony and rage of the original Godzilla at the moment of his annihilation. He cannot be seen by the eyes of men, and yet he is an intelligent and demonic being.
This ghost has found its ultimate opponent: Little Godzilla. The ghost, sensing that inside of this young 30-meter tall monster are a body and consciousness that resemble its own, takes ahold of him in an instant, taking over Little as if by possession.
※Ghost Godzilla – The body of Little Godzilla that has been taken over by the specter of the original Godzilla. Its consciousness is that of Ghost, violent and malevolent. A paranormal (viper-real) monster the likes of which we have never yet seen.
※Ghost Godzilla’s special abilities and characteristics
Because Ghost Godzilla is an amalgamation of the life-force energy Ghost and the monster Little, it possesses paranormal powers.
1. Special abilities that go beyond the physical laws of the universe.
c. Phasing through matter.
d. Changing its form.
2. Methods of attack
a. Can spray forth the original Godzilla’s atomic heat beam, melting its target.
b. By spitting ectoplasm from its mouth, it can create duplicates of itself.
c. Based on that life-force energy, it can alter its environment at will (temperature, wind, light, etc.).
d. Penetrate its opponent’s body, taking over their mind.
a. Similar to that of the original Godzilla, but its ferociousness shows in its appearance. Its talons and fangs are long, large, and demonic.
b. Height, 80 meters (original Godzilla + Little).
c. When in danger it takes on Little’s form, weakening Godzilla’s attacks.
a. Hates daylight.
b. Speedy, moving instantaneously.
c. Can only move within the range of the area in which the original Godzilla moved.
a. Strong sense of resentment. The objects of his destructive actions are not limited to buildings, as he persistently targets humans as well.
b. Little’s kind heart may appear momentarily. The demon and the pure heart of this child are in conflict.
※Why do Godzilla and Ghost Godzilla come to fight?
In order to save Little, Godzilla must defeat Ghost Godzilla and expel him from Little’s body. This will be a battle using the magical technique of “exorcism.”
The ghost, having stolen Little’s body and having re-emerged into reality, has developed a taste for this powerful existence, and with that goal fights Godzilla. By defeating Godzilla and stealing his body he can become an invincible god of destruction.General // February 18, 2019
A note from staff
After hitting several unexpected roadblocks and over a year of work later, it’s finally here – a complete translation of the story draft for Mothra vs. Bagan as seen in the Japanese publication “Godzilla” Toho Special Effects Unpublished Material Archive: Producer Tomoyuki Tanaka and His Era (ISBN: 9784048544658), where it was condensed to 26 pages. Being a draft, the story is written rather erratically, so some text was altered to make for a more coherent and enjoyable read. Also, minor spoilers, but while the site’s synopsis mentions Godzilla, he was never incorporated in this draft as he was only put into consideration at the time. Just something to keep in mind! Naturally, I’d highly recommend checking the site’s page in the link above for plenty of history and trivia. A very, VERY special thanks to Ashley Southworth for her translations in the last half of this story outline, to John Ruffin of MyKaiju Godzilla for also looking into translating parts of this story, and to the incredibly talented dopepope for his recreation of the Bagan concept intended for this work. Without further ado, please enjoy Kazuki Omori and Tomoyuki Tanaka’s lost project!
~ Joshua S.
Mothra vs. Bagan Kazuki Omori
Onward to a world featuring fantastic monsters in a thrilling action-adventure movie—
Production ・Tomoyuki Tanaka
Screenplay / Director ・Kazuki Omori
Special Effects Director ・Koichi Kawakita
Producer ・Shogo Tomiyama
Masako Tezuka (26) Global Environment Conference Staff
Kenji Andoh (30) Japan Documentary Center, Director
Takuya Fujita (24) Japan Documentary Center, Photographer
Jyoji Minamigaki (40) Local Coordinator
Ryuzo Tashiro (45) A certain trading company’s Bangkok Branch Manager
Shigeki Fukazawa (50) Global Environmental Conference, Chief
Puto (9) Local boy
Somna Payak Thailand・Chulalongkorn University・Professor of Paleontology
Sūn Shì Jī Peking University・Professor of Archeology
Sajit Singh Director of Nepal National Museum
Ramada Singapore Army Commander
Thailand Secretary of Defense
Miki Saegusa (18)
1 A blue star floating in space, Earth
—Camera zooms in.
The continent of Asia comes into view, zoom in.
Various sound effects can be heard—
2 Himalayan Mountain Range
A certain mountain. Loud sounds, and an avalanche starts to occur. An intense amount of snow smashes into rocks, and tears down trees. In the snow cloud, the black shadow of something huge has started moving.
3 Japan・Tokyo・XX Hall
A “Thinking About the Earth’s Future Symposium” billboard is in front of the building.
4 Same・Inside the venue
Pictures taken from the Landsat (Resource Exploration Satellite) are reflected on the podium by slides — a huge iceberg melting away from Antarctica, a tropical rainforest where large-scale logging is happening, etc.
Masako Tezuka (26) is speaking about global warming, standing next to the podium.
Masako, who has finished her speech, talks with staff, foreigners.
A man・Kenji Andoh (30) calls out to Masako as she passes by.
Masako speaks in a delighted tone at the sight of Andoh,
Masako: “You came! I thought you weren’t in Japan anyway.”
Andoh: “I just got back yesterday from collecting data on Colombian narcotics.”
6 Andoh’s car cruising through the city at night・Inside
Andoh is driving with Masako next to him.
Masako: “Busy travelling all over the world as usual, I see.”
Andoh: “No rest for poor people. It’s the fate of subcontract production, you see. Well, I was the one who quit the TV program, so I can’t complain.”
Masako: “Do you regret it now?”
Andoh: “Stop it. You too, quitting the hospital, working on stuff like environmental problems, aren’t you the one regretting it?”
Masako: “I’m not that weak! (cutely angry)”
7 Tokyo Bay Area・Restaurant Bar
Two people eat.
Photographs are put on the table.
Photos from the Landsat — a huge white egg-like object in the back of the jungle is visible.
Masako’s voice: “I found it while investigating the deforestation’s actual condition from a space camera. The location is deep inside Borneo Island.”
Andoh looks at the photos.
Andoh: “A huge dome in the jungle.”
Masako: “No one ever talked about the natives there playing baseball.”
Andoh: “Then, it’s a UFO.”
Masako: “Come on, be serious. I think it’s an egg.”
Andoh: “You too, are you being serious? An egg this big?”
Andoh: “A dinosaur egg? No way…”
Andoh, once again, looks at the photos. His face is serious.
8 Tokyo・Global Environment Conference Headquarters・AV Room
A slide picture is projected on-screen — a bunch of cuts from the remains of the Himalayan avalanche are compiled,
Fukazawa’s voice: “How’s that possible? It’s like the mountain is gone.”
The lights in the room come on.
Shigeki Fukazawa (50) — Global Environment Conference Chief, and Masako.
Fukazawa: “(sigh) Not even in the South Pole has there ever been drifting ice this big.”
Masako: “With global warming progressing this far, you can’t say it’s just science fiction. It’s an undeniable reality.”
Fukazawa: “(stands up, walking around) The country has to think about this more seriously, too. With just this much money, we won’t be able to catch up with reality and that’ll be a terrible thing.”
Fukazawa and Masako come out from the AV room.
Masako: “Chief, about this thing from back then…”
Fukazawa: “Oh, the dinosaur egg, right?”
Masako: “About the investigation.”
Fukazawa goes to his seat. He packs up his bag with books, various documents, etc. on the table,
Fukazawa: “Sorry, but can’t it wait until I get back from Himalaya?”
Masako looks dissatisfied.
Fukazawa: “(to calm her down) A special budget, no matter where I knock, won’t come right away. Isn’t it fine, anyway? If it’s really an egg, it won’t move or anything.”
Masako: “(even so) If I find a sponsor myself, can I go?”
Fukazawa: “You’re quite stubborn, aren’t you? Fine, go ahead.”
10 Nepal・Mountain village — Night
Many houses are illuminated by the dim light of the moon.
Suddenly, they are covered by the shadow of a huge monster.
Like a unicorn, there is a big sharp horn.
A flash goes off, and at the same time the whole area is engulfed with fire and a bursting explosion.
11 Tokyo・Old building in Shinjuku
“Japan Documentary Center” can be seen on some overhanging signboards.
Andoh’s voice: “Game Soft Company is the general incorporated association, though—”
12 Japan Documentary Center・Office
Stacks of video tapes, photography equipment, editing equipment — a room that looks like a combined warehouse, office, and editing room.
Andoh and Masako arrive at the sorry-looking lounge suite.
Andoh: “When I told them that it might be a dinosaur egg, and that we could monopolize commercialization and stuff, they were sold.”
Masako: “Isn’t that good?”
Andoh: “But, that’s half the budget. If we bring the other half to the TV station, sure enough, they’ll want to see the end result first. Bargaining hard for the finished product is their tactic.”
Andoh: “No, I’ll go with however much there is, no matter what. That is my gamble.”
Masako: “(happily) I see.”
Andoh: “But, we have to limit our scale to a minimum. If we include a coordinator and staff from their side, then two people is the limit on our side.”
Masako: “Andoh-san and me?”
Andoh: “(shakes head) You can’t roll a video camera, can you?”
Andoh: “Me and someone else I know, someone who’ll be able to roll the camera and drive, someone young who can do anything. We’ve traveled around Africa before.”
Masako: “Give me a break, I’m the one who brought this up, how can you not take me along!”
Andoh: “I’ve checked the map, it’s quite deep in the jungle. A little too hard for a lady to go to.”
Masako: “I’m way tougher than what you imagine me to be. And…”
Masako: “Deep in the jungle and rivers and such, you don’t know what kind of viruses might be there. Are you planning to go to such a place with just one first aid kit? I am a doctor.”
Andoh, thinking — I guess I have no choice.
13 A temple in the outskirts of Kathmandu・Panoramic view — Late at night
A flapping noise from an open window.
A monk who seems to have awakened to the sound comes to close the window.
The monk looks out the window — !!
A black mountain is outside the window.
Monk: “Was there a mountain in such a place…?”
Suddenly, two eyes shine on the black mountain. The eyes glare at the monk.
The monk is unable to stand up or utter any cry. He runs away crawling.
The black mountain rises with a boom.
15 Giant black shadow looms over the temple
An arm from the mountain appears. Its claws gleam gently, extending to the temple.
With one nail, the temple crumbles noisily.
16 Malaysia・Certain port city of Borneo Island
17 Bar-like restaurant outskirts
Local boy Puto (9), and Jyoji Minamigaki (40) with worn out jeans, jacket, and stubble, play Shogi on the table. Puto is winning, Minamigaki’s clicking his tongue.
The door opens, and three shadows enter — Andoh, Masako, Takuya Fujita (24). All three are consolidating themselves in an outdoor style.
Minamigaki rises upon seeing Andoh.
Minamigaki: “Are you Andoh-san?”
Andoh: “Mr. Minamigaki?”
Minamigaki nods, and the two shake hands.
Minamigaki: “I couldn’t come pick you up at the airport, sorry.”
Andoh: “Likewise, the plan for 2 suddenly became 3. We’re on a budget, so pardon me for the inconvenience, (points at the 2) cameraman Fujita-kun and producer Tezuka-kun.”
Minamigaki: “Jyoji Minamigaki, the world-wandering photographer. Allow me to be the coordinator this time.”
When the greetings end, each takes a seat.
Andoh: “(to Minamigaki) The guide’s not here yet?”
Minamigaki: “He’s coming.”
3 people — ?
Minamigaki points to Puto.
Puto: “(with a smile) Nice-to-meet-you.”
Andoh: “This kid?!”
Minamigaki: “(nods) Since you brought 1 more person there, we couldn’t hire a local man.”
Andoh, as if trying to say it’s all your fault, looks at Masako.
Masako: “(ignoring Andoh, to Minamigaki) Is it okay with a kid?”
Minamigaki: “There’s no one as qualified as this one. This child was born and raised in the village closest to our destination.”
Masako: “Inside the jungle?”
Minamigaki: “(nods) After losing both his parents, he was taken care of by a priest in this town. He was also taught a little English in the church. He himself is very happy to be able to go to his village, and the church also says they don’t need money as long as they can help.”
Andoh: “(feeling better) It’s the best cast, then.”
Masako — anxious.
Minamigaki: “So, when are we heading out?”
Andoh: “As soon as possible.”
Takuya: “What about a car?”
Minamigaki: “Since we have some leftover money from the guide budget, I’ve prepared a good one. (grins)”
18 Panoramic view of Kathmandu
19 National Museum of Nepal・Panoramic view
20 Same・Conference room
Surrounding a conference table, Fukazawa, Sajit Singh (Director of Nepal National Museum), Sūn Shì Jī (Beijing University・Professor of Archeology), Somna Payak (Thailand・Chulalongkorn University・Professor of Paleontology), and others are lined up.
Fukazawa: “Well, regarding that huge avalanche, if global warming melting the ice wasn’t the cause, then…”
Somna: “Of course, there is no doubt the cause was something big, plus—”
Somna: “Something with huge power worked its way out from under the snow.”
Fukazawa: “But, what on earth…?”
Sajit: “After the big avalanche, this is what happened in my country (then, pulls out several pictures).”
Photo — a mountain village burned in Nepal, a monastery destroyed in the outskirts of Kathmandu, huge footprints left, traces of claw marks, etc.
Sajit: “A huge creature. It was asleep under the snow all this time.”
Somna: “(picks up the photo) Could it be the legendary Abominable Snowman?”
Sajit shakes his head unknowingly.
Sūn: “(speaks quietly) Bagan.”
Everyone looks at Sūn — “Bagan?!”
Sūn: “Make an empty vow, misconstrue your prayer, in other words, Bagan, it will overtake your path — it is a monster written in our ancient documents, the Wen xuan. It will appear from the mountain, dive in the water, and soar through the sky.”
Fukazawa: “Are you saying that such a monster is real?”
Sūn: “(shakes head) I don’t know, either. But when the country’s in disorder, the world is dirty, and people’s hearts are filled with evil, Bagan will appear from the depths of the earth.”
21 Borneo Island・Jungle
A piece-of-junk truck with a tarp roars its engine and runs.
22 Truck・Driver’s seat
Takuya is in the driver’s seat, while the young boy Puto gives directions in the passenger’s seat.
Takuya: “Dammit! Where is a better car, this piece of junk.”
23 Same・Luggage carrier
Next to the stack of luggage sits Masako, Andoh, and Minamigaki who has a camera hanging around his neck.
Trucks carrying logged trees pass by quickly.
Masako: “So many big trees cut down…”
Minamigaki: “It’s all being sent to Japan.”
Masako: “To Japan?”
Minamigaki: “Yes, they will be exported to noodle shops and made into disposable chopsticks.”
Minamigaki: “Me, ever since I rushed out with a camera at the time of Vietnam War, I haven’t returned to Japan at all.”
Andoh: “So, 20 years.”
Minamigaki: “(nods) During that time, I’d heard rumors of Japan here and there around the world. Japan, which was gradually growing bigger like a monster. Before I knew it, I’d become scared to return to my own country…”
The truck bounces off the road, and straight into the jungle.
Andoh: “(to the driver’s seat) What’s wrong?”
From the driver’s seat, Takuya looks back.
Takuya: “The boy knows a shortcut.”
24 Truck running through the jungle along a trackless path
— And it is piled up,
25 Night, natives emerge on the other side of the headlights
The truck arrives at Puto’s village.
26 Puto’s village — Night
Poor houses made of logs can be seen around the field.
The people come out of their houses, run up to Puto like they missed him, and are calling out to him.
Puto introduces Masako’s group to an elderly man who is like the head of the village.
27 Same・House of the village chief
The village head holds a hospitality banquet — whole roasted monkey.
Masako, Andoh are appalled.
Minamigaki and Puto eat it deliciously.
Takuya hesitantly tries it — it’s good.
Takuya: “(to Masako) It’s good. Why don’t you try eating some?”
Masako: “I’ll pass.”
Masako reaches for the vegetables and fruits instead.
After the meal —
Masako shows the photo taken from the Landsat to the village chief.
Takuya turns the video camera.
The village chief, who looks at the egg in the photograph, talks to Puto about something.
Minamigaki, who hears the conversation, tells Masako.
Minamigaki: “He seems to be saying that it is the egg of the guardian deity of the forest.”
Masako: “The guardian deity of the forest?”
The village chief nods, and speaks in a low voice.
Village chief: “Mothra.”
Masako, Andoh look at one another.
28 The next day — Morning
From the riverbank of the village, two canoes go out.
Andoh, Puto, Minamigaki are in one boat. Masako, Takuya, and the equipment and luggage are in the other.
29 Canoeing up the river
Into the depths of the jungle. The current is becoming more rapid.
Minamigaki controls the canoe with his trained arms.
Takuya’s arms are also pretty strong.
Puto reviews the surrounding landmark’s rocks.
The two canoes go deeper down the river, and deeper.
30 The canoes anchored in front of a big waterfall
The party lands and unloads their luggage.
31 The party climbing a cliff
32 Tents set up on the river beach (Base camp) — Night
Takuya makes a fire, while Masako warms a meal.
Andoh, Minamigaki, Puto return from their reconnaissance of the vicinity.
Andoh: “(to Takuya) Prepare the camera.”
Masako: “…? Is there something?”
Andoh: “It’s a cave.”
Cutting loose the ivy entwined on the entrance, the party goes inside.
While shining a flashlight, the party proceeds through the narrow tunnel.
Finally, they come out to a wide space that couldn’t have been imagined from the entrance.
Masako shines the light of the flashlight — part of a painting is illuminated.
A huge unicorn-like creature’s head.
Takuya illuminates the entire wall with a battery light.
The unicorn and many large insects with giant wings look like they’re fighting (the sizes of the unicorn and large insects can be grasped from the humans drawn together with them).
Masako: “What on earth is this…”
Andoh: “(to Takuya) Camera, roll it.”
Takuya sets up the camera.
The party stands before the mural illuminated by light.
In the dark behind them, there are ten or so shining eyes, 4 among them being small little shining eyes — and they are watching intently. Masako and the others don’t realize they’re being watched, they’re fascinated by the strange wall painting.
They’re simple lines, but the unicorn drawing shows plenty of its ferociousness.
35 India・Calcutta — Night
The Hooghly River — a giant black body appears in the large stream.
It’s Bagan — a face that looks like the devil down to its prominent horn, a back like a rocky mountain, chest like black armor, hands and legs with sharp nails that look like artificial arms.
Towards the moonlit night, it roars. It heads to the city of Calcutta.
36 Kathmandu・Hotel room
Beside a bed, a phone rings.
Fukazawa, awake, picks up the receiver.
Fukazawa: “What?! It appeared!”
Bagan proceeds to destroy the city.
It releases an intense light ray from its horn. There is an explosion, and a building burns up.
38 Helicopter point of view
As Calcutta rises up in flames, like a giant mobile black rock, Bagan advances.
39 Inside the helicopter
Fukazawa, Somna, Sūn watch overhead, their breath taken away.
Fukazawa: “That really is…”
Sūn: “It is Bagan.”
Fukazawa: “I can’t believe it.”
Somna rolls the 8mm video camera that he’s holding.
It submerges into the Bay of Bengal.
41 Borneo Island・Outback
Andoh, Masako advance, wading through tall thickets of grass that reaches above their backs.
The party eventually comes out of the thicket and stops.
Masako, Andoh — !!
Takuya involuntary sets up the camera.
A huge egg towers before their eyes.
Masako: “(involuntarily) It’s so huge…!”
Takuya: “(looking through the viewfinder) This won’t fit on the camera.”
Andoh: “(joy gradually rising) All right! It’s the greatest discovery of the century!”
Andoh rushes over to touch the egg, becoming hyper like a child.
Masako also approaches the egg.
At that moment, singing voices can be heard from the direction of the egg—
The words are indiscernible, but it is a beautiful melody.
All present — ?! Everyone looks around.
Andoh: “Who is it?”
Takuya searches around the direction of the singing voices with his camera.
There are figures at the bottom of the egg.
Like the lens had mistaken the figures of the people — there are two little small girls.
Takuya zooms. Two small beauties (Shobijin) are singing.
Andoh, Masako find the Shobijin.
Minamigaki also clicks his camera shutter rapidly.
Andoh: “What… is this?”
Masako: “You girls, just what…?”
Minamigaki approaches his subjects while peeking through the finder, gradually inching closer to the fairies.
Frightened, the Shobijin flee.
Masako: “Please wait!”
Minamigaki chases them.
The Shobijin run away, into the palm of a big hand. Suddenly, seven strong men appear from behind the egg. The Shobijin are in the hand of one of these men. With muscles and skin the color of iron, the men’s bodies are wrapped in beast skins. Each holds a spear in their hands.
Masako, Minamigaki are breathless.
Takuya takes his eyes off the camera.
One of the men calls out to them.
Minamigaki seems to understand some of his words.
Minamigaki: “(to Andoh) “What are you here for, what are you doing,” he seems to be saying.”
Minamigaki speaks in their weird local language with the help of Puto.
It looks like their words got through. The man replies.
Minamigaki: “When I said that we’re with a Japanese TV station, and that we came here to record this egg, they said it’s an important time as this egg’s about to hatch. We’re being told to leave quickly.”
Andoh: “Ask them to let us film it while it’s hatching.”
Minamigaki tries to talk.
The men yell roughly and hold up their spears.
Andoh, Masako — Shock!! and tumble over.
Puto hastily persuades with the men in a panic.
The man lowers his spear and speaks.
Minamigaki: “He says they will kill us if we don’t leave soon. Puto said even if we go back now, it’ll be dark halfway through. Tomorrow, as the sun rises, we will leave, I beg of you.”
The man says one, two words with a gesture showing “understood”.
Minamigaki: “It seems he understood our reasoning. We absolutely have to leave tomorrow morning. Otherwise, our lives will be gone.”
Masako bows her head as if to say “Thank you” the men.
The Shobijin in the man’s palm respond to Masako with smiles.
The men turn around to leave.
Everyone breathes a sigh of relief.
Andoh, Takuya look at the camera.
Andoh: “(still somewhat excited) Taku, the video’s still rolling, right?”
Takuya gives the OK sign.
Andoh: “I win. The people at the TV station, it’ll be fun to see what kind of faces they’ll make!”
Minamigaki orders something to Puto in a low voice.
Puto runs to where the men left.
Masako: “(to Minamigaki) Where is Puto going?”
Minamigaki: “I sent Puto to tail them.”
Masako: “(unpleasantly) You had him do what?”
Minamigaki: “Knowing the enemy’s location is necessary for our safety. Lady.”
Masako: “(annoyed) Are you saying they’re enemies?”
Masako glares at Minamigaki.
42 Cave with the wall painting・Inside
The Shobijin and seven men enter.
Puto watches from the cover of a rock.
43 Base camp — Night
There are 3 tents — one is Masako and the luggage, another is Andoh and Takuya, and the last tent has Minamigaki, Puto, and the video equipment.
Everyone is asleep. Only Minamigaki’s sleeping bag next to Puto is empty.
44 Waterfall near base camp
Minamigaki throws the video camera and finished tapes into the waterfall and leaves.
Minamigaki takes out two cans from his pocket and goes to the entrance. He throws the cans inside. There is the sound of cans breaking.
White smoke fills.
Minamigaki, who is watching his wristwatch, waits for a suitable amount of time to pass, then puts on a prepared gas mask and goes inside.
After Minamigaki enters, there is a figure under the shadow of a rock — it’s Puto.
He watches warily.
A cave with a wide space.
Seven men are lying unconscious on the ground.
Minamigaki, turning on a flashlight, checks the number of men, then begins searching for the Shobijin with great haste.
He searches the inside of the cave’s rocky cavities one by one.
He finds them — the two Shobijin collapsed on top of each other.
Minamigaki wraps the two in the palm of his hand and heads outside.
Out comes Minamigaki, who gently puts the Shobijin in a prepared case.
Puto, who has been hiding in the cover of a rock, understands the plot of Minamigaki. He runs back towards the tents.
50 Base camp
Puto jumps in, waking Masako.
Puto: “Masako, Masako!”
Minamigaki climbs down with the case in hand.
52 Base camp
Andoh and Takuya come out of their tent.
Andoh: “(to Masako) What happened?”
Masako: “That man!”
Two canoes are anchored.
Minamigaki splashes one of the boats with gasoline fuel. After dousing it plenty, he grabs his case and rides in the other boat.
After lighting his lighter, he throws it into the gas-drenched canoe.
The canoe burns with a roaring sound.
54 Base camp
Masako approaches Andoh.
Masako: “He used the chloroform, it’s gone.”
Andoh: “What a guy!”
Takuya: “That guy, he also threw away the video camera and recording tape somewhere.”
Andoh: “What did you say—!”
Puto comes running back breathlessly.
Puto: “Fire, fire!”
The three people rush towards the waterfall pointed to by Puto.
The three people and Puto approach.
A canoe is burning.
The canoe carrying Minamigaki is nowhere in sight.
The three people are stunned. Puto is shouting angrily in a loud voice.
56 Base camp
The three people and Puto return.
Andoh: “Quick, if we don’t get away from here too, when those guys wake up it’ll be dangerous.”
Masako: “It was Minamigaki who kidnapped the Shobijin. If we just explain properly—”
Andoh: “You think they’re people who’d listen and understand?!”
As expected, Masako is also convinced.
Takuya: “But without another canoe, how?”
Puto: “I, know, I know, another way.”
Masako: “There seems to be another way.”
57 Morning sun rises in the jungle
58 Party moving on the cliff path following the river
A suspension bridge comes into view ahead.
59 Suspension bridge
It is considerably aged, and the hanging ropes appear insecure.
Andoh: “Is this all right?”
Puto: “Only one, okay?”
Masako: “You mean only one person at a time?”
Puto nods and crosses the suspension bridge quickly to the other side.
From the other side, he shouts: “Only, one, okay!”
Andoh: “Well, I’ll go first.”
Andoh crosses over. As expected, when the grown adult Andoh crosses over, the rope creaks.
Still, he manages to reach the other side.
Andoh: “(towards Masako and Takuya) Taku, let Masako go first!”
Masako: “I will go.”
Masako crosses over. In the middle, (it always happens at times like this) a bridge plank breaks.
Masako’s leg slips down. She shrieks.
Masako tries her best to pull her leg back while standing on one leg somehow.
Masako is relieved. After she’s alright, she turns to Takuya and—!!
Seven men follow the cliff path. They are approaching Takuya.
Takuya, Andoh also notice the men.
Andoh: “Taku, cross over quick!”
Takuya: “But, if 2 people cross over…”
Andoh: “Run across, Masako you run, too!”
A spear brushes against the hesitant Takuya’s body.
Takuya decides to run.
Two people are now on the bridge.
The rope on Takuya’s side tightens and snaps, splitting off as it’s unable to bear it anymore.
Masako shrieks, and grabs ahold of the bridge’s rope.
Takuya, the moment he falls, grabs onto a plank.
The suspension bridge, swinging in an arc to Andoh’s side, crashes into the cliff below.
Masako and Takuya endure the shock and are barely clinging on.
Andoh: “Get up quickly!”
Masako musters her willpower to climb up.
Takuya also goes up, using the bridge planks like a ladder.
Men toss spears at the 2 people.
A spear pierces nearby, barely hitting them.
Another spear hits the rope, 1 of the 2 ropes splits.
Masako — it’s hopeless.
And, at that moment.
Behind the seven men, a light bursts over the mountains.
A loud sparkling noise —
The men turn around facing the mountain, loudly chanting “Mothra” “Mothra”, and run back in a hurry through the cliff path from where they came.
60 Mothra’s egg
Light forms in zigzags around the shell.
Along with the light, the shell starts cracking open.
61 Suspension bridge
Masako and Takuya use the rope, finally climb up.
Standing on the cliff, Andoh, Masako, Takuya, and Puto look toward the flash of light over at the mountain.
Masako: “Mothra’s egg is hatching.”
62 Minamigaki’s canoe proceeding in the river
Minamigaki also looks back, staring at the flash of light over the mountain.
The Shobijin in the case sing sorrowfully.
The song continues into the next scene.
63 Mothra’s egg
The shell splits open along the cracks.
7 men watch over (hitting the drums, dancing and such are okay…).
Flicking off eggshells, Mothra Larva emerges from within.
64 The Shobijin singing in the case
Their song gradually becomes louder — in hopes of Mothra’s help.
65 Mothra’s egg
Responding to the singing voices of the Shobijin and breaking the remainder of its shell, the Mothra Larva reveals its whole body.
Mothra gives her first cry.
― F ・ O
66 Puto’s village
Led by Puto, Masako and the others arrive.
Masako staggers and collapses.
Andoh is also very tired. He sits down.
Takuya checks for the truck.
67 Same・Where the truck was parked
There is no truck.
Takuya, who came to check, clicks his tongue in annoyance.
68 Jungle road
The truck drives on.
69 Truck・Driver’s seat
Minamigaki drives, looking triumphant.
The case of the Shobijin is on the other seat, covered by a sheet.
70 Puto’s village・Plaza
Andoh and Masako are sitting and talking.
Masako: “Is he really going to take those girls to Japan?”
Andoh: “He must be. It’d be his greatest souvenir for his return to Japan. Television, the press, agencies, they will all come rushing to him.”
Masako: “Such a dirt bag.”
Andoh: “Definitely. (lies down on his back) But, it’s not like I don’t understand.”
Masako: “… (looks at Andoh)”
Andoh: “Even scum have stubborn pride. Before that pride, as you can see, they are powerless. They can’t help themselves.”
Masako: “(sighs) By the time we reach the town on foot, the airplane will be heading for Japan.”
Takuya and Puto come with the village chief.
Takuya: “Andoh, there seems to be an airplane.”
Andoh: “(getting up) What?! In this village?”
Takuya: “According to the village chief, in the past, it fell nearby and they picked it up.”
Takuya: “(to Puto) Sky, flight, okay?”
Puto: “(pointing to the sky) Okay, okay!”
71 Same・Excavation hut
The village chief opens the creaky door.
Inside is a deflated, dusty balloon.
Andoh: “What is this?”
Masako: “Isn’t that a balloon?”
Takuya: “That shocked me. You said the past, but it was actually from the 19th century, wasn’t it?”
Puto: “Sky, flight, sky, flight!”
The balloon is swelling.
Takuya examines the equipment.
Takuya: “It seems to be okay.”
Andoh: “Hey Taku, are you for real with this thing?”
Masako: “Can you fly it?”
Takuya: “Back in my school days, I did this.”
Masako is half-anxious, half-excited.
73 Above the large forest
The balloon emerges, floating in the sky.
74 Inside the balloon basket
Masako, Andoh, Takuya, Puto.
Takuya: “See, it flew!”
Masako: “(delightfully) So great, I’ve always wanted to ride in something like this at least once.”
Puto: “(happily) Sky, flight, sky, flight!”
Andoh: “But, can we fly this to where we want to go?”
Takuya: “If the wind is on our side.”
Masako: “(pointing down) Look, it’s Mothra!”
Everyone looks to see where Masako is pointing.
75 Looking from the balloon
Mothra, who broke out of her egg, proceeds through the forest. She heads towards the sea.
76 Balloon in the sky
Floats, slowly, but it is definitely moving forward.
― F ・ O
77 Bay of Bengal・Underwater
An Indian nuclear submarine is in motion.
Fukazawa, Sūn, Somna are on board. They look at the radar with the crew.
The radar does not detect anything.
Somna: “The radar is unable to tell the difference between it and the undersea rocks…”
Fukazawa: “(nodding) It was originally something of a mountain monster, after all.”
The nuclear-powered submarine advances.
On the rocks at the bottom of the sea — two eyes shine eerily.
80 Singapore・Panoramic view
81 Changi International Airport
82 Same・Airport building・Departure counter
Minamigaki is beginning the boarding procedure — dressed up in a businessman-style suit, in his hand is box-shaped luggage.
83 Same・Airport building・Front
A jeep being driven by Andoh comes to a stop. Masako, Puto exit the vehicle.
Takuya, who was waiting in the building, comes out and meets with the three people.
Takuya: “On the passenger list for the next flight to Narita, there’s Minamigaki’s name.”
Andoh: “He really is taking them back to Japan, isn’t he…”
Masako: “It was nice to have made it in time.”
The four people enter the building.
84 Same・Control tower
An air traffic controller watching over the runway — “What, what is that!”
It is Mothra Larva.
Landing from the sea to the runway.
She steadily advances on the runway. A stopped jumbo aircraft is crushed, causing an explosion and flames.
86 Same・Waiting lobby
Passengers who are watching the sight on the runway start screaming and running away.
Sirens echo throughout the airport.
An announcement is made informing an emergency situation.
87 Same・Stairs to the lobby
Masako is caught in the crowd of people running away and cannot proceed.
Andoh: “What happened!”
88 Same・Waiting lobby
A stunned Minamigaki stares at the figure of Mothra, away from the noisy crowd.
Minamigaki: “No way…”
Minamigaki opens the bag. The two Shobijin are inside — singing.
Swearing under his breath, Minamigaki closes the bag and quickly leaves.
89 Inside the bag
The Shobijin continue singing.
Their song continues into the next scene.
Mothra heads toward the airport building.
After crushing an airplane standing by at the airport apron, she approaches the building.
91 Airport building・Front
People are running away, flooding all the exits.
Masako and the others come out as if being pushed back by the flood of people.
Masako: “He’s here among this crowd! We’re so close to catching him…”
Andoh: “(pulls Masako) The airplanes aren’t even flying. That dude cannot escape this town, either. Let’s go.”
Andoh takes Masako back to Takuya and the jeep.
Blocking out general vehicles, army troops enter — tanks, armored cars, rocket artillery, trucks, etc. head for the airport.
93 Airport as seen from a helicopter
An airplane bursts into flames.
Mothra begins destroying the airport building.
94 Airport building・Front
Breaking apart the airport building, Mothra looks up.
An attack helicopter formation of the Armed Forces is flying overhead.
The attack helicopters assault Mothra all at once.
Fired missiles, Vulcan cannon.
Explosions wrack the body of Mothra.
Mothra’s body tenses and shakes as if surprised.
95 Jeep leaving the airport
Takuya drives. The jeep cannot proceed due to a traffic jam.
Masako is looking back towards the airport.
She can see the figure of Mothra being attacked by helicopters.
Masako: “Somehow, I feel sorry for it. Mothra isn’t at fault…”
Takuya: “(nodding) Mothra only came here to take back the Shobijin, surely.”
Andoh: “If that’s so, then Minamigaki’s boss’s sin is deep.”
Masako: “How can we find him?”
Andoh: “Until he can fly to Japan, he has no choice but to wait here. He would have needed to book a hotel somewhere.”
Masako: “That’s right.”
Takuya: “Let’s examine the guest lists of the city’s hotels.”
96 Mothra at the airport
Mothra, just as she is caught in the attack of the attack helicopters, spits thread from her mouth.
The discharged thread entangles an attack helicopter.
The attack helicopter stalls and crashes, creating a big explosion.
Mothra proceeds to spit thread at the remaining attack helicopters, one after another.
Attack helicopter units fall, and explode.
Ground troops go in to attack.
Tanks, howitzers, rockets, anti-aircraft missiles are fired.
They land on Mothra’s body, one after another.
Mothra spits thread at the ground troops mercilessly.
The ground units are trapped in the thread and cannot move.
Mothra moves. Her large body is enveloped by tank, rocket, missile attacks.
97 Armed Forces headquarters
Commander Ramada is responding via radio.
Ramada: “What?! Annihilated?!… The monster is headed towards the city!”
Ramada cuts off the radio. He instructs his subordinate.
Ramada: “All remaining troops go into the city.”
Ramada makes a phone call.
Ramada: “Oh, is this Mr. President? With our army unable to put up resistance, this could be considered a worst-case situation. I would like to request a support order to the United Nations. … Thank you.”
98 Singapore city・XX Hotel・Lobby
Masako and Andoh are on a lounge table.
Takuya and Puto arrive. They shake their heads as if saying it’s no good, then take a seat.
A list of hotels in the city is placed on the table —
Most are crossed out.
The last 3 are erased.
Masako: “Is that all?”
Andoh: “That guy, where could he be hiding…”
Announcement — “The monster is heading towards the city. All remaining guests in the hotel, please evacuate to Fort Canning Park at once.”
The lobby starts becoming busy.
A guest with children is behind Masako, bumping into another guest.
A child drops their locomotive toy.
Masako picks up the locomotive that fell at her side and hands it over to the kid—!!
Andoh, Takuya — ?
Masako: “The Malaysia Railway.”
Andoh: “! — The Malaysia Railway from Singapore to Bangkok.”
Takuya: “If you go to Bangkok, there would be a number of flights to Japan. (rising) I will go to Singapore Station.”
Puto catches up with Takuya.
99 Central Area, Singapore・Jalan Besar (Night)
Mothra comes up.
A defense line of troops are mobilized along the canal.
Mothra enters the canal.
An underwater missile that was set in the canal explodes.
Along with an intense water column, Mothra springs up.
For a moment, she floats in the air, then strikes the surface of the water again.
The water column is higher than a skyscraper.
Weapons such as missiles, rockets, etc. lined up on the defense line are fired all at once.
Mothra is engulfed in fire and smoke. She cannot move.
100 Armed Forces headquarters
Ramada watches Mothra on a monitor.
Ramada: “We did it!”
101 Jalan Besar
In the smoke —
Again, weapons lined up on the defense line are fired.
Mothra is aggravated. Her upper body unexpectedly contracts, and springs to hit the row of tanks, grenades, rockets, and anti-aircraft missiles lining the canal.
The defense line has been pummeled by Mothra, and weapons explode sequentially, one after another.
Mothra, fairly wounded, seems exhausted and advances slowly.
102 Armed Forces headquarters
Ramada is watching the monitor.
Ramada: “(to his subordinate) Connect me to the president.”
103 Singapore Civic Centre
Mothra approaches slowly.
In front, the 73-story Westin Stanford Hotel comes into view.
Mothra, as if she has decided on that as her target, heads for the Westin Stanford Hotel.
104 Malaysia Railway・Singapore Station・Home
It is crowded with many people evacuating.
It is just before the departure of the Asian international train.
Takuya walks along, checking each train window.
105 Same・International train・Within a passenger car
Puto walks down the aisle, carefully looking at the seats on both sides.
With a bag on his knee, the figure of Minamigaki appears, who is waiting for departure.
Puto — !!
Puto comes down from the train and calls Takuya.
Train departure bell.
Puto sees Takuya rushing over.
Takuya tries to catch the train, but the train starts moving.
107 Fort Canning Park
A small hill overlooking the city.
People who evacuated are gathered.
Among them are Masako, Andoh. Mothra begins climbing up the side of the Westin Stanford Hotel.
108 Westin Stanford Hotel
Mothra seems to cling to the building. She spits thread from her mouth.
The discharged webbing gradually envelops Mothra.
109 Fort Canning Park
110 City Hall・Roof
Army soldiers are monitoring Mothra with binoculars.
Ramada gazes at Mothra, who is turning into a cocoon.
111 Westin Stanford Hotel
A huge cocoon now wraps Mothra — it is attached to the building.
112 Fort Canning Park
The people cannot help but notice Mothra’s cocoon.
Masako, Andoh —
Takuya and Puto arrive.
Takuya: “He was there. The train destined for Bangkok at XX hour XX minute just left.”
Andoh: “Is that so?”
Masako: “If you drive the jeep at full speed, can we get ahead of it?”
Andoh: “I can try.”
Everyone heads to the jeep.
113 Train running on Malaysia railway at night
Minamigaki sleeps on the booth’s seat.
In the bag on the shelf, the Shobijin sing.
The song flows into the following scene.
114 Westin Stanford Hotel
The cocoon of Mothra is lit up by military floodlights, appearing pure white.
The music becomes instrumental —
115 City Hall・Roof
Ramada watches the cocoon through binoculars.
A messenger soldier arrives.
Soldier: “(to Ramada) In response to the request of the United Nations, today, four Maser tanks have arrived at the Air Force base from the US Army in the Philippines.”
Ramada: “(appearing content) OK. At dawn tomorrow morning, we will start a heat ray attack on Mothra’s cocoon.”
116 Jeep running on the national highway in Malaysia at night
Takuya is driving. Andoh spreads open a map next to him.
Masako is in the back seat. Beside her, Puto is sleeping peacefully.
117 Off the coast of the Strait of Malacca (Night)
A large ship is proceeding.
The quiet wave front suddenly winds into a vortex and the seawater rises.
From the center, Bagan appears.
Bagan snatches the large vessel in its ferocious claws.
The large vessel is destroyed like a toy.
118 Indian Army Submarine・Inside
A wireless SOS is sent.
Radio staff call for a response. Behind them are the figures of Fukazawa, Somna, Sūn.
Radio staff: “The signal has fallen. It seems it was sunk.”
Fukazawa’s group looks at each other.
Fukazawa: “It’s off the coast of Malacca… (he looks it up on the map)”
Somna: “Are you planning to come to my country?”
119 Singapore (Morning)
The morning sun embraces the cocoon on the Westin Stanford Hotel, shining brightly.
120 Westin Stanford Hotel front
Four Maser tanks are in place.
The heat ray guns aim at the cocoon.
121 City Hall rooftop
Ramada has a tense look on his face.
The jeep runs along Chaoyang. It runs through an overpass crossing the track.
The international train passes under the overpass a little after the jeep.
123 Singapore・City Hall rooftop
Ramada: “Commence the heat ray attack!”
124 Westin Stanford Hotel front
Heat rays are fired all at once from the Maser tanks at the cocoon.
125 Cocoon of Mothra
The area receiving the heat ray attack gradually heats up, eventually a fire rises.
The cocoon burns.
126 City Hall rooftop
Ramada: “Alright! Stop the attack!”
127 Cocoon of Mothra
Only a portion of the surface burns away, exposing the inside.
The heat on the inner surface causes a sharp crackling.
128 City Hall rooftop
Ramada’s other military superiors — ?! They breathe in and watch.
129 Cocoon of Mothra
The cracked parts break down, and from inside, the head of the adult Mothra appears.
Furthermore, giant wings appear from the cocoon.
130 City Hall rooftop
Ramada’s group — !!
Raising a high-pitched cry, she spreads her wings and soars into the sky.
In the sky, twice, three times, her large wings flutter.
A gust of wind occurs.
132 Westin Stanford Hotel front
The Maser tanks get caught in the gust of wind and crash into a church. The church collapses.
133 City Hall rooftop
Ramada’s group is knocked down by the terrible wind.
134 Running train・In the passenger cars
Minamigaki wakes up and sits up in his seat.
In a bag placed near his feet, the Shobijin sing Mothra’s song.
As if she could hear the song of the Shobijin, Mothra makes a large turn in the sky and flies northward.
136 City Hall rooftop
Ramada sees off Mothra as she leaves.
Ramada: “(anxiously) Where to now? There is even more evil awakening…”
137 Station near the Thailand・Malaysia border
Andoh, Takuya, Puto, and Masako wait in the hub.
The international train arrives.
Everyone climbs aboard.
138 Mothra flying in the sky
139 International train running
140 Same・In the passenger cars
Puto leads Masako and walks through the aisle. On the camera, the edge of a seat comes into view. They approach it.
Minamigaki and Masako notice each other. Minamigaki hugs the bag and walks down the aisle.
Masako: “They’re inside the bag, huh?”
Minamigaki: “What is?”
Takuya: “Don’t play dumb.”
Andoh: “Give it back.”
Minamigaki: “This is mine. I have the right to take it.”
Andoh: “Don’t say such stupid things! Minamigaki.”
Minamigaki: “(interrupting) In the 20 years of warmth and prosperity that you were born into, things like rights existed, did they not?!”
Masako: “Of course we do not have such a right. (strongly) In the same way, you have no right.”
Minamigaki: “Don’t be cheeky, lady. Do you understand my feelings? Me, who has been wandering outside the country for 20 years?”
Takuya: “You’re just agitated! It’s over, so let it be.”
Takuya approaches Minamigaki.
Minamigaki pulls a gun out of his pocket and raises it.
Takuya — ! He stays in place.
From the seated guests, there is screaming and yelling.
Andoh causes Takuya to fall down.
Minamigaki: “You threw away half of my life. I can’t wait.”
Masako, Andoh, Takuya — all glare.
141 Mothra’s appearance (From the sky)
A train runs between the rocky mountains along the coast facing the Gulf of Thailand.
— Mothra gradually heads towards it.
142 Train・Conductor’s seat
Assistant: “(looks out the window — !!) What, what is that!”
143 Same・In the passenger cars
The figure of Mothra approaches from outside the window.
— A passenger looks out and shouts.
Hearing the voice, everyone in the passenger cars look out the window.
Minamigaki also looks.
In that moment, Takuya kicks Minamigaki’s gun with his feet, and jumps.
In the bag rolling on the floor away from the hands of Minamigaki, the Shobijin flip about, and scream.
She grazes over the upper windows of the train.
145 Train・In the passenger cars
Window glass cracks due to the tremendous wind pressure.
Screams resonate from the guests.
U-turns from the mountains to the sea.
She flies over the train again, this time closer than before.
Its wheels are momentarily lifted off the rails.
Some of the rear portion is torn away from the coupler and is blown away.
148 Same・Masako’s passenger car
The parts that were not blown out shake in shock. A person falls from their seat, another falls down.
Takuya and Minamigaki are entangled, and knock into people.
Takuya loses his balance and collapses.
Minamigaki picks up the bag and staggers, escaping towards the deck.
149 Same・Conductor’s seat
Assistant: “(to the conductor) If you try that again, it’ll be a mess. Head for the tunnel.”
The conductor nods and speeds up.
150 Focused on the train
A tunnel comes into view in front of the rocky mountains.
U-turns over the sea.
Begins approaching the train for the third time.
152 Train running at tremendous speed
Rushes into the tunnel.
Immediately after, Mothra grazes over the tracks.
153 Same・Conductor’s seat
Assistant: “(to the conductor) Brake! We’re leaving the tunnel again.”
Conductor: “It’s too short, I can’t stop it.”
Assistant: “That’s the next tunnel. Stop there.”
154 Focused on the train
The tunnel exit approaches. Beyond the exit, the rocky mountains come into view.
However! The mountain tunnel has been blocked!
155 Same・Conductor’s seat
Conductor: “Wh-what! There is no tunnel!”
156 Wheels squeezing brakes
Against the huge rocky mountain that blocks the tunnel, thud!
Minamigaki is crushed by the impact into a wall. He raises his voice in a deathly cry. His arm breaks the window.
Inside the bag that rolls on the floor, the Shobijin topple over and over.
159 Same・In the passenger cars
Passengers are knocked down while screaming.
Masako, Takuya hit the floor and the wall and faint.
As Andoh and Puto are tottering up, they are hit into their seats.
Andoh, wondering what happened, takes a look outside the window.
160 Huge rocky mountain opens
What looked like a rocky mountain was actually the foot of a huge monster.
Camera pans up from the leg. With a torso like armor and a ferocious face with a sharp horn — Bagan.
Andoh — !!
Bagan roars. It looks up at the sky. In the sky is Mothra.
161 From the sky
From the first camera, Bagan enters towards Mothra.
Mothra notices Bagan.
162 Mothra vs. Bagan
Bagan fires a light ray from its horn. A direct hit on Mothra’s neck.
Mothra, instinctively letting out a cry, retreats.
Bagan fires more light rays from its horn.
Mothra lifts her body, abdomen — her abdomen becomes keratinized like steel, reflecting the light ray, safeguarding her. Mothra returns to her former posture, wholly spreads her wings, and glides towards Bagan like a glider.
Bagan stands alert, Mothra’s attack comes at it again, this time even stronger, and Bagan loses its footing on the rocky cliffs. Without delay, Mothra flies towards the falling Bagan.
The tail of Bagan bends like a whip and hits Mothra directly.
Mothra staggers greatly in the air.
Bagan roars. Standing up, it shoots a light ray from its horn at Mothra’s back.
Mothra tumbles out of the way of the light ray, and swoops over Bagan’s head, gliding downward.
Bagan points its ferocious horn upward.
Furthermore, it raises both its hands, and prepares to skewer Mothra with its extended sharp claws.
Mothra — !! She makes a sharp turn at the last minute.
The steel-like abdomen of Mothra and the horn and claws of Bagan rub against one another, creating a resonating metallic sound while sparks fly.
Mothra rises sharply.
From the back of Bagan, wings like a bat protrude and spread.
Bagan jumps. It stretches out its hands towards the rising Mothra.
Bagan’s sharp claws capture Mothra’s wings.
Like that, the two monsters fall toward the earth with a boom.
Bagan still has both of Mothra’s wings in its grasp.
Mothra desperately flaps her wings, trying to get away, but Bagan does not let go.
Using all its strength, Bagan forcibly turns Mothra to face it.
Bagan’s wide-open, eerie mouth follows Mothra’s face.
At that moment, Mothra fires a powerful Prism Beam from its compound eyes.
The rays hit Bagan’s oral cavity directly.
Bagan lets out a cry and releases both of Mothra’s wings from its grasp.
At close range, Mothra irradiates the face of Bagan with its Prism Beams.
Mothra spreads her wings and rises.
Enraged, Bagan jumps high. One arm reaches for the tail of Mothra.
Bagan floats in the air while grabbing her tail with one arm.
Mothra flies out over the sea.
Over the ocean, Mothra flutters her wings at full power.
She beats gale-force winds towards Bagan, where her tail is still caught.
As expected, Bagan braces itself, but is unable to withstand the tempest and releases its grip.
Bagan crashes into the sea. A huge splash rises.
Over the sea where Bagan sank, Mothra turns.
― F ・ O
163 Thailand・Bangkok・Panoramic view
164 City hospital・Hospital room
Masako wakes up on a bed.
Masako: “(lightly shaking her head) Where am I?”
Andoh is standing next to the bed.
Andoh: “A hospital in Bangkok. Taku is in the next room.”
From behind Andoh, Fukazawa’s face appears.
Fukazawa: “Hey, did it go okay?”
Masako: “(alarmed) Chief!”
Fukazawa: “After chasing Bagan, I came from Nepal all the way to Thailand. (wry smile)”
Andoh: “A monster that doesn’t seem to be of this world that appeared earlier.”
Masako: “(remembering) Where are the Shobijin?”
Andoh: “Still missing at the scene of the accident.”
Masako: “Huh? Then, Mothra…”
Fukazawa: “We don’t know the whereabouts of the girls, while Mothra is still dealing with Bagan, as she’s not moving from over the Gulf of Thailand.”
Puto comes in.
Puto: “(looking at Masako’s face happily) Masako, you, okay?”
Masako smiles and nods.
Andoh: “(to Puto) Taku?”
Puto smiles while giving a thumbs-up.
Masako: “What about Minamigaki?”
Andoh: “He was crushed by the train. We weren’t able to save him.”
Masako: “(In a small voice) I see…”
Andoh: “Still, because it seems that the other two are okay, I’ll return to the hotel. I’ll leave Puto here.”
Masako: “I will go as well. I have to find the Shobijin quickly and return them to Mothra. I can’t sleep in a place like this. (gets up)”
Andoh: “(directed at Masako) For today, you’re a patient.”
Fukazawa: “(nodding) You understand the troubles of a patient who doesn’t listen to their doctor, don’t you?”
Fukazawa: “I will also be leaving soon… (looking at his watch) I have to head to the airport to welcome our guest from Japan.”
Masako: “Guest from Japan?”
165 Don Mueang International Airport
An airplane lands.
166 Same・Arrival lobby
Miki Saegusa (18) appears.
Fukazawa greets her.
167 Sheraton Hotel・Panoramic view
A 28-story high-rise hotel.
168 Same・A room on the upper floors (Andoh’s room)
Andoh is on the phone.
Andoh: “…If you keep saying that after seeing the real thing, then I’ll decide if there’s a real story… 20 million? (laughs) Aren’t you off a bit? Kanto TV is saying 100 million and that…”
The camera moves to the white basket placed for a pet in the corner of the room by the window.
Inside the white basket — the Shobijin. They have fainted and are sleeping.
169 Chulalongkorn University・Main gate
Fukazawa’s voice rises from the previous scene.
Fukazawa’s voice: “This is Miki Saegusa of the National Mental Sciences Development Center.”
170 Same・Professor of Paleontology Office (Somna’s room)
Fukazawa introduces Miki to Somna and Sūn.
Fukazawa: “She says that when Godzilla appeared in Japan last time, she accurately tracked the position of Godzilla’s spirit under the volcano and in the sea. I think that she can find Bagan’s position in the sea.”
Somna: “(nodding) Let’s take a look at a video with Bagan for now.”
Somna rises, switches on the video monitor.
Video screen — Bagan in Calcutta.
171 Same area・Full view — Sun is rising
172 Same・Professor of Paleontology Office
After watching the video, Fukazawa and the rest are considering their plan.
A map is spread out on the table — the position where Bagan sank is marked in the Gulf of Thailand.
Somna: “Then in the morning, we’ll go.”
Fukazawa: “(wondering) Is that okay?”
Miki’s eyes and expression are distant.
Fukazawa — ?
Miki gently closes her eyes.
Fukazawa: “What’s up?”
Somna: “(anxiously) What?”
Miki: “Somewhere, there are voices calling… They are calling for help.”
Fukazawa: “Help? To who?”
Miki: “(opens her eyes) Mothra.”
173 Sheraton Hotel・Andoh’s room — Evening
In the basket, the Shobijin are singing out the window — sorrowful singing voice.
Andoh is not in the room.
174 City hospital・Corridor
Masako’s hospital room door opens. Masako, Miki, and Fukazawa emerge from the inside.
Afterward, Takuya and Puto follow.
Everyone walks into the corridor.
Masako: “(to Miki) We’re not far. How long?”
Miki: “(as if touched) It’s close, within 10 to 20 kilometers.”
Takuya: “Then it’s somewhere in the city…”
Masako: “So does that mean Mothra will come to Bangkok?”
Masako and Takuya’s faces match each other.
175 Mothra whirling over the Thai bay as it approaches dusk
—The Shobijin are singing.
176 Bangkok・Department of Defense・Table — Sunset
177 Same・Secretary’s office
Somna explains directly to the Secretary of Defense that Mothra will come to Bangkok. Fukazawa is also a section chief.
Secretary of Defense: “(in disbelief) Mothra to Bangkok?”
Somna: “It is certain. If you don’t respond fast, this town will be just like Singapore — it will cease to exist.”
Secretary of Defense: “How do you know such a thing will happen?”
Somna: “What Mothra is looking for is in this city.”
Secretary of Defense: “What indeed? This is…”
Fukazawa: “We need to discover what we’re looking for quickly.”
178 City of Bangkok・Rama IV Road — Night
Takuya’s car is driving slowly.
179 In the car
Puto sits next to Takuya, while Masako and Miki are in the back seat.
Miki closes her eyes, concentrating with all of her soul.
Miki: “It’s becoming more distant.”
Masako: “(to Takuya) We’ve already been here, turn back.”
Takuya turns the steering wheel.
180 Rama IV Road
The car forcibly makes a U-turn. A horn sounds from the opposite lane.
The car swerves from Rama IV Road onto Phaya Thai Road.
181 In the car
Miki: “We are close.”
182 Phaya Thai Road
A luxury vehicle passes by Masako’s car.
— The figure of Andoh is in that car.
Masako and Andoh do not notice each other.
183 Sheraton Hotel・Front
Takuya’s car comes to a stop.
Miki: “(looking at the building) They’re here.”
Masako comes out of the car and looks up at the hotel in a very telling way.
Takuya, Puto also exit the vehicle. Takuya sees Masako’s face, who looks as if she’s noticed something.
Takuya: “This place, could it be…”
Masako: “That’s right, this is the hotel Andoh’s staying at.”
Takuya: “No way.”
Masako: “Perhaps, there is one answer.”
184 Silom Road・Japanese restaurant
A small parlor style room.
Andoh and Ryuzo Tashiro (45) — a certain trading company’s Bangkok branch manager.
Tashiro presents a check to Andoh that has no amount written on it.
Tashiro: “Please fill in the amount of money. There were instructions from the Tokyo head office.”
Andoh: “(satisfied) Always selling everything from missiles to instant noodles. No way, it’s a trading company.”
Andoh raises his beer glass. Tashiro also takes his glass, a toast.
Tashiro: “(drinking beer) It’s a shame, I haven’t heard anything from the main office yet…”
Andoh: “It’s human.”
Tashiro: “A human! Is it a corpse?”
Andoh: “(peppy) It’s two people.”
Tashiro: “2 people… Am I finally buying and selling humans? Haha… (laughing, not sure if proud or lamenting)”
From outside the window facing the street, a public relations car can be heard repeating a fast-paced announcement in Thai.
Tashiro: “It’s saying Mothra is heading to Bangkok, and that we have to evacuate the city.”
185 Air Force base
F-15 Eagle and F-4 Phantom jets scramble, one after another.
186 Pattaya Coast
Ground forces continue to gather.
Anti-aircraft missile Hawks, anti-aircraft cannons, etc. line up along the coastline.
187 Mothra turns towards Bangkok as she flies over the sea at night
188 Ministry of Defense・Large revolving radar
189 Same・Central Command room
The shadow of Mothra is on the radar screen.
Room member: “Mothra is 10 kilometers off the coast of Pattaya. It has an ongoing speed of 960 kilometers per hour.”
The Secretary of Defense is listening nearby.
Secretary of Defense: “(tense) So, it has come?”
Mothra is flying over the sea.
A fighter plane formation intercepts. Sidewinders are fired one after another.
Missiles explode on Mothra’s body.
Mothra, raising a high-pitched cry, turns slowly while rising at incredible speed.
Pilot A: “Mothra has risen to an altitude of over 25,000 meters. Impossible to pursue.”
Mothra, now over 25,000 meters in the sky, reverses rapidly. She descends at breakneck speed.
Mothra appears — a fighter plane formation comes closer with a whoosh.
Pilot A: “!! Mothra is approaching rapidly overhead!”
Mothra jolts just above the formation.
— In an instant Mothra makes contact with several aircraft, which crash and explode.
Mothra returns to horizontal flight. Behind her, another crew follows from the south.
Pilot B targets his missiles ahead at Mothra.
The figure of Mothra suddenly slips downward and disappears.
Pilot B: “!! The target has disappeared!”
Behind the formation, Mothra reappears.
Mothra’s compound eyes shine. Prism Beams irradiate the fighter formation rapidly.
Fighter aircraft explode in the air one after another.
191 Pattaya Coast
Mothra comes close above in the sky.
Surface-to-air missiles, anti-aircraft cannons, etc. begin firing.
Various missiles and munitions strike the body of Mothra.
A rocket bomb leaves black smoke in the air, and the sky is enveloped in heavy smoke.
Mothra, while greatly moving her wings up and down, rushes the ground troops in a low-altitude assault.
Tanks, missiles, anti-aircraft cannons, rocket artillery, etc. are blown away by gusts.
Mothra, now rising higher into the air, heads toward the Bangkok mainland.
192 Bangkok・Sheraton Hotel・Front
People evacuate the streets.
A car stops, and Andoh exits it in a hurry.
Guests are evacuating from the hotel one after another. Andoh passes the guests to enter into the hotel.
193 Same・Room corridor
Exiting the high-rise elevator, Andoh heads to his room down the hall.
There are no customers left to be evacuated.
In front of the room. Andoh takes out his key, but notices the door is already open—?
194 Same・Andoh’s room
Andoh comes in — !!
Masako is sitting in a chair, as if she had been waiting for him to return.
Andoh: “(breathless) Masako…”
A basket is on the table — the Shobijin are inside, looking at Masako and Andoh uneasily.
Masako: “Since when did you join the ranks of scum?”
Andoh: “… (gives a snarky smile)”
Masako: “This is the scum pride you talked about?”
Andoh: “I am different from Minamigaki. I don’t intend to get myself rich with this.”
Masako: “(sarcastically) Were you going to do it for charitable projects?”
Andoh: “(in a fit) I didn’t mean it like that. It’s only that I don’t want anyone to take care of me. It is painful for me to lower my head to someone who gives me money or buys things for me. I only want to make my own documentaries with my own money.”
Masako: “I’m disappointed. You’re that kind of person, aren’t you? No one sees what those kinds of people make.”
Andoh: “How could someone like you understand me?”
Masako: “Minamigaki said something similar. You say that you are different than him, but in the end, you are the same.”
Andoh: “(staring at Masako) …”
The two people remain silent —
195 City of Bangkok
Looking up into the night sky from between buildings, Mothra appears.
196 Mothra’s point of view
The Sheraton Hotel, 28-stories high, towers ahead of the Chao Phraya River.
She approaches with a whoosh.
197 Mothra rams into the Sheraton Hotel
198 Sheraton Hotel・Andoh’s room
The ceiling falls and the room tilts.
Masako holds the basket, and they fall to the floor together.
Andoh also falls. Objects from the ceiling land on his right foot.
He involuntarily frowns.
199 Same・Panoramic view
With the hotel wobbling and shaking, Mothra drops down near the vicinity of the hotel.
Mothra stops in front of the building.
The ceiling has collapsed. The walls are torn and pillars have fallen.
Takuya is coming.
201 Same・Andoh’s room
Andoh holds onto one leg and cannot stand up — it seems to have broken.
With the basket in her hands, Masako stands, not knowing what to do.
Takuya comes into the room.
Takuya: “Get out, quickly!”
Takuya puts Andoh’s arm around his shoulder.
Andoh stands up while being supported by Takuya.
202 Same・Emergency stairs
Masako with the basket, and Andoh whose body is supported by Takuya, go down the stairs.
Takuya: “The rendezvous point with Mothra was decided to be the Royal Racecourse. Miki and Professor Fukazawa are already waiting there.”
A view outside of the stairwell. Part of the large body of Mothra can be seen through it.
Inside of the basket, the Shobijin look at the Mothra — “Be still,” they wished.
Surrounding the hotel, tanks, short-range missiles, anti-aircraft guns are gathered.
Masako appears. The waiting Puto rushes towards her.
Andoh is handed over to a medical team, while Takuya, Masako, Puto, and the Shobijin enter a jeep prepared by the military.
204 Ministry of Defense・Central Command room
The Secretary of Defense is on the phone.
Secretary of Defense: “Currently, a contact operation with Mothra is in progress, so I do not want to agitate Mothra. For now, until further notice do not attack unless instructed.”
The Secretary holds the receiver and talks.
Secretary of Defense: “If possible, I do not want to turn this town into a battlefield. I hope that somehow contact can be made.”
205 Royal Racecourse・Panoramic view
The military jeep comes to a stop, and Masako who is holding the basket gets down.
In the entire venue — there is a vast light floating throughout.
In the vicinity of the center box seat, Fukazawa, Miki, Somna, the other troops and government officials are on standby.
Everyone looks at the Shobijin in the basket, who rise.
Fukazawa: “(to Masako) Quickly, we need to take the two to the landing place of Mothra.”
Takuya receives the basket from Masako,
Takuya: “(referring to the open space out on the course) That is the center of it.”
— And, at that moment, voices say, “Here is fine.”
Masako, everyone — ?! They look inside the basket.
The Shobijin look at everyone, smiling.
Shobijin: “Thank you, everyone.”
Masako: “! …You can speak our language?”
Miki: “Language conversion ability.”
Masako: “(to Miki) What is it? This…”
Miki: “They speak in a different language, but to our ears it sounds like our language.”
Takuya: “Psychic powers?”
Miki: “(quietly) Rather, it could be said that it is in an alien language.”
Takuya: “(loudly) Hey! These two are people—!”
Masako shushes Takuya!
The Shobijin speak. (mouths and voices are out-of-sync)
Shobijin: “If we sing a song here, Mothra will come down wherever you want. If you return us, then Mothra will no longer rampage.”
Masako: “(seeming happy) I will return you to the Mothra. I am truly sorry to have done bad by you.”
Shobijin: “(seeming to not be worried) We are fine. But… (it gets darker)”
Masako: “? But?”
Shobijin: “But, Mothra now has to fight Bagan.”
Fukazawa: “What! Bagan?”
Shobijin: “On our island, Mothra was the protector of the forest from long ago, and Bagan was the god of darkness.”
Sūn: “God of darkness?”
Shobijin: “When the island was still connected with the continent, Bagan came to our forest where Mothra lived. He burned the forest named “the Himalaya Forest”. In order to protect the forest, Mothra fought against Bagan.”
Masako: “I saw the mural in a cave.”
Shobijin: “(nodding) Then, Bagan was sealed in the Himalayas. Since then, Mothra has been watching over the Earth’s green on that island as the god of the forest, but… (talking becomes difficult)”
Masako: “This time, it was humans who have been steadily destroying the forest.”
Shobijin — nod silently.
Fukazawa: “Deforestation raised the temperature of the earth, once again reawakening Bagan… What a thing to happen.”
Shobijin: “Mothra’s egg hatched because Bagan appeared.”
Sūn: “Would Mothra and Bagan still fight after these hundreds of millions of years?”
Somna: “A foolish man pulled the trigger.”
Miki — feeling something.
207 Off the coast of Thailand
A devilish roar echoes.
Breaking the surface of the sea, Bagan spreads its black wings and takes off into the sky.
208 Royal Racecourse・Square
The Shobijin sing —
From the sky, Mothra spreads her wings and lands gently.
Everyone watches with relief.
The Shobijin stop singing, then turn and smile at everyone from inside the basket,
Shobijin: “Everyone, good-bye!”
They stand, wrapped in a peaceful air.
Takuya picks up the basket and faces Mothra — at that time…
There is a devilish roaring and a dazzling light.
On top of Mothra whose wings are spread and has quietly landed, a black mass comes down.
Bagan’s surprise attack!
Everyone — !
Bagan rides on the torso of Mothra.
Mothra flutters her wings trying to fly, but her body doesn’t rise.
Bagan’s arms encircle Mothra’s neck. The claws on its feet scrape and crack Mothra’s wings.
Mothra sways her body greatly from left to right, but Bagan does not let go.
With all her power, Mothra raises her tail.
Bagan is hit and falls off, then turns once and beats the ground.
Mothra spreads her wings, flying with great difficulty.
Bagan gets up, then fires a light ray from its horn toward Mothra.
The light ray scorches Mothra’s wing, burning right through it.
Mothra climbs into the air with her wounded wings marked by rays and nails and rises, turning.
Shobijin: “(calling out) Don’t fight anymore, Mothra! You’ve already fought enough!”
Everyone looks at the Shobijin.
Shobijin: “(as if apologetic) Originally, Mothra was born without attack instincts. Going against her normal instincts and becoming aggressive exhausts her life span. In this state, Mothra is—”
Mothra rushes towards Bagan, as if not hearing the voices of the Shobijin.
Bagan hits Mothra’s body hard with a sweeping tail attack.
Mothra crashes, decadently, and rolls to the ground.
Bagan triumphantly approaches Mothra, slowly.
Masako: “Run away, hurry!”
Bagan grabs the torso of Mothra in both hands. Sharp claws dig into her body.
Firmly holding Mothra in both hands, Bagan headbutts.
A fierce horn pierces Mothra — once, twice…
Masako, Miki scream.
The faces of the Shobijin are filled with anguish.
Bagan raises its horn further, as if to end it with one more strike.
At that moment, powder rushes from the body of Mothra.
Shobijin — !!
Bagan, now bathed in the powder, is in agony. It releases Mothra reluctantly.
Mothra desperately flutters her wings, and escapes into the sky.
Puto & Takuya: “You did it!”
Masako nods in relief and joy.
Shobijin: “…Mothra is not long for this world. That poison powder is a sign that the end is close for Mothra.”
Masako — !! She looks up at Mothra in the sky.
Takuya: “The end of Mothra?”
Fukazawa: “When Mothra dies, who will be able to defeat that monster?”
The Shobijin sing with tears flowing.
220 Borneo Island
221 Same・Jungle・Panoramic view
Along with thunder, a flash of light strikes the jungle from the sky.
Again, thunder and a flash.
A part of the jungle begins burning up.
From the burning flame, a white spherical surface appears.
The following scenes will be stacked according the the Shobijin’s song.
・ The Shobijin sing as if praying
・ A flash of light surrounds the egg. The egg cracks and another Mothra Larva appears.
・ The seven men are watching over it
・ The wounded Mothra turns towards the racecourse
・ Mothra Larva emerges from the egg
・ The singing Shobijin
・ Mothra Larva heads from the jungle to the sea.
Advances through the sea towards the continent.
223 Royal Racecourse・Square
Mothra is circling in the sky.
— Music ends.
Bagan fires a light ray from its horn.
Avoiding the beam, Mothra goes behind Bagan whose movements have been slowed.
Mothra, holding its six legs out firmly, rams into Bagan from behind.
At the moment of the collision, Mothra’s feet catch the wings of Bagan tightly.
Bagan’s feet float off the ground.
Mothra lifts Bagan and flies.
Even though Bagan flails its limbs, it cannot match Mothra’s end-of-life power.
Everyone looks up.
With the Bagan hanging from Mothra, they fly towards the sea.
Masako: “I wonder where it’s going.”
Shobijin: “It’s the sea. Another Mothra should be heading towards the sea.”
Masako: “Another one?”
Shobijin: “(nodding) A newborn Mothra.”
225 The larva of Mothra going off to sea
A small island is coming into view.
And in the sky beyond that —
With Bagan hanging from it, Mothra flies slowly.
226 From the sky
One camera focuses on Mothra and Bagan as they move to the front of the screen.
The island can be seen below. It goes from the island to the sandy beach, and then to the sea. The Mothra Larva can be seen approaching the island.
227 On the island coast
Mothra releases Bagan.
Splash. Bagan slams into the coast.
Mothra Larva heads toward Bagan.
Bagan gets up. It fires a light ray from its horn at the approaching Mothra Larva.
The light ray hits the Mothra Larva directly.
Bagan fires more rays at the Mothra Larva in quick succession.
The Mothra Larva cannot help but jump up.
Mothra approaches Bagan from the sky. She fires Prism Beams from her eyes.
Bagan roars. Ascends.
Mothra shoots a thorough ray attack.
Bagan staggers and falls.
However, the Prism Beams of Mothra gradually become weaker and finally disappear —
Mothra is debilitated.
The Mothra Larva spits thread while moving to the fallen Bagan.
The upper body of Bagan, arms are bathed in the silk, and are gradually wrapped in white.
It tries to extend its arms to the Mothra Larva who has moved in close, but the silk sticks and Bagan’s arms do not come free.
Bagan roars. Mothra Larva suffers a heavy kick from Bagan’s feet.
The Mothra Larva is blown away all the way out to the sea.
228 Watching from a helicopter
Bagan is standing on the coast. Mothra Larva is kicked into the sea.
Mothra is flying in the sky overhead.
229 Inside the large helicopter
Masako, Fukazawa, Takuya, Puto, Miki, and the Shobijin in the basket.
Masako: “The Mothra Larva is…”
230 Two large helicopters landing on the island
231 On the island coast
Mothra approaches Bagan from the sky — her speed has dropped considerably.
Bagan begins a light ray attack.
Mothra, with wings burning, flies up to Bagan. She showers her poison powder.
From above Bagan, Mothra continues to relentlessly scatter the poison powder.
232 A hill overlooking the coast
Masako, who is now off the helicopter, comes over.
Takuya: “So much poison powder.”
Masako: “It feels like she’s giving up her life…”
Shobijin: “Mothra knows that her life is gone.”
233 Off the coast
Bagan continues to try freeing its immobile arms as it chases after Mothra.
Mothra retreats towards the sea.
Bagan enters the sea.
Mothra Larva dives underwater. It spits thread towards the legs of Bagan while beneath the water.
And in that moment, the thread catches Bagan’s feet.
Mothra Larva emerges. It approaches the fallen Bagan.
Mothra also approaches Bagan from the sky.
The Mothra Larva spits more starch silk over Bagan’s body.
Mothra also attacks, using the last of her poison powder.
Bagan, while suffering, has its face, horn wrapped in a white cocoon.
With a raised roar, Bagan, who had been stumbling, soon becomes quiet and does not move.
Its wings which had also been moving until the end have also stopped.
Everyone cheers, they look at the spectacle in front of them with excitement and exhilaration.
235 On the beach
Mothra grips the still form of Bagan wrapped in the white cocoon with her feet, lifts it up slowly and flies out to sea.
Masako: “Mothra and Bagan…”
Fukazawa: “Now, it will be sealed in the bottom of the ocean.”
Shobijin: “It is Mothra’s last act.”
237 Off the coast of Thailand・South China Sea
The sea surface of Chaoyang is shining and sparking.
There is a long silhouette —
Mothra comes flying, carrying Bagan.
Mothra releases Bagan.
A large water column rises on the surface of the sea.
As if to watch the end of Bagan, Mothra circles several times over the spot and breathes her last.
Mothra falls to the water’s surface as if dancing.
238 Coast of the island・Morning
Mothra Larva is waiting on the beach.
The Shobijin who have left the basket are standing and smiling, with Mothra behind them.
Everyone sees them off.
Masako: “This time, it is truly farewell.”
Shobijin: “Good-bye, everyone!”
Fukazawa: “Be safe on your way home.”
Shobijin: “(nodding) We have one last wish for everyone.”
Masako and the rest — ?
Shobijin: “Please do not awaken Bagan again. Our… Our Mothra bet her life and confined it in the sea. Please, do not waste Mothra’s death.”
Masako: “(tightening) I understand. Although we may not be able to change things by ourselves, I will do so always.”
Fukazawa: “(nodding) I promise.”
Shobijin: “(looking happy) Thank you. Then…”
The Shobijin run to Mothra.
Fukazawa: “Make an empty vow, misconstrue your prayer, in other words, Bagan, it will overtake your path…”
Masako: “Director, what is it? This…”
Fukazawa: “The “Wen xuan“, you don’t know it, do you? You, don’t worry about it.”
Sūn, Somna laugh.
Everyone lined up on the beach watch Mothra as she heads out to sea.
239 Borneo Island・Outside of Puto’s town
Looking from the helicopter – Puto and the priest shake hands, and slowly walk away.
240 Helicopter going over the sea
It hovers and stops.
Masako, Andoh, Takuya are on board.
The three people look outside.
On the sea — Mothra’s dead body is floating in the sea.
Masako: “We have polluted our planet and awakened Bagan… I’m sorry.”
Masako throws down a bouquet.
Beside her, Andoh tears apart the check he received and throws it away.
The broken pieces are tossed outside.
Masako: “What? That…”
Andoh: “It’s nothing. (to Takuya) You got an 8 mm video camera, right?”
Andoh: “Turn it. It’s the new first scene.”
Takuya — ?? He takes the video camera out and points it down.
Masako glances at Andoh.
Ending theme plays.
242 Over the sea (Overhead view)
Mothra drifts over the waves on spread, vivid wings —
The helicopter begins moving, out of frame.
Staff and casting title rolls.
終General // January 10, 2018
A note from staff
After months of research, writing, translating, and reviewing, it’s finally done – a complete translation of an 11-page story summary for Resurrection of Godzilla (Tanaka Proposal) from the Japanese publication “Godzilla” Toho Special Effects Unpublished Material Archive: Producer Tomoyuki Tanaka and His Era (ISBN: 9784048544658). The text here is part story, part script, so some sentences may sound a little rough, while the events of the story take place sometime during 1980. The only noteworthy change I made from the original text was changing the name of “Bagan” to “Bakan”, to keep it consistent with what’s on the site regarding the shapeshifting monster. Oddly, while “Bagan” is used throughout the project summary, “Bakan” appears in the author’s comments several times. But for now, if you would like more insight into this story’s history, I’d highly recommend checking the linked page above! A very special thanks to Digiwip for creating the models of Bakan’s forms, his work went above and beyond anything I could’ve hoped for. This was a challenging but exciting undertaking, and I hope you all enjoy everything Akira Murao and Tomoyuki Tanaka’s fantastic story has to offer.
~ Joshua S.
Mitsutoshi Ishigami (Dentsu)
Yoshio Shirai (Movie Critic)
Akira Toyama (Yomiuri Shinbun)
Masashi Nishizawa (Tokyo Shinbun)
(2) Story Writers —one part each—
Yoshio Aramaki (SF Writer)
Shinichi Sekizawa (Scenario Writer ・ Music Lyricist)
Akira Toyama (Tokyo Shinbun Reporter)
Taku Mayumura (SF Writer)
Ryuu Mitsuse (SF Writer)
(3) Scenario Writers —one part each—
Ryuzo Nakanishi (Scenario Writer)
Akira Murao (Scenario Writer)
“Godzilla” “Bakan” “Super-Weapon” important action scenes
1 Northern Alps ・ Mount Ontake
Explosion, Monkey God Beast, news heli
2 Shinshu-Matsumoto skies
Dragon God Beast, F-4EJ Phantom
3 Kujuukuri Beach “Kanto Nuclear Research Facility”
(Futuristic city buildings)
4 Pacific Ocean ・ Iwo Jima offshore
Large whirpool, cargo ship “Shigefuku-Maru”
5 Kuroyon Dam
Self-Defense Force attacks, Water God Beast, news heli
6 Dam’s downstream canyon
Tank army, Monkey God Beast
7 Over the sky
Army fighter planes, Dragon God Beast
8 Iwo Jima offshore ・ Undersea cavern
9 Southern Alps ・ A canyon ・ Over the sky
Super-Weapon ・ Super-Weapon
Monkey God Beast, Dragon God Beast
10 Undersea cavern offshore ・ Godzilla resurrection
Nuclear submarine, Godzilla
11 Over Pacific Ocean
Small twin engine plane, Dragon God Beast, Godzilla
12 Kujuukuri Beach’s battle
Support submarine Giant Bus
Self-Defense Force elite army, Godzilla, Bakan
13 Space ・ Earth orbit
Military satellite Red Bird
14 Tokyo Bay ・ Miura Peninsula
15 Bayonnaise Rocks
Laser cannon, laser nuclear fusion, Godzilla
16 America ・ West Coast
Nuclear power plant, Godzilla
Resurrection of Godzilla
Masao Inamura (61) Atomic Physicist
Akiko (27) the daughter, Ancient Biology Assistant Professor
Reika, Inamura’s wife who passed away 28 years ago
Shinpei Muraki (31) Big Newspaper Company’s Photographer
Isao Kagami (28) Cargo Ship Crew
Water God Beast
Monkey God Beast
Dragon God Beast
Shockirus, blood-sucking mite living off Godzilla
Japan-US joint development VTOL plane.
Equipped with Super Napalm Bullets as its main attack weapon.
A giant Trident submarine’s support submarine, it has several giant arms for working that are capable of withstanding up to 200,000 horsepower.
Military satellite in space orbit with a laser cannon.
Super Nucleus “Reikanium”
The Northern Alps are shrouded in dusk. Mount Kiso Ontake, a place worshipped as a sacred mountain, explodes with an earth-shattering boom, awakening from what’s possibly tens of thousands of years of sleep, and begins showing signs of volcanic activity.
To investigate this sudden wonder of nature, photographer Shinpei Muraki (31) of the big news company World Press rushes to the location in a helicopter. In the middle of collecting data, he finds and rescues a female hiker who was running away from the downpour of volcanic ash.
Muraki carries the fear-stricken girl to a safe zone. Curious about the big fern-like plant the girl holds tightly in her hands, Muraki flies back up again for more data collecting.
Suddenly, slipping in and out of view from the crater of erupting smoke jumps something huge, a beast resembling a dinosaur. Catching sight of it, Muraki clicks his camera shutter in a panic—
“A monster?! It can’t be…”
Because of the approaching darkness and the helicopter running out of fuel, in the end Muraki is unable to confirm the appearance of the creature.
Deep in the Northern Alps and completely wrapped in darkness, something huge can be seen in the developing photos, though not very clearly. It is disappearing into the dark while knocking down many trees. However, growing near the roots of the fallen trees are giant ferns, the same plant that the female hiker Muraki saved was holding.
Then, that night—
Because radar spotted a sudden “UFO” appearance in the skies of Shinshu-Matsumoto, a Self-Defense Force jet plane F-4EJ Phantom is scrambled to survey the area. Not long after, the plane crashes into a pterosaur-like flying organism. However, as the creature was unidentified, the incident and the pilot’s death are treated as an accident via unknown circumstances.
The pictures of the dinosaur-like “something” that Muraki photographed at Mount Ontake finally develop. While off-focus, Muraki is able to determine that whatever the creature may be was indeed captured in his photographs, and that it is absolutely huge. After hearing of the F-4EJ Phantom that mysteriously crashed in the Shinshu-Matsumoto skies, Muraki discovers that a giant flying organism was captured in the plane’s gun camera, and comes to a shocking revelation.
(It really is a monster…!)
While worked up, Muraki cannot prove the existence of the monster with just his pictures alone.
(Something is happening…)
Following his intuition, Muraki strongly pushes for his story to gain attention at his place of work. However, no one at World Press news heeds Muraki’s words, and his story goes unpublished.
Muraki is prepared to fight alone when out of the blue he is contacted by someone from the T University Ancient Biology Laboratory, who takes his plight seriously and wishes to see his pictures.
And upon seeing the assistant professor coming to retrieve the photos, Muraki raises his voice in surprise. The female assistant professor, introducing herself as Akiko Inamura (27), turns out to be none other than the female hiker Muraki rescued at Mount Ontake.
Muraki’s story about the possible existence of a monster is what Akiko showed a curious amount of interest in the most. According to her, the truth was that while she was performing series of tests herself, Akiko began to suspect something strange was happening at the mountain.
As for where Akiko’s research led her, she was holding it in her hands when Muraki rescued her: the big fern-like plant.
From the Paleozoic-Permian Period to the Mesozoic-Triassic Period, the earth was covered with fern-type plants. The ancient plant from about 230 million years ago was, somehow, beginning to grow in the modern day, but only at one particular place.
The Fossa Magna fault line, which runs from Shizuoka to Itoigawa, is especially prominent near the mountain district of Mount Ontake, all the way up to Mount Shirouma in the Northern Alps. It was here where the ancient fern could be spotted. Moreover, in this particular area plenty of dinosaur fossils have also been previously excavated.
With the ancient fern’s rapid increase in numbers, Mount Otake’s explosion, and the sudden appearances of a dinosaur and giant organism resembling a pterosaur—
Muraki and Akiko promise one another to further investigate these puzzles that share such common ground, and to discover what else ties them together.
That night, because he saved her life, Muraki is introduced to Akiko’s father, Masao Inamura (61), a nuclear physicist representing Japan, and once again Muraki finds himself surprised.
In the pine forest of Kujuukuri Beach where the Kuroshio Current washes ashore, a futuristic city filled with groups of buildings spreads all over.
As part of a future energy policy, the government gathered its wisest minds and built the “Kanto Atomic Energy Research Institute”.
With a nuclear power plant and various attached facilities, the Kanto Atomic Energy Research Institute performed its business using a large number of the latest researching equipment. Marking the start of a new generation of nuclear power plants, this research institute first made waves by experimenting with a “Laser Nuclear Fusion Plant” – a project carried out and advanced by Inamura himself that captured the world’s attention.
Laser nuclear fusion – in other words, hitting the nucleus of deuterium, tritium, etc. with a powerful laser beam to raise a mild nuclear fusion, and using this reaction to power a safe nuclear power plant, free from the danger of explosivity and radioactivity.
The key to the success of this “laser nuclear fusion” process was the nucleus in the middle, made possible by the long-time research of the not-yet-invented superatom of Inamura’s design: the one new material that led to the success of the laser nuclear fusion plant.
Inamura named the superatom nucleus “Reikanium”, but refrained from making the manufacturing method public. This was due to his fear of what the military would do, as the laser nuclear fusion plant’s research could be used to create a “laser hydrogen bomb” – a weapon far more powerful than conventional nuclear weapons. In fact, there were already movements starting in the military forces of every nation, pressuring Inamura to make the manufacturing method made public.
However, Inamura firmly refused to give into these demands, taking his own research of the laser nuclear fusion plant, and devoting himself to “the peaceful use of nuclear energy”.
“Aiming for an absolutely safe source of nuclear energy—”
Knowing the true form of the nucleus, Inamura also kept watchful eyes on its continued peaceful use.
Looking back at movements commonly against the construction of nuclear power plants at various locations, the Kanto Atomic Energy Research Institute was constructed on the basis of understanding of its local residents, and the reason the facility and the locals could coexist so peacefully was due to the trust the residents had in Inamura.
Akiko introduces Muraki to Inamura—
For quite some time, Inamura’s way of life, with his unshaken composure and firm stance on the peaceful use of the nucleus, has had Muraki hold deep feelings of respect towards the scientist.
That night, father, daughter, and the daughter’s savior have fun and lively conversations, and open their hearts to one another. Among their discussions, the topic of Akiko’s mother is brought up – and, for a moment, Inamura’s face shows deep sorrow. Seeing this, Muraki changes the subject, though he still had questions about it.
Afterwards, Muraki is told about “Reika” from Akiko’s own lips. Her mother, a beautiful Chinese girl who had been tied in a deep love with Inamura, died while giving birth to Akiko, but Akiko herself didn’t know many details about her mother.
While the three are sitting in a circle, news of the Kanto Atomic Energy Research Institute’s charter cargo ship the Shigefuku-Maru’s disaster bursts into their location.
Not long before this—
On the Pacific Ocean, while sailing over the coastal waters of Iwo Jima, the Shigefuku-Maru encounters a sudden giant whirlpool accompanied by thick fog. The ship is swallowed up by the watery vortex, which resembled the leaves of trees—
Before long, the hull breaks in two just as an “SOS” transmission is sent, and the wrecked ship sinks deep into the sea while carrying her crew.
The place where the ship sank is referred to as “Japan’s Bermuda Triangle”, or the Devil’s Sea triangle, and is feared by sailors.
The news of the Shigefuku-Maru’s disaster reaches the ears of research institute staff and citizens, shocking everyone.
Because of the Kanto Atomic Energy Research Institute’s construction, many of the ship’s crewmembers were locals who gave up their poor fisherman lives to aid the institute’s cause. In addition, the cargo consisted of radioactive waste, which in accordance with an international agreement was to be dumped into the Mariana Trench at a depth of nearly 11,000 meters.
And because the ship’s disaster site was way off course, Inamura gains suspicions like “Illegal waste dumping?” as a possible reason. Inamura appeals for a large-scale investigation from the government, in order to search for the disaster’s cause and to collect the radioactive waste as soon as possible.
However, despite the investigation being started immediately after the disaster, no traces of the Shigefuku-Maru in the area of the ocean around the site could be found.
Meanwhile, while chasing the monster of the Northern Alps, Muraki and Akiko discover the silhouette of a giant organism from their helicopter, a strange silhouette residing at the bottom of Kuroyon Dam. Surprisingly, the shape of the silhouette at the bottom of the dam is totally different from the one Muraki saw at Mount Otake, or even the one that attacked the Self-Defense Force’s Phantom jet in the Shinshu-Matsumoto skies. The mysterious creature appears to be some kind of sea dragon.
A third monster?—
A formation of Self-Defense Force’s F-4EJ Phantoms come flying in after Muraki’s report, and they swiftly launch a missile attack at the giant silhouette at the bottom of the dam.
The giant silhouette resembling a sea dragon squirms out of the bottom of the dam, eventually letting out a sharp roar, and finally reveals its disgusting form on the twilight surface.
It has a length of over 60 meters, green slimy skin all over its body, a face somewhat reptile-like with a wide-opening mouth, and hands with fish-like fins for swimming—
“That’s the Water God Beast! A monster that appeared in the legends of my mother’s country – the Water God Beast!”
Akiko, standing dumbfounded, lets out a voice almost like a shriek to Muraki upon seeing the beast.
With Chinese blood running through her veins, Akiko held a deep admiration for her mother’s homeland.
Akiko’s interest in ancient Chinese literature was indicative of this.
Amongst her many books was a religious-type legend called the “Chu Ci”, which described the appearance of the “Water God Beast” – and, at that moment, the creature revealing itself on the Kuroyon Dam’s surface was exactly the same thing.
The legend had it that there were two more monsters named the “Monkey God Beast” and the “Dragon God Beast”, and that which ruled the three monsters was the powerful magic beast named “Bakan”.
At Mount Ontake, the one Muraki saw was none other than the “Monkey God Beast”, while the flying monster above the Shinshu-Matsumoto skies was the “Dragon God Beast”.
The Sidewinders launched by the F-4EJ Phantoms are sucked into the dark waters of the dam by the Water God Beast’s giant body and eventually burst. The Water God Beast, enraged by the assault, turns to counterattack with a sharp roar.
A liquid beam bursts forth from its mouth, striking the Phantoms one after another as they attack in waves. Touched by the liquid, the Phantoms’ wings start to melt as smoldering white smoke rises from the fuselage, and the supersonic jets finally explode in a burst of flame.
And then, in the middle of the battle, the surface of the dam’s wall starts to crack, eventually collapsing with a loud noise, pouring forth huge amounts of lake water-turned-muddy waves as it slowly swoops down towards the residents living downstream.
In the middle of this disaster, the Water God Beast is swallowed into the muddy rapids and disappears.
Soon after this, the Self-Defense Force’s tank unit carrying evacuating residents on the road along the downstream canyon are attacked out of nowhere by another monster.
With the features of a Tyrannosaurus, and the body of a pithecanthrope—
It is undoubtedly the “Monkey God Beast”, as told in the Chinese legend, and the same beast that Muraki saw at Mount Ontake.
The Monkey God Beast, with swift movements, breaths flames at the transport truck unit and the convoy tank unit, causing them to blow up in blazing flames. And just as soon as it had appeared, the Monkey God Beast disappears elsewhere.
However, moments later and up in the skies, a fierce aerial battle was beginning.
The Phantom fighter unit that had come to reinforce the transport truck unit attacked by the Monkey God Beast suddenly comes into contact with another monster, a flying creature rising from the ground.
Retaliating against the Phantom unit’s air-to-air missiles and Vulcan cannon attacks with a lightning beam fired from its mouth is, undoubtedly, the “Dragon God Beast” of legend itself. And after downing several Phantoms, the Dragon God Beast retreats, leaving behind a sharp roar before disappearing into the night sky of the Alps.
With the appearance of the three monsters – the Water God Beast, the Monkey God Beast, and the Dragon God Beast – the people of Japan are in an uproar.
Monsters that couldn’t be defeated by the Self-Defense Force’s conventional weaponry—
Pictures of Muraki’s scoop decorate newspaper pages every day, while Akiko commentates from the viewpoint of ancient biology:
About 230 million years ago, the Japanese islands weren’t like the current island formations, but were instead connected to land, right at the coast of the Asian continent. The Fossa Magna was exactly where the coastline used to be.
The coastline was thickly covered by a fern-type plant, and for creatures walking the path of evolution from amphibians to dinosaurs, this was exactly the place they needed to thrive.
Among these, there were some that by total chance went into deep sleep while still alive, dinosaurs that ended up being shut deep underground while their relatives moved more inland. The birth of the Japanese islands was caused by a change in the earth’s crust, and while those above ground went extinct, the traces of those who survived sleeping within the earth were eventually passed on as legends.
However, the dinosaurs that fell asleep underground were awakened from their slumber due to the shifting of the earth’s crust. And upon awakening, the ancient fern multiplied due to the abnormal weather of the present day environment.
And now, the three monsters currently awakened are most likely hiding somewhere near the Fossa Magna due to following their homing instincts.
These comments from Akiko are picked up by the government’s “Monster Task Force”, and Muraki and Akiko are invited to become a part of the task force’s members, and ordered to divulge more detailed information regarding the three monsters.
In the middle of all this, Isao Kagami (28), a crewmember of the doomed Shigefuku-Maru in the Pacific, is miraculously rescued, and his mysterious personal experience yields a truly astonishing testimony.
It is exactly as Inamura feared. For the sake of profit, the Shigefuku-Maru had been going to that area of the ocean a number of times to dump radioactive waste illegally. Moreover, in the undersea cavern he was brought to by the big whirlpool, Kagami claims to have seen something horrifying.
A giant cavern with faint gas drifting around the whole screen—
As part of the undersea cavern is connected to the outside, clear blue seawater steadily flows in, and a light coming from this hole in the water faintly illuminates the cavern’s insides.
Kagami, who was washed up on the rocky area of the undersea cavern, confirms the survival of several other low-ranking crewmembers, and the surviving men regroup and rejoice with one another.
However, the bizarre plants growing on the cavern’s beach come swooping down on them with countless whip-like, long tentacles.
In this sudden attack, one of the crewmembers is caught by the tentacles, strangled, and dies immediately. His body starts to melt due to a mucus secreted by the plant, and a hole like a mouth near the plant’s trunk begins to feast upon him!
It was a giant meat-eating plant.
At the cruel death of their companion, and with the countless tentacles of other meat-eating plants aiming for their next prey, the surviving crew flee the beach in a panic. Not knowing what to do, they eventually arrive at a rocky area where the meat-eating plants are not growing.
However, at this rocky area, another terror is waiting for them.
They are arthropods as large as cows. These mysterious mite-like creatures pounce upon the men retreating to the rocky area, sucking up all the blood from their bodies.
The unfortunate victims shriveled into what look like mummies and perish—
With a picture of hell unfolding before his very eyes and unable to do anything, Kagami runs desperately from the mysterious creatures and arrives at strangely zigzag-shaped rocks sticking out from the water’s surface, and is startled.
The row of strangely-shaped rocks move slowly up and down as if breathing, and further down something that looks like a giant arm—
Kagami is left in shock, realizing he was standing on top of a giant monster. The blood-sucking mysterious creatures were sticking to it as well, and begin closing in on him.
Kagami takes a deep breath and, to escape from everything, dives into the water and heads towards the light under the sea.
“Giant monster-?!” Everyone present is stirred by Kagami’s story, and the monster Kagami sketches is something totally different from the Water God Beast, the Monkey God Beast, and the Dragon God Beast.
It has hideously burned skin on its charcoal-colored body, with sharp claws and dorsal fins similar in appearance to strangely-shaped rocks. Inamura, who is holding the sketch, mutters in a low voice.
“It’s Godzilla!! I can’t believe it’s sleeping in a place like this…”
Years ago, because of accumulated nuclear tests over time, the tests awakened from ancient sleep “Nuclear’s Incarnation: Godzilla”—
As if condemning the illegal dumping of radioactive waste, Godzilla has now made it clear that it exists. Moreover, if Godzilla were to awaken, it would pose as an immense threat, for the nuclear civilization that humanity has peacefully built up would be targeted.
Wanting to confirm Godzilla’s existence himself, Inamura joins an investigative team heading to the Devil’s Sea triangle and departs.
Meanwhile, the search for the three hiding monsters continued. Centering around the Self-Defense Force and Akiko, after noticing the increased state of the ancient fern and the instinctive behavior of the creatures, it is deduced that the monsters are lurking somewhere in a canyon in the Southern Alps, and a team is sent out to investigate with the help of Muraki. It doesn’t take long for the search to yield results as, inside a zigzag-like crack in the canyon, Muraki and Akiko find the Monkey God Beast hiding within the wide-open trench.
Hearing this, the Self-Defense Force once again launches an assault, this time using the Japan-US Army joint development Super-Weapon, Flying Angel. With an angular airframe, Flying Angel is a VTOL support fighter that looks like some kind of sci-fi vehicle, contrary to its gentle name, and carries with it an assortment of powerful weaponry.
Passing through the zigzagging canyon with great speed, if there is anything that can effectively attack the hiding body of the Monkey God Beast in the lengthy hole in the earth, it is surely none other than Flying Angel.
Upon finding the ape-like monstrosity, Flying Angel begins launching its Super Napalm Bullet attack against the Monkey God Beast.
At the same time, the government-dispatched investigative team heading towards the Devil’s Sea triangle falls into danger near the undersea cavern where Godzilla sleeps, as a teardrop-shaped nuclear submarine of unknown nationality starts attacking them.
Their aim was Inamura—
Since Inamura won’t publicize Reikanium’s manufacturing method, the unknown perpetrators resort to desperate measures: finding and capturing the scientist. The only person willing to risking his life to save Inamura is the Shigefuku-Maru’s survivor, Kagami.
Kagami, realizing not only that he committed a conduct violation by the illegal dumping of radioactive waste, but also how he betrayed Inamura’s trust, was filled with deep regret.
While screaming “The doctor’s nucleus is to be used for the sake of creating peace for humans!”, Kagami rushes towards the perpetrators and, because of this action, startles them into turning their submarine the wrong direction. The nuclear submarine crashes into the undersea cavern, causing a huge explosion.
At that moment, a huge amount of strong radiation is released into the cavern.
And almost instantly, from the water’s stirring surface, a huge black body stands up.
A piercing roar shakes the air.
Godzilla has been revived.
Flying Angel’s Super Napalm attack is concentrated on the hole where the Monkey God Beast resides, covering the canyon’s insides with the exploding napalm’s flames.
And, suddenly, the Dragon God Beast leaps out of the hole and rushes to the Flying Angel’s formation. Flying Angel, with fast movement being its specialty, immediately flies away to safety – but why was it not the Monkey God Beast but instead the Dragon God Beast?!
In that moment, as if feeling some kind of presence, the Dragon God Beast heads south while roaring aggressively over and over, breaking away from Flying Angel’s attacks.
Right then, south from that area, Godzilla begins moving.
The radioactivity of the destroyed nuclear submarine is washed up by the Kuroshio Current towards the Pacific Ocean.
The destination of this spilt radiation is the Japanese islands—
And now, Godzilla is once again lured by the radiation…
“Human’s greed has now revived Godzilla.”
Inamura’s words resound hollowly.
In the skies above the Pacific Ocean—
To search for Godzilla who is supposedly heading for Japan, a small twin engine plane seating Muraki takes off. All of a sudden, dark clouds appear in the sky, and with the striking of lightning comes the form of the Dragon God Beast, who attacks Muraki’s twin engine plane.
Diving down while sharply turning, the twin engine plane evades desperately while a lightning beam from the Dragon God Beast’s mouth closes in.
The twin engine plane narrowly escapes while grazing the surface of the sea—
The sea ahead violently starts to ripple, and the sea level suddenly rises.
A roar shakes the atmosphere!
Standing there is Godzilla.
Godzilla, with its pure fighting instinct, shoots an atomic ray at the Dragon God Beast as it pursues the twin engine plane. Disengaging from the plane, the Dragon God Beast returns fire at Godzilla with a lightning beam attack while in the sky. But in their brief duel, Godzilla eventually catches the Dragon God Beast by its wings, firmly wrestling with it and plunging with it into the ocean.
And just like that, the two monsters disappear into the sea and don’t resurface.
“The Dragon God Beast in the sea…?”
Muraki has a bad feeling in his heart about the Dragon God Beast, the Water God Beast, and the Monkey God Beast.
That same day, Muraki makes the scoop yet again with pictures of his near-death encounter with the flying monster filling up pages, and a report about how Godzilla is definitely moving closer to Japan.
However, Akiko expresses her dislike of Muraki’s reckless data collecting through tears of distress.
Around this time, a flame of love towards Muraki had already started to burn in Akiko’s heart.
“The three monsters – the dragon god, the water god, and the monkey god… Why do they never appear at the same time?”
This question puzzles Muraki. While peeking through a microscope, Akiko mutters an answer.
“Bakan holds the answer, I’m sure of it…”
The cells magnified under the microscope are those of the Monkey God Beast, and yet, when exposed to water or air, the cells change subtly.
Akiko’s face strains.
The next morning, a floating wreck resembling a nuclear submarine washes up on Kujuukuri Beach, and from the seawater, high concentrations of radioactivity are detected.
Along with giant claw marks left on the floating wreck, various objects from the submarine of unknown nationality that exploded at the Devil’s Sea triangle have made the Kanto Atomic Energy Research Institute’s staff and local residents familiar with the incident fall into despair, as they believe Godzilla is definitely coming closer.
Kuroshio Current arrives carrying radioactivity—
Lured by that radiation, Godzilla heads to Japan—
And soon, Godzilla will be setting foot on Kujuukuri Beach, no doubt prepared to assault the Kanto Atomic Energy Research Institute, Japan’s symbol of nuclear civilization.
Inamura’s worst fear is about to come true.
Thus, at Kujuukuri Beach, led by the Flying Angel unit, the Self-Defense Force’s elite – their strongest line of defense – is deployed, while offshore, the Trident submarine’s support submarine Giant Bus hides its super giant hull.
With its strong giant arms, Giant Bus is used to holding Trident submarines with a total length of 200 meters while underwater. The underwater Super-Weapon spreads out its arms while waiting for Godzilla, like a sea anemone waiting for its prey.
The defensive line’s gun barrels are all pointed to the coast, where finally Godzilla’s slow, heavy, stomping body appears.
All gun barrels fire, while Godzilla’s atomic ray counterattacks.
At that moment, both of Godzilla’s arms and legs are clamped onto firmly by the extended arms of Giant Bus from under the sea. The arms, capable of holding a Trident submarine of 200,000 horsepower, don’t even flinch at Godzilla’s desperate struggle.
And so, with Godzilla unable to move, the Flying Angel unit’s Super Napalm Bullets engulf Godzilla in a blazing hot fire.
Then suddenly, the sea surface nearby violently bubbles and rises, and the Water God Beast somehow appears.
The Water God Beast proceeds to spit a liquid beam from its mouth – a beam capable of melting anything and everything it touches – against the immobile Godzilla. The atomic monster’s body begins bubbling with white smoke as the skin struck by the beam starts to melt.
At the same time, the Flying Angel unit’s Super Napalm attacks strike both Godzilla and the Water God Beast.
However – the Water God Beast’s liquid beam also melts Giant Bus’s arms.
Godzilla roars as it immediately destroys Giant Bus and proceeds to wrestle with the Water God Beast. During their bout, Godzilla’s atomic ray and the Water God Beast’s stray liquid beams take down the Flying Angels one by one, until finally the entire unit is wiped out.
With Godzilla having the upper hand in the fight, the Water God Beast finally retreats into the sea, and for the moment the battle appears to be over.
The Water God Beast suddenly leaps from the ocean and takes to the air, and its face and body transform quickly, somehow shapeshifting into the Dragon God Beast, which launches its attack against Godzilla.
People watching nearby stand still, dumbfounded—
Godzilla falters for a moment from the sudden attack from the sky, but then fixates its gaze on and starts making its way toward the Kanto Atomic Energy Research Institute.
The Self-Defense Force’s gunfire concentrates heavily on Godzilla—
The Dragon God Beast also fires its lightning beam at Godzilla’s body.
At last, Godzilla’s atomic ray takes down the Dragon God Beast, and it flies towards Godzilla – but as everyone watches, the creature’s form somehow changes into the Monkey God Beast!
The Monkey God Beast, with its quick movements, uses its flame attack on Godzilla repeatedly, to the point where Godzilla is forced back into the ocean. The Monkey God Beast’s form turns into that of the Water God Beast moments later as it pursues its foe, continuing their fight at sea.
Akiko tells Muraki while shaking in fear.
“That’s Bakan! The three-form monster Bakan!”
The “Water God Beast”, “Dragon God Beast”, and “Monkey God Beast” thought to have been three monsters were in actuality one monster – “Bakan”.
The one as told in Chinese legend, the ruler of the “Water God Beast”, “Dragon God Beast”, and “Monkey God Beast”: the Demon Beast Bakan—
That Bakan is, at the moment, fighting against Godzilla while transforming its body into its three forms, one after another.
In the water it turns into the Water God Beast, on land it becomes the Monkey God Beast, and when ascending into the sky it transforms into the Dragon God Beast…
Bakan’s fighting instinct allows it to freely transform its cells of its own will, changing its form and even its special characteristics – truly a magical beast.
The grand battle continues.
However, due to the constantly-changing and repeated attacks from Bakan, Godzilla is rapidly exhausted. Even so, the atomic mutant continues to be guided by its instincts towards the Kanto Atomic Energy Research Institute, all while simultaneously fighting Bakan. The Self-Defense Force’s gunfire continues.
Wounds cover Godzilla’s body—
And finally, just before the research institute’s nuclear reactor’s building, Godzilla runs out of energy and collapses on top of the facility.
The nuclear reactor breaks into pieces—
Seemingly dead, Godzilla doesn’t move a muscle, and Bakan roars triumphantly over and over.
The Demon Beast Bakan has defeated even Godzilla—
Before the rampaging Bakan, the Self-Defense Force’s desperate, futile attacks continue.
At the nuclear reactor’s building where Godzilla collapsed, the still-functioning “radioactivity detector meter” does something unusual, right around the time the building crumbled.
The deadly radiation that should have burst forth destructively instead disappears while dispersing into the atmosphere, as if being absorbed by something, while the meter continues to detect it. Suddenly, the unmoving Godzilla’s dorsal fins, which look like strangely-shaped rocks, begin to luminesce strangely.
And then, amidst a piercing roar, the giant black body covered in wounds moves!
Because it collapsed on the nuclear reactor’s core, it absorbed the radiation into its body. Godzilla is revived once more.
Godzilla and Bakan’s grand battle begins again—
Because Godzilla absorbed so much radiation into its body, the battle progresses in Godzilla’s favor, and finally Bakan’s giant body is taken down by a powerful atomic ray.
Bakan, whose entire form is flooded by the intense ray and covered in white smoke, sinks into the sea.
Godzilla has defeated the Demon Beast Bakan.
Godzilla, too, disappears into the sea, as if to tend to its wound-covered body.
And so Bakan, who struck fear into the hearts of Japan’s people, is defeated by the revived Godzilla.
However, this time a new fear in the form of Godzilla weighed on people’s hearts.
The Japan Self-Defense Forces and Western forces were now totally powerless as their Super-Weapons were lost in the fight against Godzilla, a monster who could appear again anywhere at any time.
The Self-Defense Forces eventually discover Godzilla lurking at the bottom of the entrance to Tokyo Bay, healing its wounds and seemingly aiming for Tokyo.
If Tokyo were to be attacked…
It would be catastrophic for not just the Japanese economy, but for the worldwide economy, leaving humanity in a crisis.
Because of this imminent threat, an appeal from the Western forces through the Japanese government is made to Inamura, who at the time was bedridden from a sickness of an unknown cause, requesting for his research regarding the “Laser Nuclear Fusion” system and that of the super nucleus Reikanium, so to be used as a weapon against Godzilla.
Making use of the special characteristics of the super nucleus Reikanium, Godzilla’s body would be turned into a giant nucleus and fired at from earth’s orbit with a laser beam from the military satellite “Red Bird”, triggering nuclear fusion within Godzilla’s body itself.
Against the immortal Godzilla who can withstand the explosions of atom and hydrogen bombs, to trigger a nuclear fusion using its own body —
It would indeed be an ultimate weapon beyond imagination to defeat Godzilla, and the last hope for humanity.
However, Inamura stands fast to his beliefs, using them as an excuse not to go through with the plan and stubbornly refuses the appeal.
Though Tokyo is still safe, Godzilla’s movements continue to be observed, and the many criticisms from people against Inamura’s decision are handled by Akiko, who pitifully apologizes for her father’s attitude.
While the Japanese government continues to persuade Inamura, trajectory changes and preparations are made to the laser-firing device equipped to the military satellite Red Bird by the Western military.
Then the worst case scenario occurs: Godzilla rises from the depths, its target indesputably being Tokyo. After setting foot on the Miura Peninsula, heavy damage is sustained, and the bodies of many victims begins piling up.
With Godzilla on the move, Akiko returns to her family house on the Miura Peninsula to get her mother Reika’s keepsake, but is put in imminent danger as Godzilla draws ever closer.
But even with the knowledge of his daughter being in imminent danger, Inamura remains in one of the research institute’s rooms, standing by his unwavering decisions through his own stubborn determination.
Inamura’s attitude makes Muraki jump to the conclusion that this stubbornness is a result of Inamura wanting to monopolize his research and the new substance. Muraki hurls insults at the man he once respected, then rushes out to rescue Akiko alone.
Burning wooden houses with an atomic ray, and using its powerful arms, legs, and tail, Godzilla mows down skyscraper buildings and other structures in its way with ease!
And in Godzilla’s path is Akiko.
While roaring flames engulf Akiko’s family home, Akiko finally escapes while carrying her father’s thick diary and the picture of her mother, Reika.
However, the whole neighborhood is already in a sea of roaring flames, just like in the air raid 30 years ago.
Flames become like the wind and travel the ground, burning people trying to escape.
Godzilla slips in and out of view inside of the flame—
Akiko, in an attempt to evade the burning flames and the approaching Godzilla, escapes through a manhole leading into a sewer tunnel, joining other people who have already taken refuge there, all of whom wait while half-praying for the hell on earth to pass.
However, the devil’s arms are reaching out towards Akiko and the others.
A large number of rats gather out of nowhere, running through the sewage hole like they’re terrified of something. Then, from behind, there is the loud whooshing noise, and a yellow gas approaches.
The rats that fail to escape the gas are engulfed by it, and lay twitching on the ground as if slowly dying.
The yellow gas was leaked from an industrial complex that Godzilla destroyed – the deadly poison gas was now flowing freely into the drainage pipes.
The gas closes in on Akiko and the others taking refuge in a corner of the sewers. But as she was able to sense this danger before the others, Akiko manages to escape with the least possible causalities. Accompanied by a handful of survivors, Akiko proceeds deeper into the sewer system—
The drainage pipes are like a maze—
Behind them, the yellow gas keeps closing in, while on the surface, Godzilla’s destruction continues.
However, through hard work and a collaborative effort, Akiko and her group manages to escape the ensuing danger, and finally reach the surface safely.
The place they are now is the starting point station of a mountain-climbing ropeway to 〇〇 Mountain, which overlooks the whole view of the Miura Peninsula.
A totally undamaged neighborhood—
However, the roaring flames engulfing the city are gradually closing in on the place where Akiko and her group escaped to.
The group decides to use the ropeway to cross the mountain.
And so, with the generator’s power, the ropeway Akiko and her group ride starts to move towards the summit.
Burning down the untouched town, the flames move closer to the foot of 〇〇 Mountain —
Slowly, the ropeway continues climbing towards the summit.
The fire approaches—
And then, the fire finally engulfs the power room with the generator, and the ropeway stops dead in its tracks, leaving Akiko and the others stuck hanging in midair.
The locked room stuck in the middle of the ropeway offers no escape, leaving everyone trapped inside.
Before long, the flames that burned down the power room gradually begin spreading to the mountain forest.
It’s a desperate situation.
A child cries while being held by their mother—
(If only father bit the bullet and used the Reikanium, these people wouldn’t have to die…)
Her father’s face, her mother’s face, and Muraki’s face all flood Akiko’s heart.
The fire spreading to the mountain forest slowly but surely approaches the suspended ropeway box.
Akiko and her group prepare for certain death.
Suddenly, near the ropeway’s window, a single rope ladder smoothly unfolds and drops down.
The rope ladder dangles from a helicopter hovering in the air—,
And the one flying the helicopter was Muraki, who had come to rescue Akiko.
One by one, people climb up the rope ladder and enter the helicopter.
And finally, one last person—
At that moment.
GOOOH-!! A booming roar shakes the atmosphere.
Before the hovering helicopter stood Godzilla, who had circled around 〇〇 Mountain.
With one last person about to climb, the helicopter is unable to move the dangling rope ladder away from the suspended ropeway.
Godzilla’s giant body slowly approaches the hovering helicopter.
An instant later, as Muraki’s helicopter rescues the last person, the chopper barely manages to escape Godzilla’s reach, narrowly missing crashing into the monster’s face.
Muraki immediately lands and drops Akiko and her group off in a nearby safe zone. But just as Muraki is about to exit himself, Akiko screams as the helicopter is caught in Godzilla’s atomic ray and explodes into flame.
Caught in the explosion, Muraki flung to the ground and left seriously wounded, on the verge of death…
Delivering her father’s diary and her mother’s picture to Inamura, Akiko reports about the increasing casualties while in tears, begging her father to consent to the army’s appeal — to use the Reinconium and the laser nuclear fusion as a weapon against Godzilla.
“Father please, Mr. Muraki might die. But, he saved us with his life on the line, so don’t let his sacrifice be for nothing—”
Akiko breaks down crying while speaking.
In Inamura’s heart, he recalls those happy days he spent with Reika. And in that moment, the world goes silent, and something that had been heavily weighing on his mind dramatically crumbles away.
Finally, Inamura accepts the appeal.
Godzilla, who was heading to Tokyo, is lured by plutonium carried from the Kanto Atomic Energy Research Institute, and begins changing direction from the Tokyo harbor back out towards the Pacific Ocean.
Around the same time, in space, the military satellite Red Bird focuses its laser cannon onto one point: an area on the Izu Islands on the Bayonnaise Rocks.
And then, with three spots on the earth’s surface used for making a triangular shape based on that one point, the laser cannon’s reflecting device is set up.
Despite his sickness, Inamura works day and night to the point of exhaustion, all while keeping watch from the escort vessel’s bridge, which patrols the waters where the plan is set to take place. With the plutonium bait set, Godzilla finally arrives at the designated point.
As Godzilla is enveloped in small explosions of the super nucleus Reikanium, in that instant, a button on the switch Inamura holds in his hands is pressed.
The three spots on the earth’s surface are concentrated, fired, and reflected as they converge from a single point from space into a long beam that surrounds Godzilla.
While the laser’s light forms a beautiful pyramid-shaped triangle, in the center the Reikanium’s reaction begins, transforming Godzilla’s body into a nucleus and turning the monster white-hot.
A tremendous nuclear fusion is occurring inside Godzilla’s body.
And then, Godzilla’s body turns even more white-hot – an instant later, its generates a massive fireball, which rises into the sky before everyone’s eyes.
A giant nuclear fusion explosion occurs at the Bayonnaise Rocks.
The explosion terminates Godzilla, along with everything in that area of the ocean—
On the merry escort vessel’s bridge, everyone onboard is cheering. Meanwhile, Inamura sees the illusion of his wife, Reika…
Bending his strong determination, Inamura took his own research for military use as a laser hydrogen bomb. As if understanding his agony, Reika’s phantom nods gently, reassuringly at him.
Suddenly, Inamura collapses to the floor, and a nearby military physician raises Inamura’s arm – and is shocked to learn that Inamura has already passed away.
35 years ago, Inamura was exposed to the atomic bomb in Hiroshima, and that same radiation continued to eat away at Inamura’s body throughout his life. His wife Reika, too, was a victim of the Hiroshima atomic bomb, and the true reason for her death during childbirth was due to an atomic bomb disease.
Enchanted by the great energy that is nuclear power, Inamura started walking the path of nuclear physics. But the radiation that continued to invade his body and that had consumed his wife’s life, he hated it more than anything.
Akiko, feeling deep sorrow for her parents, holds her father’s diary tightly to her chest.
“That’s why father couldn’t allow Reikanium to be used as a weapon. Nuclear power took his beloved wife, and he wanted to investigate its true form. Aiming for a truly peaceful use…”
Akiko, breaking down crying, is held gently by Muraki.
And then, on the last page of Inamura’s diary, the following words are written.
“Godzilla is immortal. As long as there’s a nuclear threat in the world, Godzilla will be revived however many times.”—
On the spot where the laser hydrogen bomb exploded, Muraki and Akiko toss a small bouquet from their hands.
And then, elsewhere in the Pacific, on the West Coast of America—.
The surface of the sea suddenly begins to ripple. Water rises, a great splash ensues, and a familiar giant black body emerges.
It’s Godzilla!! A tremendous roar!! A nuclear power plant stands on the coast—
Godzilla, as if to prove that it will continue to live as long as there are nuclear weapons on Earth, tenses all the muscles in its body to the point of trembling, and musters continuous, earth-shattering roars.
終General // January 22, 2017