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  • As reported by Variety, Toho will be expanding a subsidiary in the U.S. to more closely work with Hollywood. While Toho has been keeping details under wraps, this move is part of the company’s “Toho Vision 2021 Medium-term Management Strategy,” a plan that is described as being a content, platform, and real estate strategy with a goal of beating 50 billion yen in profits.

    The “Vision 2021 Plan” will see an increased business focus on Godzilla, Toho’s most famous monster, as well as “full implementation of JAPAN IP on a global scale.” Toho’s General Manager and President of Sales Division Hiroyasu Matsuoka will be the subsidiary’s representative director.

    News // April 19, 2019
  • Not long after the release of Godzilla (2014), news started to come of another entry in the new series by Legendary Pictures. This time an entry that reunited the character with Mothra, King Ghidorah and Rodan in the next film in the MonsterVerse.

    April 19th update

    Courtesy of Warner Brothers, a new poster for the movie has been released. Click the image below to see the full resolution version.

    Godzilla: King of the Monsters - News Roundup

    April 14th update

    Warner Bros. has released another press release. While much of the information has been made available previously, it goes into greater detail regarding some of the staff attached to the movie.

    Following the global success of “Godzilla” and “Kong: Skull Island” comes the next chapter in Warner Bros. Pictures’ and Legendary Pictures’ cinematic Monsterverse: “Godzilla: King of the Monsters,” an epic action adventure that pits Godzilla against some of the most popular monsters in pop culture history.
    The film was directed by Michael Dougherty (“Krampus”), and stars Kyle Chandler (“The Wolf of Wall Street,” “Argo”) as well as Oscar nominee Vera Farmiga (“Up in the Air,” “The Conjuring” films) and Millie Bobby Brown (TV’s “Stranger Things”) in her feature film debut. The acclaimed ensemble cast also includes Bradley Whitford (“Get Out,” “The Post”); Oscar nominee Sally Hawkins (“The Shape of Water,” “Blue Jasmine”); Charles Dance (HBO’s “Game of Thrones,” “The Imitation Game”); Thomas Middleditch (HBO’s “Silicon Valley”); Aisha Hinds (“Star Trek Into Darkness”); O’Shea Jackson Jr. (“Straight Outta Compton”); Oscar nominee David Strathairn (“Good Night, and Good Luck,” “Godzilla”), with Oscar nominee Ken Watanabe (“The Last Samurai,” “Inception,” “Godzilla”) and Golden Globe nominee Ziyi Zhang (“Memoirs of a Geisha,” “Crouching Tiger, Hidden Dragon”).
    The new story follows the heroic efforts of the crypto-zoological agency Monarch as its members face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed Ghidorah. When these ancient super-species—thought to be mere myths—rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance.
    Dougherty directed from a script he wrote with Zach Shields, story by Max Borenstein and Michael Dougherty & Zach Shields, based on the characters “Godzilla,” “King Ghidorah,” “Mothra” and “Rodan” owned and created by Toho Co., Ltd. The film was produced by Mary Parent, Alex Garcia, Thomas Tull, Jon Jashni and Brian Rogers, with Zach Shields, Barry Waldman, Hiro Matsuoka, Keiji Ota, Dan Lin, Roy Lee, Yoshimitsu Banno and Kenji Okuhira serving as executive producers, and Ali Mendes and Jay Ashenfelter co-producing for Legendary.
    Behind the scenes, Dougherty’s creative team included director of photography Lawrence Sher, whose credits include the “Hangover” films and “Godzilla,” for which he handled additional photography; production designer Scott Chambliss (“Guardians of the Galaxy Vol. 2,” “Star Trek Into Darkness”); editors Roger Barton (“Pirates of the Caribbean: Dead Men Tell No Tales,” the “Transformers” films), Oscar nominee Richard Pearson (“United 93,” “Kong: Skull Island”) and Bob Ducsay (“Godzilla,” “Star Wars: Episode VIII – The Last Jedi”); costume designer Louise Mingenbach (the “X-Men” and “Hangover” films), and Oscar-winning VFX supervisor Guillaume Rocheron (“Life of Pi,” “Godzilla”). Music is by Bear McCreary (TV’s “The Walking Dead,” “10 Cloverfield Lane”).
    A presentation of Warner Bros. Pictures and Legendary Pictures, in association with Toho Co., Ltd., a film by Michael Dougherty, “Godzilla: King of the Monsters” hits theaters May 31, 2019. It will be distributed in 3D and 2D and IMAX by Warner Bros. Pictures, except in Japan, where it will be distributed by Toho; and in China, where it will be distributed by Legendary East.
    The film has been rated PG-13 for sequences of monster action, violence and destruction, and for some language.

    GodzillaMovie.com

    April 10th update

    An additional set of TV spots – “Balance”, “Monster”, and “Ghidorah” – have been released. As per tradition, Toho Kingdom has been given access to higher quality versions of these teasers, the highest quality that can be found online. All three run for 30 seconds, with the “Ghidorah” teaser in particular showing even more new footage.

    April 3rd update

    Two more TV spots, “Beautiful” (NCAA) and “Run”, have been released. As per tradition, Toho Kingdom has been given access to higher quality versions of these teasers, the highest quality that can be found online. Both run for 30 seconds, but are packed with plenty of new monster footage and action.

    March 29th update

    Another new TV spot titled “Beautiful” has been released. As per tradition, Toho Kingdom has been given access to a higher quality version of the teaser, the highest quality that can be found online. It runs for 60 seconds, and features even more new footage of the monsters and Monarch.

    Meanwhile, the Monarch Sciences Twitter account has uploaded a short video showing various murals of Godzilla, and bringing up the possibility that he could be the “key to coexistence.”

    Lastly, two wall-breakers have been officially revealed by Rubies Costumes, one featuring 2019 Godzilla and the other 2019 King Ghidorah. These are expected to be released later this year.

    March 17th update

    A new TV spot titled “Intimidation” has been released. As per tradition, Toho Kingdom has been given access to a higher quality version of the teaser, the highest quality that can be found online. It runs for 30 seconds, and briefly features even more new footage of Godzilla, King Ghidorah, and Rodan in action.

    March 6th update

    Director Mike Dougherty shared on his Twitter page a new screenshot of King Ghidorah. This same image was also shared in even higher quality in the latest issue of Total Film magazine, which provided an assortment of new images featuring both monsters and Monarch members, as well as additional information about the upcoming movie.

    Godzilla: King of the Monsters - News Roundup

    February 19th update

    A new TV spot titled “Time Has Come” has been released. As per tradition, Toho Kingdom has been given access to a higher quality version of the teaser, the highest quality that can be found online. The TV spot runs for 30 seconds and features some brief new footage of Rodan, King Ghidorah, and two mysterious Titans.

    January 27th update

    Toho has released a Japanese trailer for Godzilla: King of the Monsters, which can be viewed below. It is a modified version of the second official trailer, opting to use the “Clair de Lune” mix heard in the first trailer, and runs for 1 minute 32 seconds.

    January 21st update

    A new TV spot titled “Supremacy” has been released, which focuses heavily on Madison Russell (Millie Bobby Brown), Godzilla, and Rodan. Toho Kingdom has been given access to a higher quality version of the teaser, the highest quality that can be found online. The TV spot runs for 30 seconds.

    January 8th, 2019 update

    A movie still featuring King Ghidorah has been released, courtesy of Warner Bros. Pictures. The image originally appeared in an online article by USA Today. Click the image below to see the full resolution version.

    2019 Godzilla: King of the Monsters - News Roundup

    On a side note, Tamashii Nations has released an interview with director Mike Dougherty. The article also shows some pictures of the director next to the upcoming S.H.MonsterArts figures Godzilla (2019), Rodan (2019), and King Ghidorah (2019).

    December 13th update

    Courtesy of Warner Brothers, three new posters featuring the Titans Rodan, Mothra, and King Ghidorah have been released, as well as some brief press notes. Click the images below to see their full resolution versions.

    2019 Godzilla: King of the Monsters - News Roundup 2019 Godzilla: King of the Monsters - News Roundup 2019 Godzilla: King of the Monsters - News Roundup

    Press note information:

    GODZILLA: KING OF THE MONSTERS
    In 3D and 2D in select theaters and IMAX on May 31
    (Warner Bros. Pictures/Legendary Pictures)

    Director: Michael Dougherty
    Writers: Michael Dougherty, Zach Shields
    Producers: Mary Parent, Alex Garcia, Brian Rogers, Thomas Tull, Jon Jashni
    Executive Producers: Zach Shields, Barry H. Waldman, Dan Lin, Roy Lee, Yoshimitsu Banno, Kenji Okuhira
    Cast: Vera Farmiga, Ken Watanabe, Sally Hawkins, Kyle Chandler, Millie Bobby Brown, Bradley Whitford, Thomas Middleditch, Charles Dance, O’Shea Jackson Jr., Aisha Hinds, Zhang Ziyi
    Action Adventure.
    The new story follows the heroic efforts of the crypto-zoological agency Monarch as its members face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species—thought to be mere myths—rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance.

    This film has been rated PG-13 for sequences of monster action violence and destruction, and for some language.
    GodzillaMovie.com

    December 10th update

    The second official trailer for 2019’s Godzilla: King of the Monsters has appeared online. The trailer runs for around 2 minutes 30 seconds and presents plenty of clips with Godzilla, Mothra, Rodan, and King Ghidorah, as well as some teaser glimpses at what may be other Titans. As per tradition, Toho Kingdom has been given a higher quality version of the latest trailer, the highest quality that can be found online, which can be seen below.

    In addition, a new poster has been revealed. Click the image below to see the full resolution version. High-resolution image courtesy of Warner Brothers.

    December 2nd update

    IGN Japan has released a 30-minute recording of the Tokyo Comic Con 2018 stage event with host Shinsuke Kasai and director Mike Dougherty, where Dougherty recalls his childhood memories of Godzilla before revealing more background information regarding the movie’s monstrous cast. While the questions are in Japanese, Dougherty answers in English. Concept artwork for the monsters can be seen at around the 17 minute 40 second mark.

    December 1st update

    2019 Godzilla: King of the Monsters - News RoundupEarlier this morning, Tokyo Comic Con 2018 unveiled the official designs for Godzilla, Rodan, Mothra, and King Ghidorah in the form of S.H.MonsterArts figures, with 2019 King Ghidorah and Godzilla being made available for pre-order on January 9th of next year. A 2-meter-tall 2019 Godzilla statue was also present at the event. Concept artwork of the monsters and some battle scenarios were shown to attendees, as well as a brand-new teaser trailer, with director Mike Dougherty confirming that a 2nd official trailer for the movie would be released sometime next week.

    The figures of the 4 monsters can be viewed by clicking the image on the right. With a new trailer just on the horizon, the reveals for Rodan, Mothra, and King Ghidorah have been omitted from the thumbnail so to avoid spoiling anyone wishing to wait for their full reveals likely coming in the next trailer.

    Twitter user @pacific_boy525 managed to capture the booming audio playing during the Comic Con event, featuring a modernized take of Akira Ifukube’s classic Godzilla composition.

    November 17th update

    Director Mike Dougherty has announced the end of post-production for Godzillla: King of the Monsters on his Twitter, with a behind-the-scenes image accompanying the following message: “It is done. With love and gratitude to the thousands of talented people all around the world who helped make this lifelong dream a reality. In Godzilla we trust.”

    October 21st update

    A page from the November 2018 issue of Total Film Magazine has shared both an exclusive image from Godzilla: King of the Monsters, as well as a few words from Michael Dougherty regarding the upcoming movie. In the article, Dougherty describes how Godzilla has been with him since his youth, and how he wanted to create “a film that could stand on its own” while remaining faithful to Toho’s own movies and monsters – in particular paying homage to the “morality play” and Mothra’s role as a deity.

    Fortunately for the director, while he required approval for the monsters, Toho “signed off on everything without hesitation” after a somewhat nerve-wracking presentation in Japan. Dougherty also goes on to praise Godzilla (2014) and the movie’s director Gareth Edwards for the love given to the title monster, while maintaining his stance on Rodan as one of his favorites due to the flying monster being “a bit of an underdog”. On the other hand, Millie Bobby Brown chips in with a tease of a certain goddess she has come to adore: “Madison has a really, like, interesting connection to Mothra.”

    The page closes with some words from Dougherty: “I have such a deep-rooted love for these creatures. […] These aren’t just giant monsters, they’re ancient gods.”

    The contents of the article can be read in full in image format. Click the image below to see the larger version. Very special thanks to Gormaru Island for the scan provided!

    October 20th update

    In a more lighthearted update, 10-year-old Godzilla fan Nigel Ayala caught the attention of Legendary after his story made waves. Nigel was recorded back in August by FOX6 News bestowing “Godzilla power” upon the Milwaukee Brewers in the form of small Godzilla figures. As the Brewers were headed to Hollywood for the National League Championship Series, Legendary flew Nigel and his family out to their studio in Los Angeles, where the young fan was treated to a private tour of Legendary Entertainment, as well as a closed-door screening of a few scenes of 2019’s Godzilla: King of the Monsters, courtesy of director Michael Dougherty. The story can be viewed in full in the video below.

    October 10th update

    Catching up on some overlooked news, an interview with O’Shea Jackson Jr. was shared on GameSpot back in January, where the actor shared his enthusiasm on working with the Godzilla series, as well as detailing some of the physical labors he endured during filming – including the gunning down of several characters in the 2019 movie.

    More recently, a recording from San Diego Comic-Con was uploaded through Mulderville’s YouTube channel back in August. Due to video and photo restrictions at the event, the press conference upload is audio only and runs for around 25 minutes. Michael Dougherty, Vera Farmiga, Millie Bobby Brown, Bradley Whitford, and O’Shea Jackson Jr. cover their inspirations and experiences while working on Godzilla: King of the Monsters. Dougherty’s relationship with Toho, character origins, and some of the main monster locations are also touched upon.

    September 26th update

    An article from Newsweek has confirmed the names of several motion-capture actors for the movie. Portraying the three-headed monster King Ghidorah will be Alan Maxson as the right head, Richard Dorton as the left head, and the previously-reported Jason Liles as the middle head. Liles will also be working as the mocap actor for Rodan, while T.J. Storm portrays Godzilla.

    September 14th update

    According to a bulletin released by the Motion Picture Association of America, Godzilla: King of the Monsters has been rated PG-13 “for sequences of monster action violence and destruction, and for some language.”

    July 29th update

    As per tradition, Toho Kingdom has been given a higher quality version of the latest Godzilla: King of the Monsters (2019) trailer. Below is the higher quality version of the trailer, the highest quality that can be found online.

    July 23rd update

    For the San Diego Comic Con’s panel in Hall H on the movie, cast members Millie Bobby Brown, Vera Farmiga, O’Shea Jackson, Thomas Middleditch and director Michael Dougherty went on stage for a little Q&A. Below is this session, recorded and enhanced by Chris Mirjahangir and Michal Shipman.

    July 21st update

    Just minutes before the Hall H presentation at San Diego Comic-Con 2018, some cast and staff of Godzilla: King of the Monsters (2019) were interviewed live by Entertainment Weekly. While no major spoilers are spilled, each shares what brought them on board for the movie, among other details. The archived livestream can be viewed below.

    2:24 PM – The official trailer has dropped! It runs for 2 minutes 25 seconds:

    4:07 PM – It has been confirmed through the Hall H presentation that Bear McCreary will be composing for the movie. McCreary is best known for his work on television shows such as The Walking Dead and 2004’s Battlestar Galactica, as well as movies such as 10 Cloverfield Lane (2016) and Colossal (2017). Likewise, Akira Ifukube‘s classic music will be present in some form in the movie.

    Meanwhile, on Twitter, director Mike Dougherty shared an image of the Comic-Con 2018 exclusive illustrated poster, with artwork by Christopher Shy. The poster features Godzilla entangled in battle with the monstrous King Ghidorah.

    11:22 PM – IGN has uploaded an interview featuring director Mike Dougherty, Millie Bobby Brown, Vera Farmiga, Thomas Middleditch, and O’Shea Jackson Jr., where the director describes how Godzilla: King of the Monsters(2019) takes place five years after the events of Godzilla (2014), the motion-capture effects of King Ghidorah, and how the monster roster consists of “more than four [monsters]”.

    July 19th update

    The website Monarch Sciences has gone live with an interactive database, which supplies many new details regarding Godzilla’s kaiju co-stars while keeping track of the titular monster himself. Users can uncover historic accounts of Rodan, Mothra, and King Ghidorah, and are treated with new pictures and information the higher their clearance level. Such bonus content includes Monarch classifications, natures, behavior, and body height and wingspan statistics.

    A teaser trailer for the movie has also dropped, which focuses on Madison Russell (Millie Bobby Brown) attempting to make contact with Monarch. The teaser runs for about 41 seconds, and originally surfaced on Twitter.

    Finally, the logo and tagline for the movie have been unveiled, which can be viewed below. The official Godzilla: King of the Monsters website has also been updated to accompany this reveal, with an additional image in the “Gallery” featuring Millie Bobby Brown and the looming figure of Godzilla in the background. Click the image below to see the full resolution version. High-resolution image courtesy of Warner Brothers.

    July 16th update

    Following up on the previous update, here are clean versions of the two promotional stills from the upcoming film. Click to see the full resolution versions.


    VFX-GKM-0001r.
    Godzilla rises from the depths and unleashes his atomic breath to claim his crown as King of the Monsters in Warner Bros. Pictures’ and Legendary Pictures’ action adventure “GODZILLA: KING OF THE MONSTERS,” a Warner Bros. Pictures release.
    Courtesy of Warner Bros. Pictures

    2019 Godzilla: King of the Monsters - News Roundup
    GKM-06432rv2.
    (L-R) MILLIE BOBBY BROWN as Madison Russell and VERA FARMIGA as Dr. Emma Russell in Warner Bros. Pictures’ and Legendary Pictures’ action adventure “GODZILLA: KING OF THE MONSTERS,” a Warner Bros. Pictures release.
    Courtesy of Warner Bros. Pictures

    July 12th update

    With San Diego Comic-Con just a week away, Entertainment Weekly has dropped some early details for the movie, as well as revealed two exclusive pictures: The first image features the titular Godzilla, now sporting a somewhat retooled look with larger spines, firing his signature atomic breath towards the sky. The second introduces the characters Madison Russell and Dr. Emma Russell (Millie Bobby Brown and Vera Farmiga respectively) overlooking something in an icy chamber.

    According to director Mike Dougherty in the article: “The world is reacting to Godzilla in the same way we would react to any other terrifying incident, in that we are overreacting. […] There’s paranoia and endless speculation about whether he is the only one out there or whether we’re threatened by others like his kind.” Godzilla is said to have disappeared following the events of the previous movie, but will be making his presence known once more alongside other monsters such as Rodan, Mothra, and King Ghidorah. Dougherty also mentions how he has a soft spot for Rodan in particular, and believes they’ve done the monster “justice.”

    Regarding Godzilla’s use of his atomic breath, Dougherty describes: “Not without giving away too much […] But it takes place at a very key moment and it’s sort of a call to arms.” Also, Millie Bobby Brown and Vera Farmiga’s characters are said to have been kidnapped by “a mysterious organization, with their own plans for the creatures”, with ex-husband and father Mark Russell (played by Kyle Chandler) out to rescue the pair alongside Godzilla (2014) Monarch members Dr. Ishiro Serizawa (Ken Watanabe) and Dr. Vivienne Graham (Sally Hawkins). While no thorough details were shared about the follow-up movie, 2020’s Godzilla vs. Kong, Dougherty did tease how there would be “bread crumbs” leading to the inevitable confrontation between the two monsters.

    July 10th update

    In an interview with Metro US, actress Vera Farmiga has shared several new and surprising details about her character, Dr. Emma Russell. In the movie, she plays a paleobiologist, who has “figured out a way to communicate with the creatures and potentially control them using their bioacoustics on a sonar level,” in what she amusingly describes as being like a “DJ for the monsters.” She also views the film as being more about the environment than about the monsters themselves: “When it comes down to it that’s what emerged to me off the written page, and so I find that there has to be a little parable in it that makes me interested.” Vera Farmiga’s character of Dr. Emma Russell will be married to Mark Russell, played by Kyle Chandler, and be the mother of Madison Russell, played by Millie Bobby Brown.

    July 7th update

    Godzilla: King of the Monsters director Mike Dougherty confirmed on Twitter that Godzilla will be present in some fashion at San Diego Comic-Con this year. The director’s brief confirmation was in response to another Twitter user asking whether or not Godzilla would be appearing at the upcoming event’s Hall H panel. San Diego Comic-Con will be running from July 19th to the 22nd later this month.

    12:17 PM – The Comic-Con website has included the date and time of the Warner Bros. Hall H presentation: it will be held on Saturday July 21st at 10:30am – 12:30pm PDT (1:30pm – 3:30pm EDT). As of now, no films or panelists have been announced, though with the aforementioned confirmation of Godzilla, information regarding the 2019 sequel will more than likely be presented in this time frame.

    May 23rd update

    Warner Bros. has announced that Godzilla: King of the Monsters has had its release date moved from March 22nd, 2019 to May 31st, 2019.

    May 22nd update

    Ever since the sequel to Godzilla 2014’s film was announced, it has had multiple names ever since. When it was formally announced, it was “Godzilla King of Monsters”. The “the” was left out, from what I’m told, due to a typo. It was later corrected but it was still just a working title. Fans and media outlets did pick up on the name though and the “Godzilla King of the Monsters” name stuck. However, internally there still was no cemented official title. For example, on Warner Brothers’ own media pass page (press only), it was only listed as “Godzilla Sequel”.

    So, today, as an exclusive reveal via Warner Brothers, Toho Kingdom is happy to announce the official title is: Godzilla: King of the Monsters.

    Sometimes the working title is just something so cool sounding that it sticks around. Stay tuned for more on Godzilla: King of the Monsters on the road to release.

    April 27th update

    Actor O’Shea Jackson Jr. once again shares some more information regarding Godzilla 2 in an interview with the Hollywood Reporter, where he stresses the powerful presence of King Ghidorah within the movie. Talk surrounding the sequel starts at around the 5:50 mark in the video.

    Also, Rampage (2018) motion-capture actor Jason Liles joins in on the action for Godzilla 2, as shared in an exclusive article by TheWrap. Liles will be just one of several mocap actors hired to portray the three-headed antagonist, King Ghidorah.

    January 18th, 2018 update

    While on the press tour for his new film Den of Thieves, actor O’Shea Jackson Jr. gives a few tidbits about Godzilla 2 in an interview with Collider.com. The conversation about the next Godzilla movie starts about 10:30 into the video. During the video, the actor stresses his fandom for the franchise, while doing some very brief teasing for the upcoming movie.

    July 13th update

    Although promoted on their Twitter account for Kong: Skull Island (2017), some additional hints are coming in related to the greater MonsterVerse and the cast of the second Godzilla film. In particular, Rodan, Mothra and King Ghidorah…

    The video covers a time line of the MonsterVerse from 1991 to present. It references events from Godzilla (2014) and the comic Skull Island: The Birth of Kong. The entries for 2009 and 2016, whose title for the creature as “Monster Zero” is a clear nod to Invasion of Astro-Monster (1965), are references to Mothra and King Ghidorah respectively. It’s assumed that the 1991 listing that starts the video is referencing Rodan, and his habit of living near volcanoes.

    Full text during the video, which uses music from the Kong: Skull Island (2017) score, is found below. Please note some of the text is cut off in the video, and filled in with a best guess in brackets:

    1991 Isle de Mona: A covert Monarch team established a quarantine zone around a dormant volcano in Isle de Mona, under the guise of “environmental research”. Over the coming years, what began as a small scientific outpost will expand to become a full containment facility around the mouth of the volcano. 

    1995 Return to Skull Island: Monarch security officer Aaron Brooks defies his father Houston Brooks and leads an off-the-books mission to Skull Island, to determine what has become of Kong since the 1973 expedition.

    1999 Janjira Meltdown: Following an explosive disaster [at the Janjira] power planet, Monarch establishes [a quarantine] zone outside of Tokyo. What the [Monarch team discovers is] that Janjira Q-Zone is in reality containment facility established around a dormant M.U.T.O.

    2005 A Mysterious Mercenary: Former British Army Colonel and MI-6 agent Jonah Alan is locked up in Pakistani prison after an encounter with MONARCH agents. Alan and his band of mercenary accomplices were caught trying to breach the walls of a subterranean M.U.T.O. dig-site.

    2009 Temple of the Moth: Mythographic studies of Chinese temples leads Monarch to the high-altitude jungles of the Yunnan province. Dr. Emma Russel and her team follow a mysterious bio-acoustic signature to a previously undiscovered megalithic temple, within which lies a gigantic cocoon. A quickening heartbeat is detected inside.

    2012 Message in a Bottle: Days before retirement, Monarch veteran Houston Brooks receives a coded message from his son. The mission to Skull Island has revealed dramatic new information about Kong’s origins, and his role on the island.

    2014 The Battle of San Francisco: The existence of giant superspecies is revealed to the world as Godzilla clashes with two M.U.T.O.s in the center of San Francisco, unleashing devastation upon the urban center. The world watches as Godzilla defends our world and restores balance to the natural order. The time has come for Monarch to step out of the shadows.

    2016 Monster Zero: When Monarch discovers an extraordinary superspecies sealed beneath the Antarctic ice sheet, Dr. Vivienne Graham leads the effort to build a covert containment and research facility around the dormant creature. Her classified field notes contain a mysterious footnote: “The devil has three heads.”

    June 20th update

    Warner Bros. has begun to distribute a press release for the movie to celebrate filming commencing. With a brief story synopsis, the release mentions the four monsters to be included in the movie: Godzilla, Rodan, Mothra and King Ghidorah. The release also still references the late Yoshimitsu Banno, director of Godzilla vs. Hedorah (1971), as an executive producer. The release is found below:

    WARNER BROS. PICTURES’ AND LEGENDARY PICTURES’ MONSTERVERSE KICKS INTO GEAR AS THE NEXT GODZILLA FEATURE GETS UNDERWAY 

    Director Michael Dougherty helms the film in which stars Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Ken Watanabe and Zhang Ziyi take on the King of the Monsters… and more! 

    BURBANK, CA, June 19, 2017 – Following the global success of 2014’s “Godzilla” and this year’s “Kong: Skull Island,” comes the next chapter in Warner Bros. Pictures’ and Legendary Pictures’ cinematic MonsterVerse: an epic action adventure that pits Godzilla against some of the most popular monsters in pop culture history. The film, which begins principal photography today, is being directed by Michael Dougherty (“Krampus”), and stars Oscar nominees Vera Farmiga (“Up in the Air,” “The Conjuring” films), and Ken Watanabe (“The Last Samurai”) and Sally Hawkins (“Blue Jasmine”), both reprising their “Godzilla” roles; Kyle Chandler (“The Wolf of Wall Street,” “Manchester by the Sea”); Millie Bobby Brown (“Stranger Things”) in her feature film debut; Bradley Whitford (“Get Out”); Thomas Middleditch (HBO’s “Silicon Valley”); Charles Dance (HBO’s “Game of Thrones”); O’Shea Jackson Jr. (“Straight Outta Compton”); Aisha Hinds (“Star Trek Into Darkness”); and Golden Globe nominee Zhang Ziyi (“Memoirs of a Geisha,” “Crouching Tiger, Hidden Dragon”).

    The new story follows the heroic efforts of the crypto-zoological agency Monarch as its members face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species—thought to be mere myths—rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance.

    Dougherty directs from a script he wrote with Zach Shields. The film is being produced by Mary Parent, Alex Garcia, Brian Rogers and Thomas Tull, with Barry H. Waldman, Zach Shields, Yoshimitsu Banno and Kenji Okuhira serving as executive producers and Alexandra Mendes co-producing for Legendary.

    Behind the scenes, Dougherty’s creative team includes director of photography Lawrence Sher, whose past credits include “War Dogs” and “Godzilla,” for which he handled additional photography; production designer Scott Chambliss (“Guardians of the Galaxy Vol. 2,” “Star Trek Into Darkness”); editor Roger Barton (“Pirates of the Caribbean: Dead Men Tell No Tales,” the “Transformers” films); costume designer Louise Migenbach (the “X-Men” and “Hangover” films); and Oscar-winning VFX supervisor Guillaume Rocheron (“Godzilla,” “Ghost in the Shell,” and part of the Oscar-winning team behind “Life of Pi “).

    Filming is taking place mainly in Atlanta, Georgia. A presentation of Warner Bros. Pictures and Legendary Pictures, the film is currently scheduled for release in March 2019, and will be distributed in 3D and 2D and in select IMAX theaters by Warner Bros. Pictures, a Warner Bros. Entertainment Company, except in Japan, where it will be distributed by Toho Co., Ltd.

    June 9th update

    Actress Zhang Ziyi, best known for her role in Crouching Tiger, Hidden Dragon and Memoirs of a Geisha, has been added to the movie’s cast. Acting as part of the MONARCH organization, Ziyi has signed a multi-picture deal that will see her as a reoccuring character in the MonsterVerse, as she is also set to appear in the upcoming Godzilla vs. Kong movie as well.

    June 2nd update

    The cast for the movie continues to expand, as actor Bradley Whitford has been added to the movie. Whitford, who has acted in movies such as The Cabin in the Woods and Scent of a Woman, is also joined by another actor announcement. Thomas Middleditch, star of the TV show Silicon Valley, has also been added to the movie’s cast.

    May 25th update

    Casting news continues to pour in. This time, the director, Mike Dougherty, has tweeted that actor Randy Havens, who played Mr. Clarke on Stranger Things, has also joined the cast in an unnamed role.

    May 23rd update

    Sally Hawkins, who appeared in Godzilla (2014) as Doctor Vivienne Graham, will reprise her role in the movie’s sequel. In addition, it has been announced that Charles Dance, who played Tywin Lannister in Game of Throneswill be appearing in the movie as well.

    April 19th update

    Actress Aisha Hinds, who has been making positive rounds due to her performance as Harriet Tubman on WGN America’s Underground, will be appearing in the film in a currently unspecified role.

    March 27th update

    Casting news continues to flow in as O’Shea Jackson Jr., best known for his work in Straight Outta Compton, is now in negotiations to join the latest Godzilla film. If he signs on, he will join his Straight Outta Compton costars in the MonsterVerse, as both Corey Hawkins and Jason Mitchell already starred in Kong: Skull Island (2017).

    February 28th update

    Actress Vera Farmiga, best known for her work on The Conjuring and Up in the Air, will appear in the film as the mother of Millie Bobby Brown’s character.

    February 21st update

    Actor Kyle Chandler, best known for his work on The Wolf of Wall Street and Zero Dark Thirty, is set to star in the movie as the father of Millie Bobby Brown’s character. In addition, the article mentions that actor Ken Watanabe is likely to reprise his role in the upcoming movie.

    January 31st update

    Legendary Pictures has clarified to us that the title for the upcoming Godzilla movie is in fact Godzilla: King of the Monsters. The earlier press release in December was in fact with a typo that became widespread.

    Jaunary 28th update

    With the director of the latest Godzilla film locked down, it was only a matter of time before more cast and crew started to be announced.

    Millie Bobby Brown

    This includes the revelation that Millie Bobby Brown, star of Stranger Things, will have a starring role in Godzilla: King of Monsters. Details on the character she will play is being kept under wraps, but expect more cast announcements to start happening around the upcoming film.

    January 24th, 2017 update

    The director for Godzilla: King of Monsters is official. Michael Dougherty, who was already tapped as co-writer with Zach Shields, will oversee the movie. Godzilla will mark the third major directorial effort from Dougherty, his others being Trick ‘r Treat and Krampus.

    December 15th update

    Legendary Pictures issued a release announcing that Herbert W. Gains as their new executive vice president (EVP) of Physical Production, Valerie Flueger Veras as their new senior vice president (SVP) of Post- Production and Sara Flamm as their new SVP of Physical Production. Buried in the release was a glimpse of the title for the upcoming Godzilla film from Legendary, now called Godzilla: King of Monsters. The name harks back to the American title for Godzilla (1954) and the ongoing alias moniker of Godzilla himself, used briefly by the press at the end of Godzilla (2014).

    December 7th update

    As part of the press junket for Rogue One: A Star Wars Story, IGN asked Gareth Edwards, director of Godzilla (2014), why he’s not directing the sequel. That response is found below:

    October 23rd update

    It was probably only a matter of time, but word has spread that after hiring the writers of Krampus the studio is now eyeing the director of that film as well: Michael Dougherty. While some sources fumbled stating it’s a sure thing, others have noted that this is still in talks pending approval of the screenplay and no official deal has been set in stone. Waiting for sreenplay approval is a natural step as Dougherty is already attached as a writer to the project. Dougherty has been directing since 2007’s Trick ‘r Treat, but whose career is primarly as a writer rather than director. If choosen, Godzilla 2 would be his most high profile directing gig.

    October 21st update

    After a five month news hiatus, Legendary has announced that two new writers have been attached to Godzilla 2. These writers are Michael Dougherty and Zach Shields. The pair most recently collaborated on the horror movie Krampus for Legendary; however, while Shields is relatively new to the blockbuster field, Dougherty has a long track record, having written on films like X-Men: Apocalypse and X2: X-Men United.

    May 14th update

    Following on the heels of the movie’s delay, it has been announced that Gareth Edwards has left Godzilla 2Reportedly the split is amicable and based largely on Edwards’ desire to work on smaller scale productions after Godzilla (2014) and Rogue One: A Star Wars Story. Legendary Pictures is now on a hunt to find a director to replace Edwards on the film.

    May 13th, 2016 update

    Over half a year has passed and things have been quiet on the news front. Sadly, things haven’t changed much, as the only piece of news related to the awaited Godzilla sequel from Legendary Pictures is a delay to the production.

    The movie, which was originally slated for a June 8, 2018 release date, is now aiming for a March 22, 2019. As a spot of good news, Legendary and Warner Bros. did date the fourth film in the new cinematic universe, as Godzilla vs. Kong will be arriving on May 29, 2020.

    August 12th, 2015 update

    Been a long silence on the news front for the follow-up entry in the new series by Legendary Pictures. Collider got a chance, though, to sit down with writer Max Borenstein for an interview. The basis of the interview was the upcoming TV show Minority Report. However, that didn’t stop them from briefly talking about the future of the King of the Monsters.

    When asked if Borenstein was writing it now, he responded:

    “I’m writing it now, and it’s really going to be great. I don’t want to go off book and tell you anything that I’m not allowed to tell you. The response to the first film was really exciting, but now that that world is established, we can do bigger and even better things. We’re really stoked.”

    As for if director Gareth Edwards would be involved in the scripting process:

    Yeah, I hope. He’s making Star Wars right now, so he’s a little preoccupied, but yeah. Gareth is amazing. It’s exciting to get to work with him again. One of the fun things about that experience is the same fun that it’s been on Minority Report, where you really get to have your fingers in the pie.

    Nothing really new from the interview, although the news circuits have picked up the “bigger and even better things” quote and ran with it for news stories.

    Godzilla 2

    September 22nd update

    Deadline has announced that Max Borenstein, who wrote Godzilla (2014) and will write the screenplay for the upcoming Skull Island film, has been tapped to create the screenplay for the second Godzilla film from Legendary Pictures and Warner Bros.

    August 14th update

    News has begun to build for the tentatively titled Godzilla 2. Among those is a release date for the next adventure to star the King of the Monsters. This news story will act as a roundup to details as they emerge on the sequel to Godzilla (2014) from Legendary Pictures and Warner Bros… and what a long road it will be.

    Comic Con 2014 teased the line up of the next film, name dropping Rodan, Mothra and Ghidorah. We also knew that Gareth Edwards would return to direct and chances are good that, due to announcing the news himself, that Legendary Pictures CEO Thomas Tull will produce.

    The latest news gives us a date for the film:

    June 8, 2018

    That will be over four years since the last movie, which is long for a sequel although was expected since Edwards is directing the Star Wars spin off to be released in 2016.

    Rodan, Mothra and Ghidorah in "Godzilla 2"

    July 27th, 2014 update

    Details have begun for “Godzilla 2“, the follow up to this year’s Godzilla movie. Rodan, Mothra and the three-headed monster Ghidorah are joining the Legendary Pictures Godzilla franchise.

    Legendary Pictures had a big Comic Con this year. While the announcement of a new King Kong project, titled Skull Island, took a lot of thunder, the King of the Monsters had an announcement of his own.

    Legendary Pictures CEO Thomas Tull presented a video message from Godzilla (2014) director Gareth Edwards at the Hall H event. Edwards mentioned that he was busy on the Star Wars spin-off film he was directing, but thanked everyone for their support of Godzilla and making the film a success.

    This lead into a teaser for the sequel. The segment was “classified Monarch footage”, the organization that Serizawa (Ken Watanabe) belonged to in the 2014 film. The sequence appeared to be retro, with John F. Kennedy talking about threats which would place it in the 1960’s. Text on the screen then mentions “there were others”, possibly talking about the alpha predators that Godzilla belongs to, followed by a shadow and the text “CODENAME: RODAN”.

    Next is a furry closeup of an insect with the text “CODENAME: MOTHRA”.

    Finally, there is a large shadow that it splices around before saying “CODENAME: GHIDORAH”.

    The video ends with the text “THREAT ASSESSMENT: CONFLICT INEVITABLE.” – “LET THEM FIGHT.”

    CEO Thomas Tull then announced that Edwards would be returning to direct the sequel after finishing Star Wars.

    As a side remark, the video used the name “Ghidorah”, which might be an allusion to the monster’s first, flightless appearance in Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001). More likely, though, it’s just coincidence.

    NOTE: The above image was created by Toho Kingdom. It was not taken from the video shown at Comic Con.

    News // April 19, 2019
  • Shortly after the turn of the century, Toho Music was on and off releasing CD soundtracks. From scores around director Akira Kurosawa to the expansive Godzilla Soundtrack Perfect line, a plethora of titles were issued. That is until 2013, when news and future releases stopped. A two disc set for The Last War (1961) would mark one of their final releases… but the torch would be passed.

    In 2014, a label called Cinema-kan burst onto the scene. Their initial offering for Toho was small, with a trilogy of “Science Fiction Movie World” compilations. These were faithful releases to CD of older LP compilations. The company wasn’t done, though, and branched out in 2015 to the more obscure with their next Toho release: one for the Bloodthirsty trilogy. The CD compilation collected music from Toho’s three 1970’s vampire films, but was only a hint of what was to come. In 2016 the company released six full soundtracks for Toho films, moving away from compilations. These ranged from previously released scores like Half Human (1955) to unreleased material like Kill! (1968). As of the start of 2019, the company has issued 19 separate releases related to Toho. As a result, the company has thrust themselves on the radar of Japanese soundtrack collectors, proving to release from a variety of genres along with several titles that have never seen full releases before.

    This article is a news roundup tracking these releases as they are announced, or as major details are made available. Much of this is announced over the company’s Twitter handle, which is frequently updated.

    April 17th update

    We are days away from the release of the scores for Gorath (1962) and Prophecies of Nostradamus (1974), each of which will be a two disc set. Cover artwork has also been released for the two titles, seen below.

    Gorath and Prophecies of Nostradamus

    Cover art for Gorath (left) and Prophecies of Nostradamus (right)

    Although both have been issued on CD before, this will mark the first time the complete mono score will be made available for the 1962 disaster movie. Previously the stereo version was released in 1995 by SLC, and has been out of print for over two decades. The two disc set will also contain “trailer music”, which was absent on the SLC release, and other outtakes, which were previously available.

    For the 1974 disaster movie, this two disc set will combine the complete mono score alongside the commercial stereo record that was created for the movie. This record version, created at a time when people were still adopting stereo over mono equipment at home, was sold on providing a stereo experience of the themes created by composer Isao Tomita. The Cinema-kan release looks to over both, covering material that was previously released by VAP alongside the stereo content found inside the Toho SFX Champion Festival box set.

    In addition to these two impending sets, Cinema-kan has announced two more Toho releases. The first is for the movie Mount Hakkoda (1977), directed by Shiro Moritani. This release is a two disc set, featuring the lengthy score composed by Yasushi Akutagawa for the almost three hour movie. The other announcement was for an LP record release of The War of the Gargantuas (1966). This takes some of the material from Cinema-kan’s CD Frankenstein’s Monsters: Sanda vs. Gaira – Original Soundtrack set and presents it on a double sided LP.

    February 20th update

    The Imperial NavyToday marks the day Cinema-kan issues their 20th release around Toho. That score is for the The Imperial Navy (1981). Created by composer Katsuhisa Hattori, father of Godzilla vs. SpaceGodzilla (1994) composer Takayuki Hattori, themes from the score were most recently available in Toho Music’s ambitious Toho War Movies Soundtrack Collection. That, however, only included five tracks from the movie, leaving much of the score unreleased.

    Cinema-kan, though, is issuing a two disc set for the early 1980’s film. Touting it as including 94 tracks, with everything from unused material to stereo sources, the set appears to include a wealth of material around the production.

    The good news for Toho fans, though, is not just what’s coming out today but also what is on the horizon. To that point, Cinema-kan has also announced their next two Toho releases, both of which arrive on April 24th, 2019. One is for Prophecies of Nostradamus (1974), which promises to include not just the original mono score but also stereo material that was created for commercial releases.

    The other announced soundtrack is for Gorath (1962). This is of particular note as Toho Music once hinted at releasing this themselves before they stopped doing soundtracks. Cinema-kan is carrying that torch, though. Similar to how Toho Music did earlier releases, this will be a two disc set for the 1962 movie. Included will be both the original stereo and mono scores, along with touted bonus material as well.

    News // April 17, 2019
  • The panel for Godzilla: King of the Monsters (2019) at 2019 Monsterpalooza in Pasadena, California on 4/13/2019. The video runs for a little under 40 minutes.

    News // April 14, 2019
  • The first live-action movie based on the highly popular Pokemon series, 2019’s Pokémon: Detective Pikachu features the voice talent of Ryan Reynolds in a mystery-comedy being produced by Legendary, Warner Bros., and Toho.

    April 10th update

    Limited edition cards will be given out to those who attend screenings of the movie, with a press release regarding this event being available below. Click the image for the full resolution version. Image courtesy of Warner Brothers.

    SEE “POKÉMON DETECTIVE PIKACHU” OPENING WEEKEND FOR A CHANCE TO CAPTURE EXCLUSIVE NEW POKÉMON TCG: DETECTIVE PIKACHU TRADING CARD

    Advance Tickets on Sale Now for May 10th Nationwide Release

    Burbank, CA – April 10, 2019 – Moviegoers eager to see “POKÉMON Detective Pikachu” on its North American opening weekend beginning with early shows on Thursday, May 9, will be the only fans who can get a special limited edition Detective Pikachu trading card.

    Through this first weekend and while supplies last, each guest will receive an exciting two-card pack from the new Pokémon TCG: Detective Pikachu series of collectible trading cards from The Pokémon Company International. One card will be randomly selected from the series currently available at retail locations and featuring select Pokémon in their CGI likeness as seen in the movie.  The second is guaranteed to be a limited-edition Detective Pikachu card available to those early-bird fans who are among the very first to catch this first-ever live-action Pokémon adventure on the big screen.

    Tickets for the highly anticipated “POKÉMON Detective Pikachu” go on sale nationwide today, April 10, at 9:00 AM PDT, although advance purchase does not guarantee the Pikachu card bonus, which is based on theatre attendance and supply.

    To view the entire Detective Pikachu card collection and for all things Pokémon, go to www.pokemontcg.com/detectivepikachu/

     

    Also, a special “Casting Sneak Peek” video has made its way online:

    Lastly, a graphic novel adaptation of the movie is in the works by Legendary Comics, with details below. Click the image for the full resolution version. Image courtesy of Warner Brothers.

    Legendary Comics Announces Official Movie
    Graphic Novel Adaptation for POKÉMON Detective Pikachu

    The companion graphic novel based on the highly anticipated live-action
    feature film to hit stores and online in Summer 2019

    LOS ANGELES, March 14, 2019  In anticipation of this summer’s big-screen adventure POKÉMON Detective Pikachu, the first-ever live-action Pokémon movie with a cast led by Ryan Reynolds opening May 10, Legendary Comics announced at Emerald City Comic Con today the official movie graphic novel POKÉMON Detective Pikachu. Written by Brian Buccellato, with art by Nelson Dániel, it is set to debut online and in stores in Summer 2019, following the film’s release. The graphic novel draws inspiration from the upcoming film that is based on the beloved Pokémon brand—one of the world’s most popular, multi-generation entertainment properties and one of the most successful media franchises of all time. Readers are invited to follow along as lead character Tim Goodman, played in the movie by Justice Smith, journeys through Ryme City searching for his missing father. With twists and turns around every corner, nothing is more twist-y than Tim’s unexpected partner: a Pikachu with a penchant for coffee and danger, and the amazing ability to speak human language. In a city where humans and Pokémon live together in harmony, unexpected dangers surround them as they try to solve a mystery. Follow Facebook.com/LegendaryComics for the latest news and updates.

    “We are thrilled for the opportunity to work with The Pokémon Company International,” said Robert Napton, Senior Vice President of Legendary Comics. “Pokémon is a globally-adored brand, and we absolutely loved expanding the story of POKÉMON Detective Pikachu onto the page with the help of Brian’s words and Nelson’s art.”

     “Legendary Comics has done an outstanding job of bringing the world of POKÉMON Detective Pikachu to life in the form of this graphic novel,” said Heather Dalgleish, Director of Publishing at The Pokémon Company International. “We’re excited to be working with the Legendary Comics team on this initiative and can’t wait for readers to dive in to this Pokémon story.”

    From Legendary Entertainment and Warner Bros. Pictures, POKÉMON Detective Pikachu will be released in theaters nationwide on May 10, 2019.

    February 26th update

    A new trailer for the movie has been released. Running for 2 minutes 30 seconds, footage reveals several more Pokemon in the movie’s highly-detailed style, and dives even deeper into the mystery surrounding Tim’s missing father. Toho Kingdom has been given access to a higher quality version of the trailer, the highest quality that can be found online, which can be viewed below.

    Also coinciding with the trailer’s release is a new poster. Click the image for the full resolution version. High-quality image courtesy of Warner Brothers.

    Pokémon: Detective Pikachu poster

    And lastly, some press notes have been released:

    The world of Pokémon comes to life!
    The first-ever live-action Pokémon adventure, “POKÉMON Detective Pikachu” stars Ryan Reynolds as Pikachu, the iconic face of the global Pokémon phenomenon—one of the world’s most popular, multi-generation entertainment properties and the most successful media franchise
    of all time.
    Fans everywhere can now experience Pikachu on the big screen as never before, as Detective Pikachu, a Pokémon like no other. The film also showcases a wide array of beloved Pokémon characters, each with its own unique abilities and personality.
    The story begins when ace detective Harry Goodman goes mysteriously missing, prompting his 21-year-old son Tim to find out what happened. Aiding in the investigation is Harry’s former Pokémon partner, Detective Pikachu: a hilariously wise-cracking, adorable super-sleuth who is a puzzlement even to himself. Finding that they are uniquely equipped to work together, as Tim is the only human who can talk with Pikachu, they join forces on a thrilling adventure to unravel the tangled mystery. Chasing clues together through the neon-lit streets of Ryme City—a sprawling, modern metropolis where humans and Pokémon live side by side in a hyper-realistic live-action world—they encounter a diverse cast of Pokémon characters and uncover a shocking plot that could destroy this peaceful co-existence and threaten the whole Pokémon universe.
    “POKÉMON Detective Pikachu” also stars Justice Smith (“Jurassic World: Fallen Kingdom”) as Tim, and Kathryn Newton (“Lady Bird,” TV’s “Big Little Lies”) as Lucy, a junior reporter following her first big story; as well as Suki Waterhouse (“Insurgent”), Omar Chaparro (“Overboard”), Chris Geere (TV’s “Modern Family”), with Oscar nominee Ken Watanabe (“Godzilla,” “The Last Samurai”) and Bill Nighy (“Harry Potter and the Deathly Hallows: Part 1”).
    The film was directed by Rob Letterman (“Goosebumps,” “Monsters Vs. Aliens”), from a screenplay by Dan Hernandez & Benji Samit and Rob Letterman and Derek Connolly, story by Dan Hernandez & Benji Samit and Nicole Perlman, based on “The Great Detective Pikachu” video game developed by The Pokémon Company and Creatures Inc. It was produced by Mary Parent and Cale Boyter for Legendary Pictures, and Hidenaga Katakami and Don McGowan for The Pokémon Company. Serving as executive producers were Joe Caracciolo, Jr., Ali Mendes, Tsunekazu Ishihara, Kenji Okubo, Toshio Miyahara, Hiro Matsuoka, and Keiji Ota.
    Letterman’s creative filmmaking team includes two-time Oscar nominated director of photography John Mathieson (“The Phantom of the Opera,” “Gladiator”); production designer Nigel Phelps (“Pirates of the Caribbean: Dead Men Tell No Lies”); editors James Thomas (”Muppets Most Wanted”) and Oscar winner Mark Sanger (“Gravity”); and costume designer Suzie Hartman (“RocknRolla”). The music is composed by Henry Jackman (“Jumanji: Welcome to the Jungle”). Visual effects are by Moving Picture Company (“Wonder Woman”) and Framestore (“Guardians of the Galaxy Vol. 2”).
    Launched in 1996 to overwhelming response, the Pokémon brand is a global sensation that now encompasses a robust video gaming fandom with over 300 million units sold worldwide; trading card games available in 11 languages with more than 23.6 billion cards purchased; an
    anime television series in its 21st season that is available more than 160 countries; and over 20 animated films; as well as books, manga comics, music, toys, merchandise, and apps, including the wildly popular Pokémon GO, that has been downloaded over 850 million times and is enjoyed
    across the globe by fans of all ages.
    “POKÉMON Detective Pikachu” opens in theaters on Friday, May 10, 2019.
    Warner Bros. Pictures and Legendary Pictures present a Legendary Pictures Production, in association with Toho Co., Ltd, a Rob Letterman Film, “POKÉMON Detective Pikachu.” It will be distributed outside of Japan and China by Warner Bros. Pictures, in Japan by Toho Company, Ltd. and by Legendary East in China.

    As an added bonus, Ryan Reynolds uploaded a video, “Becoming Pikachu”, on his YouTube channel.

    January 21st, 2019 update

    A new TV spot titled “Understand” has been released. While largely comprised of footage from the first trailer, it does feature some new clips with Pikachu and the human cast. Toho Kingdom has been given access to a higher quality version of the teaser, the highest quality that can be found online. The TV spot runs for 30 seconds.

    November 12th update

    The first trailer for Pokémon: Detective Pikachu has dropped. As per tradition, Toho Kingdom has been given access to a higher quality version of the trailer, the highest quality that can be found online. It runs for 2 minutes 28 seconds, and features Pokemon both new and old in a completely new style.

    To coincide with the trailer’s release, an updated poster has been revealed. Two versions of the poster are available below. Click the images for their full resolution versions.

    Pokémon: Detective Pikachu poster (small) Pokémon: Detective Pikachu poster (large)

    Finally, the movie’s official press release can be found below.

     

    The world of Pokémon comes to life!

    The first-ever live-action Pokémon adventure, “POKÉMON Detective Pikachu” stars Ryan Reynolds as Pikachu, the iconic face of the global Pokémon phenomenon—one of the world’s most popular, multi-generation entertainment properties and the most successful media franchise of all time.

    Fans everywhere can now experience Pikachu on the big screen as never before, as Detective Pikachu, a Pokémon like no other. The film also showcases a wide array of beloved Pokémon characters, each with its own unique abilities and personality.

    The story begins when ace detective Harry Goodman goes mysteriously missing, prompting his 21-year-old son Tim to find out what happened. Aiding in the investigation is Harry’s former Pokémon partner, Detective Pikachu: a hilariously wise-cracking, adorable super-sleuth who is a puzzlement even to himself. Finding that they are uniquely equipped to communicate with one another, Tim and Pikachu join forces on a thrilling adventure to unravel the tangled mystery. Chasing clues together through the neon-lit streets of Ryme City—a sprawling, modern metropolis where humans and Pokémon live side by side in a hyper-realistic live-action world—they encounter a diverse cast of Pokémon characters and uncover a shocking plot that could destroy this peaceful co-existence and threaten the whole Pokémon universe.

    “POKÉMON Detective Pikachu” also stars Justice Smith (“Jurassic World: Fallen Kingdom”) as Tim; Kathryn Newton (“Lady Bird,” TV’s “Big Little Lies”) as Lucy, a junior reporter following her first big story; and Oscar nominee Ken Watanabe (“Godzilla,” “The Last Samurai”) as Lt. Yoshida.

    Directed by Rob Letterman (“Goosebumps,” “Monsters Vs. Aliens”), the “POKÉMON Detective Pikachu” creative filmmaking team includes two-time Oscar nominated director of photography John Mathieson (“The Phantom of the Opera,” “Gladiator”), production designer Nigel Phelps (“Pirates of the Caribbean: Dead Men Tell No Tales”) and Oscar-winning editor Mark Sanger (“Gravity”). Visual effects are by Moving Picture Company (“Wonder Woman”) and Framestore (“Guardians of the Galaxy Vol. 2”).

    Launched in 1996 to overwhelming response, the Pokémon brand is a global sensation that now encompasses a robust video gaming fandom with over 300 million units sold worldwide; trading card games available in 11 languages with more than 23.6 billion cards purchased; an anime television series in its 20th season that is available in 98 countries; and animated films that have grossed more than $700 million at the box office; as well as books, manga comics, music, toys, merchandise, and apps, including the wildly popular Pokémon GO, that has been downloaded over 650 million times and is enjoyed across the globe by fans of all ages.

    “POKÉMON Detective Pikachu” is set for release on Friday, May 10, 2019.

    The film will be distributed outside of Japan and China by Warner Bros. Pictures, in Japan by Toho Company, Ltd. and by Legendary East in China.

    Facebookhttps://www.facebook.com/detectivepikachumovie | @detectivepikachumovie
    Instagramhttps://www.instagram.com/detectivepikachumovie/ | @detectivepikachumovie
    Twitterhttps://twitter.com/detpikachumovie | @detpikachumovie
    Tenorhttps://tenor.com/official/detectivepikachumovie
    Official Hashtag: #DetectivePikachu
    DetectivePikachuMovie.com

    October 3rd update

    Courtesy of Warner Brothers, another variation of the Pokémon: Detective Pikachu title is now available with a white background. Click the image below for the full resolution version.

    Pokémon: Detective Pikachu (white)

    August 26th, 2018 update

    Warner Bros. has released the official title treatment for their 2019 live-action movie, Pokémon: Detective Pikachu. Click the image below for the full resolution version.

    Pokémon: Detective Pikachu logo (black)

    The movie’s social media links and official site have also been updated, and can be found at the following web addresses:

    #DetectivePikachuMovie
    Facebook: /DetectivePikachuMovie
    Twitter: @DetPikachuMovie
    Instagram: @DetectivePikachuMovie
    detectivepikachumovie.com

    Regarding why the movie went with Detective Pikachu as the lead character as opposed to the protagonist of the ongoing Pokemon anime, Ash Ketchum, IGN was able to sit down with the movie’s director, Rob Letterman, to learn just that: “The Pokemon Company, they’ve already made many, many movies of Ash, and they came to Legendary with this idea of using a new character. So when I came onboard, I was pitched this character of Detective Pikachu […] And because there’s already been so much work done with Ash, for the first live-action movie I thought it was a really good idea to try something new with a new character, but bake it into the universe of Pokemon.”

    Letterman goes on to say how the movie is being developed closely in conjunction with The Pokemon Company, Game Freak, The Pokemon Company president Tsunekazu Ishihara, long-time Pokemon illustrator Ken Sugimori, and others. He also goes on to say that, while he has an affinity for Pokemon from “Generation I” (the first 151 Pokemon), audiences can expect to see a “good spread” of Pokemon from old and new generations to appear in the film.

    Pokémon: Detective Pikachu will star Justice Smith as Tim Goodman, a character searching for his missing father while being aided by the titular star; Kathryn Newton as Lucy Stevens, a reporter working alongside her partner Pokemon, Psyduck; and Ryan Reynolds as the voice of Detective Pikachu, whom Letterman praised: “There was something delightful about that big personality and voice that he has in this small package. There’s something really fun about that idea. It sounds like a mismatch, but it’s really organic. It’s really hilarious, they’re hilarious together.” The movie is expected to hit theaters on May 10, 2019.

    News // April 10, 2019
  • The panel for Godzilla: King of the Monsters (2019) at WonderCon in Anaheim, California on 3/30/2019. The video runs for a little under 19 minutes.

    *Notes: At approx 16:48 in, the audio briefly drops.

    News // April 3, 2019
  • It’s always a challenge to think of what to do on April 1st for Toho Kingdom, and April Fools’ day 2019 was no exception. As the years go on, we try not to repeat ourselves… too much. We’ve done concepts more than once, like blanketing the site with fake ads has been done a couple of times. That said, we do try to keep things a little fresh.

    Now when it came to this year’s April Fools, I really didn’t have a concept. Chris Mirjahangir on the site’s staff was spit balling a few ideas, while also noting the remarkability of this year: it marks the 20th anniversary of Toho Kingdom. On that note, Jack Jordan on the staff suggested we roll it back: “to make the site resemble its first incarnation in some way? Some sort of ‘the site crashed, now we’re back to zero’ moment?”

    It was a novel idea we hadn’t tried before, and one that could pay off as the site had gone through a number of face-lifts over the two decades. So it got the green light from me and I started to work on it.

    Taking the site back circa 1999… 2003

    I initially planned to roll the site all the way back to its rough beginnings… however, while I have a lot of backups of Toho Kingdom, I have nothing that predates the past ten years. So this would have to be done from scratch. The plan was to roll out a splash screen with a counter on it and then drop viewers into a framed version of the site, which is the earliest version I can recall.

    This concept was scrapped for one important reason: I don’t think many people recall what the site was like way back then. We didn’t really kick our viewership into high gear until Godzilla: Destroy All Monsters Melee was in production and the forums launched, giving us a chance to make a name for ourselves. At that point we went through pretty quick revisions compared to how things are done now, with no site design lasting longer than a year up until the 2004 design that became the mainstay appearance of the site for 11 (!?) years.

    2005 Site Design

    The “popular” 2004 site design, as it appeared in 2005

    Now the genesis for that design was launched on February 3rd, 2003. I say genesis as although it was different it contained the same exact header (although with a Toho logo inside that we can’t use anymore… for legal reasons) and did contain a purple navigation area to the left. The updates banner was also the same, although didn’t rotate characters as it would on later versions. For those curious on the origins of that banner, it’s actually the globe at the start of Godzilla vs. Megaguirus (2000) during the retro segment.

    So it was decided to roll with this version of the site instead for the April Fools joke, hoping we would catch visitors who have been with us long enough that they would get a nostalgic reaction to seeing it. As for this 2003 design, one of the trademark elements, in memory for me, were the annoying roll over buttons on the navigation. When scrolled over, the text would transition from white to black and a cheesy outer glow effect would appear.

    Rollover Effects

    The rollover effects in question

    I loathed this design as, at the time, connection speeds weren’t the fastest and this caused ample load time just to create this effect. In my memory, this was with us for a long time… however, it was actually only up for around 11 months and went through a couple of different versions of those roll over buttons before they were retired for actual text with scroll over effects.

    As visitors who came to the site on April Fools will note, all the links were updated to reflect the current pages on the site… and if clicked the appearance would revert to its modern design. The page counter was also added to the design. By 2003 the counter was actually removed, but felt like such a relic of these older web days that I wanted to include it as a further hint what was happening for those who might be visiting but only knew us for the current design.

    Listed updates

    With the design done, the next question was what was the messaging? I had considered using Jack’s concept of the site crashing and we had to go back to step one. In retrospect, that probably would have been better. Instead, I just recycled, word for word, older updates from this time. As mentioned, I don’t have any backups of the site that are ancient. However, thanks to the Wayback Machine, I could visit older versions of the site. In doing so, I grabbed text from older updates (horrible grammar and all) and placed them on the site with the 2003 date on them… although with the month and date adjusted for March.

    I’ll post below what we shared on the site at that time, and yes we were god damn machines back then in terms of the amount of work that would be put into the site in a single day:

    March 31, 2003 11:56 PM

    • Heh heh… well it would appear that took longer than I thought. My original projection for this was one night, then two, then three… you get the picture. Anyway it is finally done. Toho Kingdom got a huge face lift, as did many of its sections. Its hard to imagine how much different the Toho Kingdom looks after this one (although along time coming) update. There were tons of things changed along the way, the list below hardly does the changes made to the site justice.
      Oh also the GCN Covers Section has not been deleted, it can be found here. It’s future is just currently in limbo as I doubt I will ever make another one.
    • Got rid of a lot of combatants from the T.M.W.F. section, and as a result lost a couple of matches. If people were curious they were all done by me quite some time ago (pre-1999) so not much of a loss. Anyway the new roster has less repetition, will make for more even matches, and heck we might actually get to some kind of championship with it now someday.
    • Redesigned the look of the movie bios in the Movie List
    • Redesigned the look of the lost films in the Lost Projects
    • Added Bloodthirsty Eyes (1971) Bio to the Movie List
    • Updated Godzilla vs. GhostGodzilla in the Lost Projects
    • Updated Godzilla 2000 (ver. 1) in the Lost Projects
    • Updated Godzilla 2000 (ver. 2) in the Lost Projects
    • Updated Godzilla, Angilas, Varan: Giant Monsters All Out Attack in the Lost Projects
    • Updated Article 2: Subtitled vs. Dubbed in the Articles Section
    • Updated Article 3: Tooth and Claw in the Articles Section
    • Updated Article 4: Millennium Series Continuity in the Articles Section
    • Updated Match 2: King Kong vs. SpaceGodzilla in the T.M.W.F.
    • Changed the picture of Magma from the Showa Series in the Monster Bios
    • Changed the picture of Mechagodzilla from the Showa Series in the Monster Bios
    • Changed the picture of Dorats from the Heisei Series in the Monster Bios
    • Changed the picture of Dimention Tide from the Millennium Series in the Aliens & SDF Section
    • Changed the picture of King Ghidorah (God) in the D20 Section
    • Changed the picture of Planet X (Arena) in the T.M.W.F.
    • Moved Green Monkey from the Millennium Series to Aliens & SDF Section
      -Anthony Romero
    • Added a description to Daigoro from the Showa Series in the Monster Bios
    • Added a description to Goliath from the Showa Series in the Monster Bios
    • Added a description to Daigoro’s Mother from the Showa Series in the Monster Bios
    • Added a description to Markalite Cannon from the Showa Series in the Aliens & SDF Section
      -James Webster
    • Added SpaceGodzilla (God) to the D20 Section
    • Added Corona Domain to the D20 Section
    • Added Big Bang (Spell) to the D20 Section
    • Added Corona Bolt (Spell) to the D20 Section
    • Added Corona Storm (Spell) to the D20 Section
    • Added Wall of Lightning (Spell) to the D20 Section
    • Updated Terror Domain in the D20 Section 
      -Forrest Freund

    March 27, 2003 2:35 PM

    • Well the Toho Kingdom is now on a countdown for a overhaul… The plan is to get rid of the frames, a idea that I have been thinking about since before December rolled around, but haven’t had the “courage” to do it. This will be a time consumsing project, and for all I know I might not go through with it in the end, but I will keep everyone updated.
    • Added Type 74 Tank to Godzilla Eternal Struggle in the Video Game Section
    • Added AH-1S to Godzilla Eternal Struggle in the Video Game Section
      -Anthony Romero

    March 26, 2003 11:38 PM

    • Let me tell you I have been bingeing in Toho goodness all weekend! ^_^ Samurai 1, High and Low, Kwaidan. Watched all of them for the first time, awesome, awesome, awesome! So I am pumped let me tell you. Well atleast I was until I walked down to my car and found my passenger window smashed in, and my CD player ripped out… That kind of killed the good mood if ya know what I mean. Anyway I felt the need to reevaluate the current scores I gave in my reviews. Kind of looked back, and saw that the bar needed to be raised after watching even more of Toho’s films such as those I mentioned, Yojimbo, Onmyoji and others.
    • Added Godzilla 2 to the Lost Projects
    • Updated the Search function on the site, it now includes the new pages, and I changed it to include some of the more common alter names (example minilla)
      -Anthony Romero

    March 25, 2003 11:47 PM

    • Tried out a new type of scoring system for the update of Hypnosis, will probably add it to others soon
    • Added Lady of the Snow from the Showa Series to the Aliens & SDF Section
    • Added a description to Lady of the Snow from the Showa Series in the Monster Bios
    • Updated Hypnosis (1999) Bio in the Movie List
    • Changed the picture of “Green Monkey” from the Millennium Series in the Aliens & SDF Section
      -Anthony Romero

    March 24, 2003 11:59 PM

    • Ok, need some help trying to determine how to get the medals in Godzilla Eternal Struggle. Supposedly there is a 5th level in the game, and getting a medal in each level is the logically way to unlock it since just beating the game doesn’t open it. Anyway there is a huge trial and error process to try and figure out what triggers the medals for the different levels. Obtaining medals seems to be connected with the amount of destruction, either how much you cause (Godzilla) or how much you prevent (G-Force), in each level. If anyone else has this game and would be able to send in there figures for obtaining medals I would be very appreciative as then I can test it out myself and try to narrow down what the exact %’s are needed for each level.
    • Added Demons from the Millennium Series to the Monster Bios
    • Added Mysterians’ Universe Ship from the Showa Series to the Aliens & SDF Section
    • Added Markalite GYRO from the Showa Series to the Aliens & SDF Section
    • Added a review to Godzilla Millennium (1999) in the Movie List
    • Added a description to Demons from the Millennium Series in the Monster Bios
      -Anthony Romero

    March 23, 2003 11:50 PM

    • Added King Ghidorah to Godzilla Eternal Struggle in the Video Game Section
    • Added Gigan to Godzilla Eternal Struggle in the Video Game Section
    • Added SpaceGodzilla to Godzilla Eternal Struggle in the Video Game Section
      -Anthony Romero & James Webster
    • Added Enemies: UN-Playable Kajiu section to Godzilla Eternal Struggle in the Video Game Section
      -Anthony Romero

    March 22, 2003 2:46 AM

    General // April 1, 2019
  • A note from staff

    A translation of Yoshio Aramaki’s draft God’s Godzilla, as seen in the Japanese publication “Godzilla” Toho Special Effects Unpublished Material Archive: Producer Tomoyuki Tanaka and His Era (ISBN: 9784048544658). Submitted in 1979, this short but bizarre draft starts off with some author’s comments before jumping straight into the story. For future reference, The Null Space of the Continent of Mu (ISBN: 4396320957) is a book authored by Aramaki. As usual, VERY special thanks to Noah Oskow for the following translation!

    ~ Joshua S.

    ———————————————————————————————–

    God’s Godzilla 神々のゴジラ
    Toho Movie Draft by Yoshio Aramaki

    (Opinion)

    (1) If, for example, Tadanori Yokoo were to be installed as director, he should aim to create a new Godzilla product.  This new Godzilla would wipe out the image of a grotesque future Godzilla, and I believe that this Godzilla must be both aesthetic and modern.

    (Modernity) Previous Godzilla → (up-to-date) New Godzilla

    Finally, this New Godzilla will be developed for the future (the 21st century), and should carry forward with it a sense of post-modernism. The circumstances involved should see us strive to imitate characters such as Tarzan, King Kong, Frankenstein, Fantômas, etc., whose images have continued to thrive and to be shown from generation to generation.

    (2) In order to accomplish (1), we must most likely engage in the following discussion…

    (A) We must thoroughly recognize the discrepancy within the grotesque, i.e. between supernaturalism and surrealism.

    If we do not uphold this recognition in regards to the script, screen layout, and the creation of characters, we will not be able to create this New Godzilla film.

    (B) Having a sense of the cosmic.

    The staff shall be trained to be able to immediately allow 4-dimensional images to come to their minds.

    Horizontal and diagonal thought as well as reversals in thought are already behind the times.

    We must take our thoughts to warp speed.

    A big jump

    We shall make a huge leap!!

    End

     

    <Story>

    For the story, the simpler it remains, the better it will likely be.

    At precisely the moment of World War III (Middle East = a struggle for energy resources in the 1980s)

    Visitors from outer space that, since time immemorial, we have called “gods” have come to visit Earth. They’ve appeared before us to issue a warning.

    However, these gods possess a true essence that cannot so easily be shown, and thus they do not show themselves.

    This is because they are consciousness-based galactic life-forms, or, in other words, they’re something like a form of mental energy.

    Their starship, which has come here from outside of the Milky Way Galaxy, arrives in the year 198X and heads towards a newly discovered dinosaur-shaped figure found amongst the Nazca Lines in South America, letting out flashing lights as it does so. (In regards to the spaceship’s approach path, employ the Aramaki theory. “The Null Space of the Continent of Mu”)

    Thus is Godzilla resurrected.

    This Godzilla is not an ally of justice. In other words, he is a malevolent god, a god of destruction, a being akin to the Hindu god Kali.

    Just as Kali is a dark god, this Godzilla is truly dark.

    Thus, the final days of judgment as recorded in the Book of Revelation has begun. Could it be that the great prophecies of Nostradamus are coming true…?

    The countries of the world, with the UN at their center, are all running wild in an attempt to create countermeasures, but Godzilla remains invincible.

    Why?

    The gods send down a humanoid who goes by the name of Jesus, Son of God. Godzilla is being manipulated by this humanoid.

    Their relationship is akin to a Jungian schema.

    The humanoid is the Superego, and Godzilla is the Unconscious (the Node).

    So, based on this composition, humanity is the Ego. Thus, humanity (the Ego) is, unbeknownst to themselves, under the binding spell of the Superego.

    (In other words, the giant dark Godzilla of this film is the Unconscious given flesh, and the humanoid (Jesus) is the Superego given flesh).

    These people who have been put under this binding spell are afflicted by nightmares and hallucinations.

    The spaceship destroys Earth’s Van Allen radiation belt. Thus falls down the “formless great ball” as prophesied by Nostradamus…

    The spaceship sends the various cities of Earth into chaos. A torrential downpour continues unabated. Coastal cities are destroyed by Godzilla’s tsunami attacks.

    The war is heading towards a decisive loss for humanity.

    “Behold, your future!!”

    An image of humanity’s future is projected using the open skies above Giza in Egypt as a giant screen. Upon the screen squirm our mutant descendants…

    The voice of the Son of God, Jesus (the Humanoid), reverberates. His form is golden and shining. He stands at the very peak of the Pyramid…

    Godzilla crouches down, Sphinx-like.

    The Humanoid ascends on a stairway of light towards the heavens…

    (Fin)

    General // March 24, 2019
  • On September 6th, 2017 I was lucky enough to be invited onto the set of “Godzilla: King of the Monsters” in Atlanta, Georgia. (See right – Photo taken on the set of the Monarch Arctic Base.) Unlike the set visit for Kong: Skull Island, this was a solo trip. Included in this piece are audio interviews with O’Shea Jackson Jr., who plays Chief Warrant Officer Barnes, along with Producer Alex Garcia and Executive Producer/co-writer Zach Shields.

    Visiting the Set of Godzilla: King of the MonstersI do want to stress that there ARE plot points and spoilers in this piece and I would suggest that if you are wanting to go into the movie with the freshest mind possible, turn back now. Wait until the movie comes out on the 31st of May and then come back and check out this piece.

    **Both audio interviews have edits (some obvious and some not) for the sake of flow.**

     

    Set Visit

    The set visit began with watching O’Shea Jackson Jr. and the rest of G-Team aboard the mock Osprey aircraft. Giant screens on either side had a cloud effect on both sides as hydraulics moved the Osprey (really just a tube set with windows meant to look like the Osprey). If you’ve seen that shot online from Mike Dougherty’s Twitter account (see below), that is the Osprey from the set. Below are my notes from watching filming.

    Set Notes

    Osprey

    Shake test wth O’shea jr. Big blue screen. Orange x’s. Set on hydraulics. Part of airplane. Looks like set from Rodan scene in Mexico. Soldiers flying away in storm caused by Rodan bursting out of volcano. Large led screens have cloud effect on them on loop. They are mounted high up and surround the set.

    Osprey crashes into water. Prior to this, Oshea radios for mid air evac. Flying away from Isla de Mona.

     

    INTERVIEW: O’Shea Jackson Jr. (Chief Warrant Officer Barnes)

    O'Shea Jackson Jr. interview

    This interview took place between setups during filming on the Osprey. Topics covered are his character, getting the part, his history of being a Godzilla fan, and his influences.

    *correction: I state in the interview that Zone Fighter is considered to be canon. This is more of a grey area because Zone Fighter’s canonicity is still up in the air, though Japanese publications still like to include the show when mentioning the later Showa era movies and monsters.*

    Click the image below to download the audio file.

    Total Runtime 21:04

     

    Set Notes

    I’m going to preface this section by saying that right now, these notes will make NO SENSE WHATSOEVER. They’re recorded as I saw them and I was trying to get as much information as I could without being able to take photos. These are aimed squarely at those who are fans of set design and/or curious about every single possible detail in the film. Until you have seen the movie, ignore these and come back to them later if you so desire.

    Click the images to download the audio files.


    Argo Set Note Runtime: 8:28


    King Ghidorah Prop Tooth Runtime 1:08


    Underwater Set Note Runtime: 6:05


    Underwater Set Note 2 Runtime: 0:51

    Total Runtime: 16:35

     

    INTERVIEW: Producer Alex Garcia and co-writer and Executive Producer Zach Shields

    Alex Garcia and Zach Shields interview

    In the last interview of the day, I was driven by van into an offsite “art room”-for lack of a better term-with Alex and Zach. It was a big room with concept art hung around the room-a lot of it really awesome looking! A couple of maquettes were in the room as well. A sort of Smaug-styled early King Ghidorah and on the other side of the room, a sort of feathered, eagle-faced version of Rodan. Topics include a quick rundown of the film, changes in the design and the Monsterverse after Godzilla vs. Kong.

    *correction: When discussing the Godzilla Marvel comic series, I mistakenly state that Godzilla battled the Helicarrier when I meant the Behemoth airship.*

    Click the image below to download the audio file.

    Runtime: 30:09

     

    INTERVIEW: Mike Dougherty

    This interview took place in Mike’s trailer during a quick break from filming. Due to audio issues, it had to be transcribed. Topics covered are how he got the job, Easter eggs, and his love for the franchise.

    Interview transcribed by Jeremy Williams with editing by Chris Mirjahangir.

    Chris Mirjahangir: Alright, so first question is, how did you get the call? Because you were doing writing first, but how did you get the call to even be a writer?
    Mike Dougherty: No, they asked me to direct it first.

    Mirjahangir: Oh ok, that was announced later then.
    Dougherty: Yeah, it was just announced later.

    Mirjahangir: Ok.
    Dougherty: Yeah I had finished Krampus, it was I think March 2016, somewhere in there, Spring. Gareth had just departed the project and Legendary had asked if I would be interested in taking over, and I very quickly said yes.

    Mirjahangir: So, you’re a fan straight from the get-go.
    Dougherty: From the beginning, I mean I have been watching Godzilla since I was born, that was mid 70’s, and so he was really just coming into his own in America, so I grew up on a very steady diet of the original movies coupled with the Hanna-Barbera cartoon. So every Saturday morning I started with the Godzilla cartoon. And then my local station piggybacked the old movies after the cartoon. And then that was followed by old black and white monster movies, followed by kung fu movies. So Saturday was a very potent education as far as Godzilla goes.

    Mirjahangir: So basically the whole Showa era.
    Dougherty: Yeah completely, and then I just grew up with him from there, and continued watching them into the Millennium (Series), you know.

    Mirjahangir: Was it one of those things like you’re a fan of and then your friends are like what the hell are you watching that for?
    Dougherty: No, my friends, I mean I would get my friends into it. I mean the entertainment options were way more limited back then than they are now. So watching Godzilla movies on a Saturday afternoon was a great way to spend the day and so I just sort of preached the gospel of Godzilla and brought my friends into it. And I also I grew up with one of my first toys was the old Shogun Warriors Godzilla.

    Mirjahangir: I have one of those.
    Dougherty: Which is why I have the Rodan behind you.
    (Mike points to the Shogun Warriors Rodan toy on his desk)
    But, so he was just everything.

    Mirjahangir: Yeah I remember the Shogun (Godzilla) one and how the fist would fly off.
    Dougherty: Yeah.

    Mirjahangir: While you’re playing with it and it would punch you in the face.
    Dougherty: Yeah exactly, yeah it was one of my favorites.

    Mirjahangir: Were there other Toho monsters that you wanted to bring in, or was it always these Godzilla, then Rodan, Mothra, and King Ghidorah?
    Dougherty: Well, they’re the kind of the crown jewels.

    Mirjahangir: Yeah the big five (MechaGodzilla included but not in the film).
    Dougherty: Yeah, you know it’s like, it’s the Batman, Superman, Wonder Woman of the Godzilla universe. And I have a love for many of the other creatures too. I love Mechagodzilla, for example. But these are the ones that just make sense; these are the ones that everybody wants to see on the big screen. They’re the icons of that universe.

    Mirjahangir: Were there other ones that you were kind of trying to eek in a little bit?
    Dougherty: I wanted to sneak in some Easter egg references to others, but even that is a complicated rights issue.

    Mirjahangir: Yeah Toho can kind of be very…
    Dougherty: They’re just, just very… they’re rightfully very protective of their characters.

    Mirjahangir: So for this film, are you going to include any of the cues? Not like a full suite.
    Dougherty: I would like to, that’s also under discussion and consideration. I would love to, I think the music and the character go hand in hand. It’s like, you don’t make a Jaws movie without the Jaws theme, you don’t make a Star Wars or Bond film without those themes. So fingers crossed we can at the very least have a tip of the hat.

    Mirjahangir: Do you own the soundtracks?
    Dougherty: No, well I own some of them, but yeah it’s still always going to be a complicated rights issue.

    Mirjahangir: Yeah, but it’s one that when it comes in at the right time, that’s where you have the audience.
    Dougherty: Ok.

    Mirjahangir: That’s fanboy tears, that’s everything.
    Dougherty: Yeah, there will be plenty of fanboy tears, I promise you.

    Mirjahangir: When you were picking them (the monsters to be in the film), you have Rodan, Mothra, King Ghidorah. Were you deciding like this one is gonna be an ally with Godzilla, or are they all gonna be enemies?
    Dougherty: I mean, I think the lines are all pretty clearly drawn, the only rogue… the wildcard is Rodan. He’s the one that I think his loyalties can sometimes falter. Um, but I think we even acknowledge that fact. You know Mothra for the most part is an ally, King Ghidorah for the most part is always the antagonist. So we pretty much stick to what I think is expected of them.

    Mirjahangir: So you did tweet out a picture of the Oxygen Destroyer.
    Dougherty: Mhm.

    Mirjahangir: Does that come to play in the film, or is that just like…
    Dougherty: Yes.

    Mirjahangir: Ok.
    Dougherty: *laughs*

    Mirjahangir: Alright I was like alright, cuz I thought you were just like paying homage to it or something.
    Dougherty: It, it plays a role.

    Mirjahangir: Ok, yeah.
    Dougherty: Definitively… yes.

    Mirjahangir: So now practical effects.
    Dougherty: Mhm.

    Mirjahangir: I saw you had Tom Woodruff, who I’ve seen around Monsterpalooza and everything. He’s part of it. Did you reach out to other people at Toho like Shinichi Wakasa to bring in?
    Dougherty: It was, it’s not just Tom, it was a team effort. We had Tom Woodruff, we also had his former colleagues at Legacy Effects. Which was previously Stan Winston’s company. We also had two of my creature designers from Krampus onboard, Miguel Ortega and Tran Ma. It was, I pretty much grabbed the most talented creature designers I knew and sort of assembled a new team and everyone sort of had a crack at a different creature. So Tom and A.D.I., they cracked Rodan… for the most part. Legacy took on Ghidorah and Mothra.

    Mirjahangir: What guidelines did you give them?
    Dougherty: To look at the original creatures and distill those silhouettes and those key traits into something more modern, but while still also turning to… The two biggest influences were the original designs and nature. So if you’re taking a crack at Rodan, you don’t want to just look at dinosaurs and Pteradons, you want to look at vultures and eagles and the hawks and other birds of prey. Because what we know about flying dinosaurs now is different than we knew back in the 60’s. We now know that dinosaurs and birds are very closely related. So it only makes sense that Rodan might have certain bird-like traits, or body language, for example. Ghidorah, you know we want to create an iconic Asian style dragon, but the scales of that creature can’t look like Godzilla’s; they can’t just be the scales from the old movies. So I had them look at scales from every different kind of reptile imaginable. You know, alligators and cobras and monitor lizards, Komodo dragons, so it was really fun. That was like one of my favorite parts of the process, trying to distill the look of these iconic creatures that we know and love into something that we would believe now. Mothra being the biggest challenge, because you can’t just take a moth and blow it up and call it Mothra. It’s like there are distinct traits that she has, but there are also so many different varieties of moths out there. It was a matter of looking at all of them across the board and trying to figure out, ok, what bits and pieces can we take from all these different kinds of moths to create something that is beautiful and elegant and feminine, but also intimidating and powerful.

    Mirjahangir: Did you keep their sounds and roars?
    Dougherty: Yes.

    Mirjahangir: Did you bring Eric Aadahl back from the first one?
    Dougherty: Yeah, but Eric and his partner Ethan actually. E squared is their company.

    Mirjahangir: Yeah.
    Dougherty: So they worked on the first film and same rules applied, I sent them every variation of King Ghidorah’s roar, every variation of Rodan.

    Mirjahangir: Yeah.
    Dougherty: Same thing with Mothra and said, ok this is where you start, so then I want the same musicality, the same melody, and essence of these roars translated and updated to something more contemporary. There are so many variations.

    Mirjahangir: Yeah.
    Dougherty: And emotional states, so yeah it will be an ongoing process. But I had them even for our previz animation, they layered in certain sounds, and then on set at the soundboard where I was playing different roars depending on the creature that was.

    Mirjahangir: So you have Godzilla fighting Kong in the next one.
    Dougherty: I don’t. *laughs*

    Mirjahangir: No well I’m just saying in the Monsterverse you know, generally.
    Dougherty: Yeah.

    Mirjahangir: Is it fair to say that one of the enemies or at least a few of them may perish in this film?
    Dougherty: Maybe. *laughs*

    Mirjahangir: Good enough, that’s fine.
    Dougherty: No spoilers. *laughing*

    Mirjahangir: Yeah alright, so with Thomas Tull being a massive Godzilla fan… how active was he with helping shape the story and picking the monsters and everything?
    Dougherty: I’ve known Thomas for a very long time now, we’ve done three movies going on four movies together now. So he’s a very close collaborator and every chance we had, we would get together and pow wow and kick ideas around. But he was also really respectful in letting me go off and have my time to shape the story and the characters. And then do a proper presentation, a pitch presentation with the artwork and everything else. But yeah, I mean we still text back and forth.

    Mirjahangir: Does he um… I mean how big of a fan would you say he is, does he have a big collection?
    Dougherty: Yeah, he’s a very big fan, I mean he dreamt of doing a Godzilla film and a Kong film probably as long as I have.

    Mirjahangir: Yeah.
    Dougherty: And so fate happened to bring us together, and here we are.

    Mirjahangir: So you have Haruo Nakajima and Yoshimitsu Banno who passed away this year.
    Dougherty: Mhm.

    Mirjahangir: Will you have any sort of homages or anything in like the end credits or…
    Dougherty: We’ll see. I’d like to. I think it’s appropriate.

    Mirjahangir: How long did it take you to kind of compose the story, crack the story, whatever it is?
    Dougherty: It was a process. I mean, I started with like a one-two page treatment. It was very rough, just the basic beats and a very rough sketch of the characters. And then from there we did a writer’s room. My writing partner Zack Shields and I ran a writer’s room. We brought in a group of other writers and then continued to build on that treatment. And then it took about a full year to really to get the script in place and into a proper shape. And then um, you know it’s an ongoing process, we’re still, we’re everyday adding lines. Even in the scene we’re shooting today. Always looking for any opportunity to just make it a little bit better if possible. So the writing process never ends, it’s, you know, you write it once on the page, you write it again when you shoot it, and the again in post. So it’s an ongoing process. But it took about a year to get just the script together.

    Mirjahangir: And then you had Max Borenstein working on it for a little bit, is he still active?
    Dougherty: He was working on an old draft of the script. And then we pretty much started over from scratch.

    Mirjahangir: So what year did you begin everything? You said 2015?
    Dougherty: Spring 2016.

    Mirjahangir: So the monsters, you know, Rodan, Mothra, they all kind of had their own sort of personalities.
    Dougherty: Mhm.

    Mirjahangir: You know Rodan, if you look at Ghidorah (1964 film) he’s kind of a prankster and stuff. Will those kind of continue on? Not from those original personalities, but they’ll be individual, they’re not just monsters smashing stuff?
    Dougherty: Yeah, no it’s very important to me. I always refer to them as characters, you know. So whether it’s the previz animators or even how the actors think of them. They are characters, that is why they’re on the call sheet. You know, so they have to have distinct personalities and traits and quirks. You know, I think Ghidorah is gonna have a very cruel personality, but there is a sense of humor and mischief. It’s not a comedy by any means, but there’s a certain sense of curiosity. Because in my mind he’s like Rip van Winkle. You know, he wakes up and he doesn’t recognize any of this world. You know, so he’s never seen a jet before, he’s never seen a tank, a ship, human beings with guns. And so there is a certain part of our world that he is curious about and puzzled by. You know, so that has to come across. You know, it’s like Rodan is a very protective, almost divine presence, you know. So it’s important to me that they’re not just treated as monsters. They are just very large animals with a distinct thought process.

    Mirjahangir: So no Mothra twins or anything, kind of got rid of that?
    Dougherty: There might.

    Mirjahangir: Ok, I saw two identical twins kids there, two boys and I’m like hmm.
    Dougherty: Where?

    Mirjahangir: On the set, but I guess one of them is the stunt kid.
    Dougherty: Oh, one’s the stunt kid, yeah, yeah.

    Mirjahangir: I saw them sitting together and was like, wait a minute.
    Dougherty: I’m not gonna turn the Mothra twins to boys, yeah, I would never do that.

    Mirjahangir: Ok, so do you see really far ahead down the line, like thinking, ok this probably won’t make it. But this would be really good for an extended cut?
    Dougherty: No, not yet, I mean that all depends on where the dust settles with the cut. You just never know, like something that you think could be in the movie ends up on the cutting room floor and vice versa.

    Mirjahangir: Yeah, but then it would be just like if I could have a request? Just pile on the deleted scenes. Kong got like four minutes.
    Dougherty: Well you know fingers crossed that we don’t really have many.

    Mirjahangir: In updating them (the monsters), assuming you went everything Showa and just kind of ignored the 90’s for design or whatever you wanted to.
    Dougherty: No, we looked at everything.

    Mirjahangir: Ok.
    Dougherty: Looked at everything across the board. I mean there’s good and bad things about every era.

    Mirjahangir: What would you say is the bad thing about say the 90’s versions?
    Dougherty: I’m not gonna say anything bad. There are positive aspects of every era. There are bits and pieces of influences that we looked at and carefully thought about including. And what you’ll see is hopefully something that you’ll enjoy and pays proper tribute to the character.

    Interviews // March 21, 2019
  • A note from staff

    A complete translation of Kazuki Omori’s take on a “Godzilla versus Ghost Godzilla” type movie, as seen in the Japanese publication Godzilla vs. Destoroyah Perfection (ISBN: 4798615811). Based off the proposal pitched by Shogo Tomiyama and referred to as “Story Plan A“, the plot largely revolves around the malevolent spirit of the 1954 Godzilla causing havoc in the present day.  There isn’t too much to say about this one, other than characters feel a bit rough and plot threads seem come and go as they please, but it still manages to introduce some pretty wild scenarios. Once again, a very special thanks to Noah Oskow for his translation of this story!

    ~ Joshua S.

    ———————————————————————————————–

    “Godzilla vs. Godzilla” Story Plan A ― Kazuki Omori

    〇 Tokyo・1995

    Giant bones have been unearthed at the construction site of the Ariake Coastal Subcenter Undersea Tunnel.

    Could they be the bones of some dinosaur? Or those of a mammoth?–

    XX University’s itinerant professor, Kazuhito Kishima, is called to the scene.

    Kishima doesn’t see the bones as those of either a dinosaur nor of a mammoth.

    The huge bones are brought to the National Institute of Bioscience in the metropolitan area.

    Kishima was separated from his wife when she died in an accident, and lives with his only son, Sumito, a twelve year-old elementary school 6th-grader. Kishima cunningly collects a piece of the bone, gifting it to his son Sumito, telling him that “this is a dinosaur bone key holder.”

    〇 Footsteps resound late at night in the city

    With neither form nor footprints, a huge mass emerging from a shockwave assaults the city.

    In a single night, areas all over the city show its scars –

    And yet no one had seen the form of the thing that caused the damage.

    The people are overcome with unease –

    The police and Self-Defense Force assemble strict guard organizations, but despite this, the translucent entity continues to attack the town.

    Attacks from heavy weaponry only incite the presence to increase the damage it causes.

    Newspapers and television repeat frenzied headlines – “It’s Just Like an Unseen Godzilla,” and “Ghost Godzilla.”

    “Godzilla?” – A wild idea enters Kishima’s imagination. “Could it perhaps be that those bones are in fact the remains of Godzilla (I), consigned to oblivion in Tokyo Bay 40 years ago by the Oxygen Destroyer?”

    Then comes the third attack by the invisible mass.

    Drawing a line on the map between the three points of attack reveals the National Institute of Bioscience at the center of the destruction –

    Kishima’s imagination runs even wilder. “Godzilla’s ghost means to take back his bones.”  Kishima goes to a psychic researcher who works at his university to inquire regarding his bold ideas about Godzilla. This researcher does not deny Kishima’s theory.

    He says that he’s been half convinced by Kishima’s explanation, but despite this, he still no idea as to how to destroy the invisible mass.

    Eventually, the huge bones are taken from the land to the sea. They’re carried to an uninhabited island off the Miura Peninsula.

    – Then, the invisible mass stops its attacks on Tokyo…

    Whether this has all been coincidence or not, there is simply not enough evidence to confirm whether Kishima’s theory was indeed correct… but Kishima still naturally takes this as proof that he was right. Kishima speaks to his son, Sumito, regarding his feeling of proud discovery.

    The bones of Godzilla call to him – Hearing his father’s theory, Sumito reaches out to his classmates, and together they hatch a plan. Their scheme is to have the invisible mass destroy the venue of a trade fair for new computer games being held at Makuhari, allowing them to take any of the games they want. Of course, their method for calling the invisible mass to Makuhari will be to use the Godzilla Bone Key Holder gifted to Sumito by his father. At night, the brats gather at the Makuhari trade fair. Their leader, Sumito, holds the key holder in his hand.

    And then, it comes. The invisible mass.

    In spectacular fashion, the Makuhari trade fair is destroyed.

    Sumito and his gang descend on the destroyed fair to get their hands on the new games. They’re overjoyed.

    Kishima knows that the invisible mass coming ashore at Makuhari is the work of his son, Sumito. While he’s glad that his theory has been substantiated, he gives his son a good scolding for his prank. Confiscating the Bone Key Holder, he locks it away in a quarantine box back at his university.

    〇 The Bone Key Holder is stolen from Kishima’s laboratory at the hands of some mysterious person.

    〇 One night, suddenly, a giant silhouette of light floats upwards from the depths of the waters off of the Miura Peninsula. At first appearing akin to the curtains of light seen in an aurora, it comes to take the form of Godzilla (I). It’s just as though an apparition of the deceased Godzilla has appeared, floating upon the sea – an Aurora Godzilla.

    A transport ship that plies the waters off the peninsula happens to enter into the aurora; in an instant it’s enveloped in a beam of light and disappears.

    However, as long as the Aurora Godzilla stays in that area of the ocean, it poses no further danger.

    Television and mass communication are going wild for the Aurora Godzilla, which appears standing there nightly. Ships pull out to sea full of people for whom the Aurora has become a sightseeing spot. The shores are crammed full of onlookers gazing across the sea, and local restaurants are doing a roaring trade.

    With patrol boats surrounding it, the seas around the Aurora Godzilla have been roped off as a danger zone, and reckless youth flock there as well. In an instant, one of the youth’s motorboats disappears.

    〇 A woman director from Station XX, Yuriko Miue, puts forth a certain plan of action.

    Her plan is to have the Aurora Godzilla and Little Godzilla face each other.

    She suggests they should bring Little Godzilla from Birth Island to the waters off the Miura Peninsula and film a live broadcast.

    Miki Saegusa is vehemently opposed. What a horrible idea, to use Little Godzilla for the sake of a television show!

    However, Yuriko has laid the groundwork with the related departments, and she forcibly pushes forward.

    〇 Little Godzilla is taken from Birth Island by ship (perhaps a conveyance ship designed specifically for Little Godzilla).

    Then, Little Godzilla draws near to the waters off Miura Peninsula under the watchful eyes of the television cameras.

    Little by little, the form of the Aurora Godzilla begins to change.

    It seems that something had begun to change within Little Godzilla as well. His eyes and mouth have taken on a ferocious quality.

    Suddenly, the light from the Aurora Godzilla begins to burst forth in a way resembling mist, and these concentrations of light begin to be absorbed into the body of Little Godzilla.

    As we watch, Little Godzilla begins to morph into a form akin to a mass of lava, and suddenly – he has become Godzilla (I)!!

    〇 Godzilla (I) slowly begins to head towards Tokyo.

    The nightmare of those 40 years ago has reemerged –

    Godzilla (I) walks through a Tokyo engulfed in flame, his footsteps echoing a reverberating, stomping noise.

    Tokyo Tower is destroyed, followed by the Tokyo Dome, and as more and more buildings fall the city becomes a sea of fire.

    People run about, trying to flee.

    The Defense Force is dispatched.

    Filming crew trucks are stomped on and crushed as well –

    Having sent the people of Tokyo to the pits of despair, Godzilla (I)’s form disappears into Tokyo Bay.

    〇 It is around this time that Godzilla (II) (Heisei Godzilla) begins to move.

    His path leads to Tokyo.

    Could Godzilla (II) be motivated by worry for Little Godzilla’s safety? Or could it just be heading for a chance meeting with Godzilla (I)? –

    〇 The theft of the key holder from Kishima’s laboratory was done at the hands of Hideki Ogata (29), a physicist​ returning from America.

    Hideki Ogata is the son born to Emiko Yamane and Hideto Ogata, and at one time he had attempted to understand the research regarding his mother’s one-time fiancée, Dr. Serizawa’s discovery of the Oxygen Destroyer.

    Hideki believed Godzilla (I)’s bones could hold the key to solving the mystery of the Oxygen Destroyer, and to that aim he was analyzing the key holder.

    The answer his state-of-the-art computers revealed were the unbelievable powers held by oxygen. That power is that to change the atomic energy from nuclear fission caused by uranium into temporal energy. A dreadful degree of temporal power – a single second of temporal power is worth 10,000 years. In short, physical forms exposed to its temporal powers are jumped forward 10,000 years. As a matter of course, the physical body thus exposed is destroyed. This is indeed what had occurred to the corpse of Godzilla (I). However, if that physical body happens to be a living being, its life-force shall remain even if its body is destroyed – it seems that somehow, the true form of the Ghost Godzilla is this sort of invisible mass. The only thing that can destroy this life-force is the Neo Oxygen Destroyer. And Hideki has finally completed it.

    However, Hideki’s body has also been exposed to the oxygen pollution, and he is heading towards death.

    〇 Tsukishima Waterfront

    Godzilla (II) comes ashore.

    Godzilla (I) appears, seemingly lifting up the Kachidoki Bridge.

    The battle of Godzilla (II) VS Godzilla (I) takes place, destroying the high-rise buildings of Tsukishima. Godzilla (I) is about one size smaller than Godzilla (II).

    By hiding behind high-rise buildings and disappearing below the water’s surface, and by using his high speed, he plays around with Godzilla (II), although their difference in size cannot be overcome.

    Godzilla (I) finally collapses. His life-force quietly seeps out of his body and begins to float up towards the sky. Simultaneously, Godzilla (I)’s form begins to revert to that of Little Godzilla.

    Seeing the lifeless form of Little Godzilla, Godzilla (II) lets out a tragic roar. With a heavy gait, he puts Tokyo to his back and heads towards the sea. –

    〇 Miki does not believe that Little Godzilla has died

    Miki insists that since what has risen out of Little Godzilla’s body is the life-force of Godzilla (I), Little Godzilla is in fact in a state of suspended animation. She bullies her way into getting Little Godzilla shipped to the docks of Yokohama and puts his body under quarantine.

    The only way to bring Little Godzilla back to life is to bring about nuclear fission within his body.

    However, is it truly worth bringing Little Godzilla back to life? This kaiju, if brought back to life once again by her hands, might go on to cause pain and suffering for humankind – No, moreover, seemingly Little Godzilla himself knows not the difference between good and evil. Miki’s heart wavers.

    And not only that, but in order to revive him she’d need to get ahold of some plutonium…

    〇 Hideki, having completed the one-and-only Neo Oxygen Destroyer (from here to be referred to as the NOD), is watched over by his parents as his brief life as a scientist comes to an end.

    〇 Godzilla (II) traverses the sea

    A JSDF submarine equipped with the NOD approaches.

    The NOD has approached close enough to Godzilla (II) and is fired.

    Godzilla (II)’s body is destroyed amidst a great and violent upwards eruption of bubbles.

    Thus, Godzilla (II) has died –

    〇 Miki resolves to bring Little Godzilla back to life

    Little Godzilla is injected by the secretly obtained plutonium. Now they need only to wait for the nuclear fission to begin within his body. Having finished with the operation, Miki finds herself overcome with unease and regrets.

    〇 An island in the waters off the Miura Peninsula

    Suddenly, the gigantic abandoned bones blow into smithereens, scattering like a glittering dust.

    And then, the life-force of Godzilla (I) which had come floating downwards began its next stage of materialization, ensconced in that light –

    Next, the shining, invisible form of Godzilla (I) begins to float upwards.

    A Godzilla like the most beautiful of carved glass sculptures, the most beautiful in Godzilla history = This is the birth of Crystal Godzilla. Crystal Godzilla, its translucent body shining, slowly makes its way towards Tokyo.

    〇 Yokohama Bay

    Crystal Godzilla assaults the harbor.

    The heat rays that Crystal Godzilla spits forth burn up the tankers in their moorings.

    The harbor is a sea of flame.

    Miki and her crew have dropped off Little Godzilla at the docks and flee the scene. But Little’s nuclear fission has not yet begun –

    Crystal Godzilla’s heat rays scorch the docks.

    The docks explode.

    Within the flames, Little Godzilla’s eyes slowly open. The glint in his eyes are more acute, closer to those of Godzilla (II). Little Godzilla has been reborn – while he isn’t as large as Godzilla (II), it’s obvious his age as “Little” Godzilla is over, and he has now come closer in nature to Godzilla (II).

    〇 Miki can sense Little Godzilla’s rebirth

    “Is Little Godzilla our enemy? Or our ally?”

    〇 The Final Battle at the Ariake Waterfront City

    Crystal Godzilla, with its beautiful body and its contrasting violence, moves forward with its destruction, obliterating the International Exhibition Center and the Ariake Coliseum.

    Little Godzilla appears, seemingly chasing after Crystal Godzilla.

    The battle between Crystal Godzilla and Little Godzilla commences.

    This is a battle between the shining light of the old generation and the unknown, still-secretive new generation.

    Moving from Ariake to Tennozu Isle, the two spit forth heat rays at each other, their interlocked tangle towards death continuing.

    Then – suddenly, Crystal Godzilla falls, shattered just like a crafted piece of glass.

    A victory for Little Godzilla.

    Little Godzilla slowly turns his back on Tokyo Bay and heads out towards the Pacific Ocean.

    Miki watches his retreating figure disappear – As to whether Little Godzilla will become an enemy or an ally to humankind… For now, she can only pray that the future will see no reason for her to regret her actions this day.

    END

    General // March 17, 2019