by HedorahLives » Sun Sep 05, 2010 9:15 am
I don't think the fans hated it, since it made so much money.
Like:
--Mothra. The special effects in GMK, SOS, and Final Wars all blow away Mothra's presentation here and arguably so does the Mothra trilogy. Still, I thought larva Mothra was the best version of it since the 1961 original and I like her soft furry look here. I've seen criticisms of the way she flies, but that's too nitpicky for me to care.
--Godzilla. He takes a backseat, but he still looks as good as ever. His personality in this movie is one of constant exasperation. He's woken up by a giant rock, finds himself in the middle of a war between two big bugs, and gets stuck in the earth's crust. Godzilla is nature's punching bag.
--I enjoyed the divorced couple and Mr. Andoh. Good chemistry between them all early on. Some of the more likeable characters of the entire series. Being a major fan of the original King Kong, I'm always a sucker for when the heroes go to a deserted island to look for something in monster movies.
--Some fine battle sequences. I like the climatic ferris wheel fight and also the earlier confrontation in the ocean.
--Liked the Cosmos. Worthy successors to the peanuts
--Also liked Mothra's revamped origin. Like Ghidorah's makeover in the prior film, it completely rewrites the backstory, but leaves the character in tact.
--Well-paced. Balances well the human character moments and the monster mayhem. Hardly lagged.
Dislike:
--Having Godzilla and Battra getting sucked into the earth for the entire middle part of the movie feels like a cheap way to get rid of them while Mothra does her thing.
--The moral implications of the hero stealing the Cosmos and thus prompting Mothra's wrath is too easily glossed over. But, then, it's a kaiju movie. That's par.
--Akira Takarada is given too little to do. It was nice to see him, but anyone could've played his part.
--Miki is also given the least to do of any of her appearences. She's a cosmos detector and that's it.
--The "environmental" message is shallow, intrusive, and Omori continually beats us over the head with it. That's the usual for most "morals" in kaiju movies, but this is a particularly annoying case.
Purgatory:
--Battra. Like him in concept (the ying to Mothra's yang) and mostly in execution. However, he doesn't get nearly enough to do. His rampage early on was nice, but adult Battra didn't get to show his stuff nearly enough before forming a truce with Mothra. Also, using Rodan's roar was lazy.
--Anyone else want to see the Maritomo (sp?) guy get whacked a la the two business men in the 1964 original? Granted, his lifeblood is destroyed and he's left a wimpering mess at the end...
--That weird sound for Godzilla's ray was an odd touch. I don't hate it, but it is curious.
Overall, a good addition to the franchise, but not a great one. I probably watch this the most of any of the Heisei movies, aside from Biollante. Possibly because it's a lighter, fun film where, for once, Godzilla's existence isn't on the line. Just an enjoyable romp and I can see why it was so successful.