I personally think that while they’re an important aspect of it, those humanoids themselves aren’t his 5th form.
My guess is that they emerge from his tail, they’re gonna protect and defend Godzilla while he then evolves once more, and when he breaks free of the coagulant, he’ll look something like a more fully-healed, standard, traditional Godzilla.
Something like a modernized, more menacing version of G54.
That’s my theory, at least.
So about the Tail-Humanoids
- ShinGojira14
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Re: So about the Tail-Humanoids
"William Knifeman! AH! AH! AH!"
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Re: So about the Tail-Humanoids
But they’re officially stated to be his fifth form sooo
Facts don't care about your feelings
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Re: So about the Tail-Humanoids
Time for me to pull out my classic catch phrase:
If it's not on screen, it doesn't exist.
If it's not on screen, it doesn't exist.
Tokyo, a smoldering memorial to the unknown, an unknown which at this very moment still prevails and could at any time lash out with its terrible destruction anywhere else in the world.
- HeiseiGodzilla117
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Re: So about the Tail-Humanoids
eabaker wrote:Time for me to pull out my classic catch phrase:
If it's not on screen, it doesn't exist.
Do you think that's a hard rule when it comes to creative works or just one philosophy you could subscribe to? I kind of like the "death of the author" principle myself. But, to a lot of people, authorial intent (if you could call it that in this case) is still a big factor in how they think media should be interpreted. It becomes even more complicated when people don't view, say, one entry in a series of movies to be its own story but rather one part of a greater whole. And I understand the merits of those different approaches. I just wonder what your views are about those who don't necessarily hold the "death of the author" idea in high regard.
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Re: So about the Tail-Humanoids
My view is that they are welcome to their interpretations - more often than not they line up with my own, because in my personal interpretation of a work I tend to take authorial intent heavily into account - but that they are mistaken if they think that they can enforce those interpretations on others.HeiseiGodzilla117 wrote:eabaker wrote:Time for me to pull out my classic catch phrase:
If it's not on screen, it doesn't exist.
Do you think that's a hard rule when it comes to creative works or just one philosophy you could subscribe to? I kind of like the "death of the author" principle myself. But, to a lot of people, authorial intent (if you could call it that in this case) is still a big factor in how they think media should be interpreted. It becomes even more complicated when people don't view, say, one entry in a series of movies to be its own story but rather one part of a greater whole. And I understand the merits of those different approaches. I just wonder what your views are about those who don't necessarily hold the "death of the author" idea in high regard.
In short, authorial intent should not be used to dismiss reader response.
Last edited by eabaker on Thu Apr 18, 2019 10:29 pm, edited 2 times in total.
Tokyo, a smoldering memorial to the unknown, an unknown which at this very moment still prevails and could at any time lash out with its terrible destruction anywhere else in the world.
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Re: So about the Tail-Humanoids
It’s difficult though, because we have information of what Anno might have originally wanted to do, but what was ultimately rejected or altered by the upper staff at Toho. I think it’s ridiculous when people cling to X monster might have been in Y film, and to an extent concept art, but when you see an actual model it’s hard to really know what to think of it.
I personally think the tail humanoids would have either protected Godzilla, or that they would turn into Godzillas. However, part of the reason why the ending is so effective because it:
A-Illustrates how close the victory was, and that if this was not done sooner everything would’ve been lost.
B-Conveys mystery
B is more important imo. Throughout Shin, there’s a rapid sense of greater and greater mysteries. 3/4ths, the mystery kind of dissapaites of what Godzilla is/what he could turn into next. There’s a sense of dread associated with it. The ending shot solidified and continues that.
I personally think the tail humanoids would have either protected Godzilla, or that they would turn into Godzillas. However, part of the reason why the ending is so effective because it:
A-Illustrates how close the victory was, and that if this was not done sooner everything would’ve been lost.
B-Conveys mystery
B is more important imo. Throughout Shin, there’s a rapid sense of greater and greater mysteries. 3/4ths, the mystery kind of dissapaites of what Godzilla is/what he could turn into next. There’s a sense of dread associated with it. The ending shot solidified and continues that.
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Re: So about the Tail-Humanoids
Either way, the basic act of proliferating a modified version of himself constitutes another transformation, so they are - if not the entirety of - at least a significant aspect of his next form.LSD Jellyfish wrote:I personally think the tail humanoids would have either protected Godzilla, or that they would turn into Godzillas.
Last edited by eabaker on Fri Apr 19, 2019 7:23 am, edited 1 time in total.
Tokyo, a smoldering memorial to the unknown, an unknown which at this very moment still prevails and could at any time lash out with its terrible destruction anywhere else in the world.