| The
Godzilla: Kingdom of Monsters series has
had its ups and its downs. Thankfully, this issue
is actually one of the better ones in the series
so far, delivering on the human and monster side
while finally paying off in feeling like this is
headed toward the post apocalyptic setting Eric
Powell and Tracy Marsh have been working toward.
The art is, as the issue before, a miss, but at
least a more solid effort for a better overall comic.
In terms of the story, Steven Woods has now become
the protector of the little girl Allie, saving her
from the harsh world that is being created from
the monsters continued attacks across the world.
Meanwhile, President Ogden commissions the creation
of Mechagodzilla from Detroit with the help from
Japan. The mech is created and launched, fighting
with Godzilla right outside of Atlanta.
First, why couldn't they have introduced Steven
Woods earlier? The comic is immensely better for
having a focal character, and the hardened Steven
is a great choice. The world around the character
is getting darker and darker, with humans turning
against each other for the remaining resources and
Steven is all too ready for that fight. Meanwhile,
a Heisei series looking Mechagodzilla gets commissioned
and created in the blink of an eye, and its surprising
to see the machine actually do battle with Godzilla
in this issue... heck, it makes it actually feel
like a traditional Godzilla film slightly. As a
huge spoiler, which is the cue to stop reading,
Godzilla hits it in the back of the head with his
atomic ray which causes it to "run wild"
and destroy cities ala Kiryu in Godzilla
Against Mechagodzilla (2002). While an expected
twist, it lacks the DNA back story that its Millennium
counterpart had which makes the excuse that its
artificial intelligence took over pretty odd that
it would suddenly revert to sparing Godzilla and
destroying cities just like Kiryu did. As a side
note, Kumonga makes a brief appearance here, being
introduced with a hoard of dead animals, in this
case spiders.
Like the issue right before, the low point of this
comic is the art by Victor Santos. His overall tone
is just way too cartoony for the subject matter
and can't really shake off the feeling of a parody,
similar to a spoof magazine like Mad which
I have pointed out before but bares repeating. On
the plus side, he's a little better this issue,
despite drawing an awful Kumonga, although its not
so much that the art deserves praise that it becomes
more tolerable this go around and his Mechagodzilla
is decent, which is the best praise that can be
given here.
In regards to the covers, color me surprised to
actually see Kumonga here, as Mothra and King Ghidorah
had already led the way in false hopes from their
covers. Of the three covers, the one by Matt Frank
of Kumonga is the best, with a great shot of the
creature with an excellent sense of detail. The
Jeff Zornow cover, which at this point I'm convinced
he basically has free reign to draw whatever the
heck he likes, is the most dynamic if once more
misleading. The Eric Powell one, while tied to the
subject matter the most, is a little on the dull
side even if its an interesting concept.
Overall, this is a good issue in the run and makes
me hopeful that the series will continue to focus
on Steven Wood and benefit from that focal point
and development that has sometimes been lacking.
The issue doesn't really end with any particular
cliff hanger, but I'm looking forward to the next
issue if for nothing more in hope that this is the
start of another high point in the run.
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