eabaker wrote:What's with all this "you guys" business? Pretty sure you were only really having an argument with one person.
I speak for you all, I am your king. Bow

eabaker wrote:What's with all this "you guys" business? Pretty sure you were only really having an argument with one person.
KaijuCanuck wrote:It’s part of my secret plan to create a fifth column in the US, pre-emoting our glorious conquest and the creation of the Canadian Empire, upon which the sun will consistently set after less than eight hours of daylight.
G&G-Fan wrote:(and I find it so funny that you guys didn't even respond to my criticism... it's almost as if it's TRUE)
The funny thing is there is a scene in Mothra vs. Godzilla that perfectly fits what you're trying to portray this scene as. After the imago Mothra is dead, the Shobijin suddenly go "Oh, we can just sing to the egg and it will hatch! No worries!". First of all, why does Godzilla just leave the egg after he kills the adult Mothra? He seemed interested in eating it before, so why doesn't he proceed after he's killed the only thing preventing him from doing so? Second, if they could make the egg hatch at will, why didn't the Shobijin make it hatch earlier so it would wreck Happy Enterprises, teaching them a lesson, and then the larva can go home on it's own. No problem! Third, the fact that the Shobijin can just sing a song to make Mothra hatch is just so out of the blue and not explained. Fourth, how did they get all of the natives of Infant Island to sing along with them and do that whole big ceremony? Did they send an email to them saying "Yo my dudes, how about you start singing along with us!" I love the movie and love the song but come on!
And yet that film gets praised up and down as a masterpiece? Want to know why?
Bias. Guess what? No film is perfect.
Moogabunga wrote:Ive said it before and I'll gladly say it again, this is going to be the best Godzilla film ever and more importantly, its going to be the film that truly makes Godzilla mainstream (and cool)
SoggyNoodles2016 wrote:I'm glad to be a fake fan.
SpaceG92 wrote:
<=25% joke. >=75% topic. Even then - that's pushing it.
eabaker wrote:Honestly, I don't know if it would be possible for another movie to put us so completely at odds as TLJ does.
szmigiel wrote:Grievous wrote:[So...its The Last Jedi of the Godzilla Franchise?
More like the Highlander 2 the Quickening of the Godzilla Franchise
goji89 wrote:So.......are we gonna Kinkshame the skreeonking birds or what?
Grievous wrote:szmigiel wrote:I think this movie is one you either need to gloss over the plot, make up a lot of headcannon, or just laugh at the absurdity of it all.
So...its The Last Jedi of the Godzilla Franchise?
Mr_Goji_and_Watch wrote:G&G-Fan wrote:(and I find it so funny that you guys didn't even respond to my criticism... it's almost as if it's TRUE)
Nobody is interested in arguing against you, since you seem like someone who suffers from a heavy persecution complex. A lot of your posts are awfully loaded with a dislike towards this website and it's community, or "criticisms" which have no bearing on a film's storytelling. For example....The funny thing is there is a scene in Mothra vs. Godzilla that perfectly fits what you're trying to portray this scene as. After the imago Mothra is dead, the Shobijin suddenly go "Oh, we can just sing to the egg and it will hatch! No worries!". First of all, why does Godzilla just leave the egg after he kills the adult Mothra? He seemed interested in eating it before, so why doesn't he proceed after he's killed the only thing preventing him from doing so? Second, if they could make the egg hatch at will, why didn't the Shobijin make it hatch earlier so it would wreck Happy Enterprises, teaching them a lesson, and then the larva can go home on it's own. No problem! Third, the fact that the Shobijin can just sing a song to make Mothra hatch is just so out of the blue and not explained. Fourth, how did they get all of the natives of Infant Island to sing along with them and do that whole big ceremony? Did they send an email to them saying "Yo my dudes, how about you start singing along with us!" I love the movie and love the song but come on!
And yet that film gets praised up and down as a masterpiece? Want to know why?
Bias. Guess what? No film is perfect.
You're raising non-issues that have no bearing on what the movie is communicating to it's audience, and then dismissing anybody who doesn't care about them as biased individuals. None of these are faults that would take it's audience out of the story, nor anything you can use as some sort of "gotcha!" to try to deflect criticism against something you like. (Not that you should resort to whataboutisms) If you wanna critique Mothra vs Godzilla, why don't you bring up continuity, effects, or editing errors that do make the film a weaker production? Or any gripes you might have with the film's characterization, structure, directing, etc.
Why don't you ask your Facebook friend what their TK username was, to verify if their story is true?
goji89 wrote:So.......are we gonna Kinkshame the skreeonking birds or what?
Maritonic wrote:Okay, I'm going to be completely damn honest here I do NOT remember any psychic plant song in this movie. This is usually one of the ones I pop in all the time, too (I'm a sucker for the score for this one). So, someone please remind me what I missed the last time I drunk-watched this?
Terasawa wrote:Maritonic wrote:Okay, I'm going to be completely damn honest here I do NOT remember any psychic plant song in this movie. This is usually one of the ones I pop in all the time, too (I'm a sucker for the score for this one). So, someone please remind me what I missed the last time I drunk-watched this?
Aoki pockets a plant sample when he sneaks into the lab and meets Azusa. Miki senses it has a strong aura (or something) when he shows it to her in the G-Force commissary. They take it to a psychic research center (this is the scene with the Cosmos actresses and Tadao Takashima cameos) and the psychic girls gather around the sample to "read" it. The girls translate it into the wordless song that, when played at the lab in Kyoto, causes Baby hatch from his egg. It's the same song that the psychic girls sing in Baby's pen, riling him up (and unknown to the characters, revives Rodan). An instrumental arrangement plays over the end credits as well.
goji89 wrote:So.......are we gonna Kinkshame the skreeonking birds or what?
szmigiel wrote:https://imgur.com/a/ZVdwGRp
Here is screen caps of the 1st time it is played when it cause Baby to hatch and summons Godzilla
https://imgur.com/gallery/sCDtLaI
Here is the 2nd time when the Children sing, baby goes a little bonkers and Rodan is resurrected as Fire Rodan.
It's kind of a major plot point of the film.
goji89 wrote:So.......are we gonna Kinkshame the skreeonking birds or what?
_JNavs_ wrote:The MV is like cheap imitation crabmeat, it tastes good, but it isn't real, while Shin is kino peak Japanese performance.
Rodan95 wrote:The Shobijin are sat on by a fatass explorer and killed. Mothra is pissed and destroys Japan.
LSD Jellyfish wrote:The psychic plant song was a major plot point, but it was also never really explained or touched upon. It’s sortve this mysterious thing that just happens.
Strangely enough, when Godzilla Junior is dying, Godzilla sortve starts to glow and “breathes” some sort of pink energy/Fire into Junior. I’m wondering if maybe Godzilla has some sort of telepathic communication going on, and actually the psychics are tapping into the same force. Like someone also said earlier it would tie into the psychic abilities of SG.
Stump Feet wrote:The return of Rodan is completely undermined by how dreadful and stiff his puppet looks.
Added in 16 days 7 hours 12 minutes 19 seconds:
Found an interesting analysis of GvMG2
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