by TokyoVigilante » Tue Jan 18, 2011 7:04 am
I have mixed feelings when it comes to this film. On one hand, I love this universe that Tezuka has crafted. The inclusion of numerous "small scale" monsters in with the A-listers like Godzilla and Mothra and showing the progression of the JSDF as a result. The JSXDF is easily my favorite incarnation of the standard "Godzilla Response Team" that has become a trope of the franchise since the nineties.
Tezuka is pretty good about portraying the consequences of these monster actions. In GxMegaguirus, the capital of Japan is moved after the devastation and non-nuclear energy sources are worked on. When Japan announces Kiryu, the Prime Minister urges other nations to allow the use of Mechagodzilla to defend their nation. These are natural and believable responses responses in this monster filled environment.
This is easily my favorite of the "Alternate Reality" universes of the Millennium films. No questions.
The music by Michiru Oshima is stellar, and to be able to make a distinct and memorable Godzilla score without resorting to just pulling out the tired and true Godzilla theme is a testament to her skills as a composer.
The special effects are solid. No glaring moments of bad computer work (like in GxMegaguirus) and the city looks like a city and not a prop.
However, the film is paced like a live action anime. Lots of quiet, sitting around talking about our feelings, then suddenly something happens and it just jumps into the action. It's jarring to watch and the human element doesn't really propel the story forward, it just moves forward on its own accord. The human characters would be more enjoyable if these talk-about-our-feelings moments were played a bit naturally and the human characters were more grounded into the story.
As for the monsters, eh. I'm not fond of this particular Godzilla. Mostly the stiff, cobra-neck and the head looks strange from certain angles. I don't mind his docile nature, it's a new personality we haven't seen before (and a little bit of a throwback to a friendlier, more Showa-y Godzilla) so I give it credit for that.
Kiryu I'm also not a big fan of. He looks fantastic and he's got a great and really fresh origin for Mechagodzilla, but the DNA computer doesn't come into play at all after they fix it (They pretty much fixed the main conflict of the story. Damn you technicians!). How much better would the final battle be if they had to use Kiryu at the risk of it going berserk again, unleashing two Godzilla's onto their city? What a great way to set up a tense final battle that just falls flat.
I don't like the pilot talking to Kiryu. That's lame. Way to Anime-y.
Overall, I think Tezuka is a great director who is a master World Builder, but kinda' drops the ball on his human action and its relevance to the plot. I think he's a Director with something to say, but was muted by invasive Studio tampering. I'd love to see him come back and do another Godzilla film. And considering he came back from friggin' Godzilla X Megagurius is even more of a testament to him as a director.
“I have never listened to anyone who criticized my taste in space travel, sideshows or gorillas. When this occurs, I pack up my dinosaurs and leave the room.” - Ray Bradbury