JAGzilla wrote:That scene with the psychic kids and the drawings of their dreams deserves a mention.
That’s such an effective moment. The innocence of the children, who have no concept of what their visions bode for Japan, juxtaposed with the adults, whose worst fears have been confirmed before their eyes. After 5 peaceful years, Godzilla is alive- and he’s coming back.
The atmosphere has to be mentioned, too. The whole movie has this seedy, grungy look and feel to it. Biollante is spectacularly beautiful and frightening at the same time. I love the deep reds, the earthy tones, the grain of the film stock. Humans fight for their lives in cold concrete settings, whether they’re violently murdering each other, or making a sacrificial stand against Godzilla himself. It’s memorable stuff, to say the least.
The final battle is too short, there’s no debating that. Biollante ends up being much less formidable than she looks, getting a hole blasted through her head right before Godzilla succumbs to his anemia. That one unused ending, with Biollante bursting into a massive field of multicolored giant roses, and Godzilla looking at them confusedly before leaving without harming them, should’ve probably been kept.
But still, the movie we got is one of the best in the series. That, and it has a little bit of everything that makes a textbook Godzilla movie. It has sci-fi, fantasy, cheese, good special effects, not-so-good special effects, Engrish, drama, gunfights, beam spam, military assaults, crumbling buildings, tooth-and-claw brawling, and social commentary. It neatly encapsulates the appeal of Godzilla, without really trying to. I love Godzilla vs. Biollante.